℗ 2020 Orchid Classics
| Released | March 6, 2020 |
| Duration | 1h 08m 46s |
| Record Label | Orchid Classics |
| Catalogue No. | ORC100123 |
| Genre | Classical (Piano) |
Beethoven: Piano Sonatas, Vol. 6
Jonathan Biss
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Piano Sonata No. 9 in E Major, Op. 14 No. 1
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1.1
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I. Allegro
Ludwig van Beethoven; Jonathan Biss |
6:29 | |||
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1.2
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II. Allegretto
Ludwig van Beethoven; Jonathan Biss |
3:37 | |||
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1.3
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III. Rondo. Allegro comodo
Ludwig van Beethoven; Jonathan Biss |
3:10 | |||
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Piano Sonata No. 13 in E-Flat Major, Op. 27 No. 1 "Quasi una fantasia"
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1.4
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I. Andante
Ludwig van Beethoven; Jonathan Biss |
4:28 | |||
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1.5
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II. Allegro molto e vivace
Ludwig van Beethoven; Jonathan Biss |
1:55 | |||
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1.6
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III. Adagio con espressione
Ludwig van Beethoven; Jonathan Biss |
2:22 | |||
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1.7
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IV. Allegro vivace
Ludwig van Beethoven; Jonathan Biss |
5:19 | |||
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Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier"
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1.8
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I. Allegro
Ludwig van Beethoven; Jonathan Biss |
10:51 | |||
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1.9
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II. Scherzo. Assai vivace
Ludwig van Beethoven; Jonathan Biss |
2:49 | |||
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1.10
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III. Adagio sostenuto
Ludwig van Beethoven; Jonathan Biss |
15:32 | |||
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1.11
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IV. Largo - Allegro risoluto
Ludwig van Beethoven; Jonathan Biss |
12:14 | |||
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Digital Booklet
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"…a beautifully packaged affair. The playing there, too, is superb, consistently fresh and enlightening; it represents one of the finest products of Beethoven 250."
- Seen and Heard International
This album is the sixth volume of a nine-disc survey of the complete Beethoven Piano Sonatas from Jonathan Biss.
Jonathan Biss is an American pianist, teacher, and writer based in Philadelphia. He is the co-artistic director (with Mitsuko Uchida) of the Marlboro Music Festival. He has appeared with the foremost orchestras in the United States including the Los Angeles and New York philharmonics; the Boston, Chicago, and San Francisco Symphonies, and the Cleveland and Philadelphia orchestras. Throughout his career, Biss has been particularly noted for his immersive focus on single composers.
96 kHz / 24-bit PCM – Orchid Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.21 -3.77 to -0.40 | -24.23 -27.66 to -20.76 | -20.75 -24.10 to -17.20 | 14 12 to 16 | |
| 1 | I. Allegro | -0.53 | -25.50 | -22.3 | 16 |
| 2 | II. Allegretto | -2.74 | -27.50 | -24.1 | 15 |
| 3 | III. Rondo. Allegro comodo | -1.32 | -23.58 | -20.1 | 13 |
| 4 | I. Andante | -0.93 | -26.03 | -22.3 | 16 |
| 5 | II. Allegro molto e vivace | -0.40 | -21.89 | -19.1 | 12 |
| 6 | III. Adagio con espressione | -3.77 | -26.98 | -23.7 | 13 |
| 7 | IV. Allegro vivace | -0.40 | -21.91 | -18.5 | 14 |
| 8 | I. Allegro | -0.40 | -20.76 | -17.2 | 13 |
| 9 | II. Scherzo. Assai vivace | -0.40 | -23.19 | -19.4 | 15 |
| 10 | III. Adagio sostenuto | -2.07 | -27.66 | -23.7 | 16 |
| 11 | IV. Largo - Allegro risoluto | -0.40 | -21.56 | -17.9 | 14 |