℗ 2020 Orchid Classics
Released | March 6, 2020 |
Duration | 1h 03m 38s |
Record Label | Orchid Classics |
Catalogue No. | ORC100125 |
Genre | Classical (Piano) |
Beethoven: Piano Sonatas, Vol. 8
Jonathan Biss
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique"
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1.1
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I. Grave - Allegro di molto e con brio
Ludwig van Beethoven; Jonathan Biss |
8:27 | |||
1.2
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II. Adagio cantabile
Ludwig van Beethoven; Jonathan Biss |
4:42 | |||
1.3
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III. Rondo. Allegro
Ludwig van Beethoven; Jonathan Biss |
4:43 | |||
Piano Sonata No. 10 in G Major, Op. 14 No. 2
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1.4
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I. Allegro
Ludwig van Beethoven; Jonathan Biss |
7:10 | |||
1.5
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II. Andante
Ludwig van Beethoven; Jonathan Biss |
4:42 | |||
1.6
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III. Scherzo. Allegro assai
Ludwig van Beethoven; Jonathan Biss |
3:27 | |||
Piano Sonata No. 22 in F Major, Op. 54
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1.7
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I. In tempo d'un menuetto
Ludwig van Beethoven; Jonathan Biss |
5:08 | |||
1.8
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II. Allegretto
Ludwig van Beethoven; Jonathan Biss |
5:35 | |||
Piano Sonata No. 31 in A-Flat Major, Op. 110
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1.9
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I. Moderato cantabile molto espressivo
Ludwig van Beethoven; Jonathan Biss |
6:44 | |||
1.10
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II. Allegro molto
Ludwig van Beethoven; Jonathan Biss |
2:14 | |||
1.11
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III. Adagio ma non troppo
Ludwig van Beethoven; Jonathan Biss |
10:46 | |||
Digital Booklet
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"…a beautifully packaged affair. The playing there, too, is superb, consistently fresh and enlightening; it represents one of the finest products of Beethoven 250."
- Seen and Heard International
This album is the eighth volume of a nine-disc survey of the complete Beethoven Piano Sonatas from Jonathan Biss.
Jonathan Biss is an American pianist, teacher, and writer based in Philadelphia. He is the co-artistic director (with Mitsuko Uchida) of the Marlboro Music Festival. He has appeared with the foremost orchestras in the United States including the Los Angeles and New York philharmonics; the Boston, Chicago, and San Francisco Symphonies, and the Cleveland and Philadelphia orchestras. Throughout his career, Biss has been particularly noted for his immersive focus on single composers.
96 kHz / 24-bit PCM – Orchid Classics Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.35 -6.09 to -0.60 | -26.07 -30.64 to -23.75 | -22.57 -27.60 to -19.90 | 15 13 to 17 | |
1 | I. Grave - Allegro di molto e con brio | -0.60 | -24.37 | -20.5 | 16 |
2 | II. Adagio cantabile | -4.10 | -30.64 | -27.6 | 17 |
3 | III. Rondo. Allegro | -2.54 | -24.48 | -21.1 | 14 |
4 | I. Allegro | -6.09 | -26.62 | -23.5 | 13 |
5 | II. Andante | -0.72 | -27.74 | -24.5 | 15 |
6 | III. Scherzo. Allegro assai | -3.14 | -26.43 | -23.1 | 16 |
7 | I. In tempo d'un menuetto | -1.38 | -25.30 | -21.6 | 15 |
8 | II. Allegretto | -3.23 | -24.10 | -21.3 | 13 |
9 | I. Moderato cantabile molto espressivo | -2.78 | -27.29 | -23.4 | 14 |
10 | II. Allegro molto | -0.62 | -23.75 | -19.9 | 14 |
11 | III. Adagio ma non troppo | -0.60 | -26.10 | -21.8 | 16 |