℗ 2020 Ondine
Released | March 6, 2020 |
Duration | 1h 08m 46s |
Record Label | Ondine |
Catalogue No. | ODE1341-2 |
Genre | Classical (Modern Era) |
Hindemith: Kammermusik, Vol. 1
Xi Zhai, Kronberg Academy Soloists, Schleswig-Holstein Festival Orchestra, Christoph Eschenbach, Christopher Park, Bruno Philippe
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
Kammermusik No. 1, Op. 24 No. 1
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1.1
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I. Sehr schnell und wild
Paul Hindemith; Xi Zhai; Kronberg Academy Soloists; Schleswig-Holstein Festival Orchestra; Christoph Eschenbach |
1:12 | |||
1.2
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II. Mässig schnelle Halbe
Paul Hindemith; Xi Zhai; Kronberg Academy Soloists; Schleswig-Holstein Festival Orchestra; Christoph Eschenbach |
3:30 | |||
1.3
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III. Quartett. Sehr langsam und mit Ausdruck
Paul Hindemith; Xi Zhai; Kronberg Academy Soloists; Schleswig-Holstein Festival Orchestra; Christoph Eschenbach |
4:15 | |||
1.4
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IV. Finale 1921. Lebhaft
Paul Hindemith; Xi Zhai; Kronberg Academy Soloists; Schleswig-Holstein Festival Orchestra; Christoph Eschenbach |
6:25 | |||
Kammermusik No. 2, Op. 36 No. 1
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1.5
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I. Sehr lebhafte Achtel
Paul Hindemith; Christopher Park; Kronberg Academy Soloists; Schleswig-Holstein Festival Orchestra; Christoph Eschenbach |
3:00 | |||
1.6
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II. Sehr langsame Achtel
Paul Hindemith; Christopher Park; Kronberg Academy Soloists; Schleswig-Holstein Festival Orchestra; Christoph Eschenbach |
9:21 | |||
1.7
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III. Kleines Potpourri. Sehr lebhafte Viertel
Paul Hindemith; Christopher Park; Kronberg Academy Soloists; Schleswig-Holstein Festival Orchestra; Christoph Eschenbach |
1:42 | |||
1.8
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IV. Finale. Schnelle Viertel
Paul Hindemith; Christopher Park; Kronberg Academy Soloists; Schleswig-Holstein Festival Orchestra; Christoph Eschenbach |
6:22 | |||
Kammermusik No. 3, Op. 36 No. 2
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1.9
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I. Majestätisch und stark. Mäßig schnelle Achtel
Paul Hindemith; Bruno Philippe; Kronberg Academy Soloists; Schleswig-Holstein Festival Orchestra; Christoph Eschenbach |
2:34 | |||
1.10
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II. Lebhaft und lustig
Paul Hindemith; Bruno Philippe; Kronberg Academy Soloists; Schleswig-Holstein Festival Orchestra; Christoph Eschenbach |
4:58 | |||
1.11
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III. Sehr ruhig und gemessen schreitende Viertel
Paul Hindemith; Bruno Philippe; Kronberg Academy Soloists; Schleswig-Holstein Festival Orchestra; Christoph Eschenbach |
7:45 | |||
1.12
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IV. Mässig bewegte Halbe. Munter, aber immer gemächlich
Paul Hindemith; Bruno Philippe; Kronberg Academy Soloists; Schleswig-Holstein Festival Orchestra; Christoph Eschenbach |
3:17 | |||
Kleine Kammermusik No. 2, Op. 24 No. 2
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1.13
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I. Lustig. Mässig schnelle Viertel
Paul Hindemith; Kronberg Academy Soloists |
3:12 | |||
1.14
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II. Walzer. Durchweg sehr leise
Paul Hindemith; Kronberg Academy Soloists |
2:13 | |||
1.15
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III. Ruhig und einfach. Achtel
Paul Hindemith; Kronberg Academy Soloists |
4:50 | |||
1.16
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IV. Schnelle Viertel
Paul Hindemith; Kronberg Academy Soloists |
1:00 | |||
1.17
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V. Sehr lebhaft
Paul Hindemith; Kronberg Academy Soloists |
3:10 |
First volume in a series dedicated to Paul Hindemith’s (1895–1963) chamber works includes the first three works in his Kammermusik series together with Kleine Kammermusik written for a wind quintet. This album continues a successful series of recordings of Hindemith’s music together with conductor Christoph Eschenbach. This series has earned him, among others, a Grammy award. These recordings of chamber music have been recorded with a group of young promising artists, including pianist Christopher Park and cellist Bruno Philippe who are playing the solo parts in the ‘Concertos’, Op. 36.
