℗ 2020 Naxos
| Released | February 14, 2020 |
| Duration | 1h 25m 26s |
| Record Label | Naxos |
| Catalogue No. | 8.574131 |
| Genre | Classical (Piano) |
Beethoven: Piano Pieces & Fragments
Sergio Gallo
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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13 Variations on "Es war einmal ein alter Mann", WoO 66
Ludwig van Beethoven; Sergio Gallo |
13:10 | |||
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1.2
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Pastorale in C Major, Bia. 622 (Ed. F. Rovelli)
Ludwig van Beethoven; Sergio Gallo |
0:23 | |||
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12 Piano Miniatures (Excerpts Ed. J. Van der Zanden)
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1.3
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No. 3 in C Major, Alla marcia
Ludwig van Beethoven; Sergio Gallo |
0:25 | |||
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1.4
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No. 4 in A Major, Allegro giocoso
Ludwig van Beethoven; Sergio Gallo |
0:41 | |||
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1.5
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No. 6 in A Major, Allegro
Ludwig van Beethoven; Sergio Gallo |
0:31 | |||
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1.6
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No. 7 in A Major, Presto
Ludwig van Beethoven; Sergio Gallo |
0:40 | |||
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1.7
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No. 8 in G Major, Allegretto
Ludwig van Beethoven; Sergio Gallo |
0:43 | |||
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1.8
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No. 9 in D Major, Menuetto
Ludwig van Beethoven; Sergio Gallo |
1:26 | |||
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1.9
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Allegretto in C Minor, WoO 53, Hess 66
Ludwig van Beethoven; Sergio Gallo |
3:09 | |||
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1.10
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3 Imitative Movements, Bia. 69
Ludwig van Beethoven; Sergio Gallo |
0:58 | |||
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1.11
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Allegro in C Major, Bia. 279 (Ed. A. Schmitz)
Ludwig van Beethoven; Sergio Gallo |
0:10 | |||
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1.12
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Kaplied, Hess 63 (After C.F.D. Schubart)
Ludwig van Beethoven; Sergio Gallo |
0:36 | |||
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1.13
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Canon in A-Flat Major, WoO 222
Ludwig van Beethoven; Sergio Gallo |
0:25 | |||
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1.14
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Canon in G Major, Hess 274 (After Mattheson)
Ludwig van Beethoven; Sergio Gallo |
1:06 | |||
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1.15
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Adagio in G Major, Hess 70 (Fragment Ed. L. Lockwood & A. Gosman)
Ludwig van Beethoven; Sergio Gallo |
0:40 | |||
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1.16
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Draft for Piano in A Major, Hess 60 (Ed. A. Schmitz)
Ludwig van Beethoven; Sergio Gallo |
0:31 | |||
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1.17
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Theme & Variation in A Major, Hess 72
Ludwig van Beethoven; Sergio Gallo |
2:42 | |||
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1.18
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O Hoffnung, WoO 200
Ludwig van Beethoven; Sergio Gallo |
0:22 | |||
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1.19
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Presto in G Major, Bia. 277 (Ed. A. Schmitz)
Ludwig van Beethoven; Sergio Gallo |
0:34 | |||
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4 Bagatelles, WoO 213 (Excerpts)
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1.20
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No. 2 in G Major, Finale, Bia. 282 (Ed. A. Schmitz)
Ludwig van Beethoven; Sergio Gallo |
