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Incantation

Virgil Boutellis-Taft, Royal Philharmonic Orchestra, Jac van Steen

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats

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1.1
Kol Nidrei, Op. 47
Max Bruch; Virgil Boutellis-Taft; Jac van Steen; Royal Philharmonic Orchestra
9:02
1.2
Chaconne in G Minor
Tomaso Antonio Vitali; Virgil Boutellis-Taft; Jac van Steen; Royal Philharmonic Orchestra
9:54
1.3
Danse macabre, Op. 40
Camille Saint-Saëns; Virgil Boutellis-Taft; Jac van Steen; Royal Philharmonic Orchestra
6:47
1.4
Sérénade mélancolique in B-Flat Minor, Op. 26
Pyotr Ilyich Tchaikovsky; Virgil Boutellis-Taft; Jac van Steen; Royal Philharmonic Orchestra
10:05
Baal Shem, B. 47  
1.5
II. Nigun
Ernest Bloch; Virgil Boutellis-Taft; Jac van Steen; Royal Philharmonic Orchestra
7:47
1.6
Poème pour violon et orchestre, Op. 25
Ernest Chausson; Virgil Boutellis-Taft; Jac van Steen; Royal Philharmonic Orchestra
16:57
1.7
Yumeji's Theme (from the soundtrack of the film In the Mood for Love)
Shigeru Umebayashi; Virgil Boutellis-Taft; Jac van Steen; Royal Philharmonic Orchestra
2:44
Digital Booklet
Total Playing Time    63:16
Incantation holds many mysteries. The brilliant violinist Virgil Boutellis-Taft strips away the veil of its secret powers, the ones that lie inside his violin's fascinating chant. Sometimes violent and fiery, as in Saint-Saëns' Danse macabre, sometimes tender, as in Tchaikovsky and Bruch, incantation is indeed deeply rooted in musical history, from Vitali's Chaconne to the 'Yumeji's Theme', part of the soundtrack of the film In the Mood for Love. Over and over, it kept inspiring many composers their most captivating works. Virgil Boutellis-Taft and the Royal Philharmonic Orchestra, under's Jac Van Steen direction, show remarkable eloquence in this magical recording: one can only fall under these spells.
96 kHz / 24-bit PCM – Aparté Studio Masters

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