Hindemith’s postwar period may rightly be described as a time of new beginnings not only for Hindemith personally but also for the European concert world, both in economic and artistic respects. It was during this time that Hindemith wrote his Kammermusik No. 1 (1922), a work for an ensemble of twelve solo instruments. Through to 1929 it was followed by six solo concertos that he designated as the Kammermusiken Nos. 2–7. At the premieres of four of these works the composer himself performed as an instrumentalist or as a conductor.
The Kronberg Academy Soloists are outstanding young violinists, violists and cellists who are studying at the institution. Kronberg Academy is today considered one of the most important meeting and training places, and a wellspring of creativity for young string players, and now for young pianists as well. Major concert halls and event organizers regularly invite Kronberg Academy to give concerts in which its students perform together. These include London’s Wigmore Hall, the Louvre Auditorium in Paris, New York’s Carnegie Hall, Konzerthaus Berlin and Suntory Hall in Tokyo.
Ever since its founding in 1987 by Leonard Bernstein, the international Orchestral Academy of the Schleswig-Holstein Musik Festival has enjoyed a superb reputation worldwide. It forms the centrepiece of the educational work performed by one of the most important classical music festivals, held annually in the north of Germany. However, with the concerts of its Festival Orchestra it does not only delight audiences in Schleswig-Holstein, but also on concert tours to Europe’s musical centres, North and South America and Asia. Each year, the Schleswig-Holstein Musik Festival assembles an international youth orchestra by vetting students from around the world. Auditions are offered each winter to more than 1500 young musicians. In other words, the Schleswig-Holstein Festival Orchestra is comprised of the world’s finest young musicians. Since 2004 Christoph Eschenbach is Principal Conductor of the orchestra.
48 kHz / 24-bit PCM – Ondine Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -9.53 -19.11 to -6.34 | -31.46 -37.63 to -26.29 | -27.64 -33.90 to -22.30 | 14 10 to 16 | |
1 | I. Sehr schnell und wild | -6.34 | -26.29 | -22.3 | 14 |
2 | II. Mässig schnelle Halbe | -6.41 | -30.18 | -26.3 | 16 |
3 | III. Quartett. Sehr langsam und mit Ausdruck | -19.11 | -37.63 | -33.9 | 10 |
4 | IV. Finale 1921. Lebhaft | -6.35 | -29.58 | -25.0 | 15 |
5 | I. Sehr lebhafte Achtel | -6.35 | -27.72 | -24.5 | 14 |
6 | II. Sehr langsame Achtel | -7.75 | -32.66 | -28.0 | 15 |
7 | III. Kleines Potpourri. Sehr lebhafte Viertel | -9.77 | -34.34 | -30.8 | 14 |
8 | IV. Finale. Schnelle Viertel | -6.39 | -28.60 | -24.9 | 14 |
9 | I. Majestätisch und stark. Mäßig schnelle Achtel | -7.45 | -29.44 | -26.0 | 15 |
10 | II. Lebhaft und lustig | -6.43 | -28.43 | -25.0 | 14 |
11 | III. Sehr ruhig und gemessen schreitende Viertel | -6.45 | -29.62 | -25.5 | 14 |
12 | IV. Mässig bewegte Halbe. Munter, aber immer gemächlich | -7.00 | -29.99 | -26.5 | 14 |
13 | I. Lustig. Mässig schnelle Viertel | -12.01 | -34.84 | -30.9 | 14 |
14 | II. Walzer. Durchweg sehr leise | -15.21 | -34.03 | -30.6 | 11 |
15 | III. Ruhig und einfach. Achtel | -13.53 | -35.94 | -31.7 | 13 |
16 | IV. Schnelle Viertel | -14.99 | -34.28 | -30.4 | 12 |
17 | V. Sehr lebhaft | -10.39 | -31.25 | -27.5 | 12 |