0:29 | |||
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1.21
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Piano Etude in B-Flat Major, Hess 58
Ludwig van Beethoven; Sergio Gallo |
0:41 | |||
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1.22
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Piano Etude in C Major, Hess 59
Ludwig van Beethoven; Sergio Gallo |
0:25 | |||
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1.23
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String Quintet in C Major, WoO 62 "Letzter musikalischer Gedanke" (Completed A. Diabelli for Piano)
Ludwig van Beethoven; Sergio Gallo |
2:47 | |||
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1.24
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9 Variations on a March by Dressler, WoO 63
Ludwig van Beethoven; Sergio Gallo |
13:18 | |||
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1.25
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Piano Sonata in F Major, WoO 50
Ludwig van Beethoven; Sergio Gallo |
1:33 | |||
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1.26
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6 Variations on a Swiss Song, WoO 64 (Version for Piano)
Ludwig van Beethoven; Sergio Gallo |
2:55 | |||
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1.27
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Andante in C Major, WoO 211
Ludwig van Beethoven; Sergio Gallo |
0:58 | |||
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1.28
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Molto adagio in G Major, Hess 71 (Fragment Ed. L. Lockwood & A. Gosman)
Ludwig van Beethoven; Sergio Gallo |
1:08 | |||
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2 Cadenzas in D Minor, WoO 58 (After Mozart's K. 466)
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1.29
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No. 1, Allegro
Ludwig van Beethoven; Sergio Gallo |
2:33 | |||
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1.30
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No. 2, Rondo. Allegro assai
Ludwig van Beethoven; Sergio Gallo |
1:25 | |||
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1.31
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Rondo for Piano, Hess 84 (After Beethoven's Op. 61a)
Ludwig van Beethoven; Sergio Gallo |
0:31 | |||
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1.32
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Cadenza for Piano, Hess 85 (After Beethoven's Op. 61a)
Ludwig van Beethoven; Sergio Gallo |
0:27 | |||
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4 Bagatelles, WoO 213 (Excerpts Ed. B. Cooper)
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1.33
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No. 1 in D-Flat Major, Andante, Bia. 283
Ludwig van Beethoven; Sergio Gallo |
1:02 | |||
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1.34
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No. 4 in A Major, Rondo, Bia. 275
Ludwig van Beethoven; Sergio Gallo |
0:49 | |||
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1.35
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Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" (1822 Version)
Ludwig van Beethoven; Sergio Gallo |
3:28 | |||
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1.36
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Piano Sonata in D Major, Bia. 213 "Quasi una fantasia" (Fragment Transcr. J. Kerman)
Ludwig van Beethoven; Sergio Gallo |
21:45 | |||
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Digital Booklet
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Including premiere recordings, this programme provides us with a privileged opportunity to engage with 36 of Ludwig van Beethoven’s rarely heard sketches, variations and briefest of compositions, even the earliest of which have much to teach us about the emergence of his unique voice and style. The range of Beethoven’s musical experimentation reveals a lasting interest in counterpoint, as well as practical pages such as cadenzas for a Mozart concerto, an incomplete sonata and a second version of the famous bagatelle "Für Elise". A significant supplement to his greatest works, these miniatures bring the full arc of Beethoven’s singular genius into ever clearer focus.
96 kHz / 24-bit PCM – Naxos Studio Masters
Tracks 1-36 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-36 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.89 -15.35 to -1.14 | -27.64 -36.55 to -22.45 | -24.37 -33.10 to -18.80 | 12 9 to 16 | |
| 1 | 13 Variations on "Es war einmal ein alter Mann", WoO 66 | -1.46 | -25.12 | -21.9 | 16 |
| 2 | Pastorale in C Major, Bia. 622 (Ed. F. Rovelli) | -8.66 | -29.74 | -26.1 | 11 |
| 3 | No. 3 in C Major, Alla marcia | -5.61 | -27.21 | -23.7 | 14 |
| 4 | No. 4 in A Major, Allegro giocoso | -7.53 | -27.61 | -24.1 | 11 |
| 5 | No. 6 in A Major, Allegro | -9.72 | -27.34 | -24.1 | 11 |
| 6 | No. 7 in A Major, Presto | -5.53 | -26.16 | -23.3 | 14 |
| 7 | No. 8 in G Major, Allegretto | -9.88 | -28.10 | -25.0 | 12 |
| 8 | No. 9 in D Major, Menuetto | -11.06 | -32.70 | -29.2 | 12 |
| 9 | Allegretto in C Minor, WoO 53, Hess 66 | -4.29 | -26.69 | -23.6 | 14 |
| 10 | 3 Imitative Movements, Bia. 69 | -9.98 | -29.52 | -26.1 | 11 |
| 11 | Allegro in C Major, Bia. 279 (Ed. A. Schmitz) | -3.78 | -27.63 | -23.5 | 10 |
| 12 | Kaplied, Hess 63 (After C.F.D. Schubart) | -8.37 | -30.22 | -27.2 | 12 |
| 13 | Canon in A-Flat Major, WoO 222 | -9.50 | -28.51 | -25.1 | 10 |
| 14 | Canon in G Major, Hess 274 (After Mattheson) | -9.49 | -28.66 | -25.8 | 11 |
| 15 | Adagio in G Major, Hess 70 (Fragment Ed. L. Lockwood & A. Gosman) | -10.92 | -34.12 | -30.9 | 9 |
| 16 | Draft for Piano in A Major, Hess 60 (Ed. A. Schmitz) | -6.50 | -28.00 | -23.5 | 12 |
| 17 | Theme & Variation in A Major, Hess 72 | -10.36 | -29.79 | -27.0 | 12 |
| 18 | O Hoffnung, WoO 200 | -10.67 | -29.89 | -26.5 | 11 |
| 19 | Presto in G Major, Bia. 277 (Ed. A. Schmitz) | -7.94 | -25.75 | -23.2 | 10 |
| 20 | No. 2 in G Major, Finale, Bia. 282 (Ed. A. Schmitz) | -6.56 | -24.70 | -21.4 | 12 |
| 21 | Piano Etude in B-Flat Major, Hess 58 | -6.68 | -28.78 | -25.3 | 14 |
| 22 | Piano Etude in C Major, Hess 59 | -10.09 | -30.53 | -27.4 | 11 |
| 23 | String Quintet in C Major, WoO 62 "Letzter musikalischer Gedanke" (Completed A. Diabelli for Piano) | -1.14 | -25.15 | -21.9 | 14 |
| 24 | 9 Variations on a March by Dressler, WoO 63 | -4.09 | -27.25 | -24.3 | 14 |
| 25 | Piano Sonata in F Major, WoO 50 | -5.01 | -25.39 | -22.2 | 12 |
| 26 | 6 Variations on a Swiss Song, WoO 64 (Version for Piano) | -5.04 | -29.16 | -25.9 | 14 |
| 27 | Andante in C Major, WoO 211 | -8.85 | -30.43 | -27.5 | 14 |
| 28 | Molto adagio in G Major, Hess 71 (Fragment Ed. L. Lockwood & A. Gosman) | -15.35 | -36.55 | -33.1 | 13 |
| 29 | No. 1, Allegro | -1.80 | -25.26 | -21.6 | 14 |
| 30 | No. 2, Rondo. Allegro assai | -3.44 | -22.79 | -18.8 | 11 |
| 31 | Rondo for Piano, Hess 84 (After Beethoven's Op. 61a) | -8.20 | -23.96 | -20.8 | 9 |
| 32 | Cadenza for Piano, Hess 85 (After Beethoven's Op. 61a) | -4.60 | -22.45 | -19.3 | 11 |
| 33 | No. 1 in D-Flat Major, Andante, Bia. 283 | -5.27 | -22.58 | -19.9 | 11 |
| 34 | No. 4 in A Major, Rondo, Bia. 275 | -4.91 | -24.71 | -21.8 | 12 |
| 35 | Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" (1822 Version) | -3.90 | -27.22 | -24.3 | 15 |
| 36 | Piano Sonata in D Major, Bia. 213 "Quasi una fantasia" (Fragment Transcr. J. Kerman) | -1.86 | -25.51 | -22.0 | 15 |