℗ 2019 Odradek Records
 

Reflections

Marco Fumo

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1.1
Keyboard Sonata in A minor, K. 382
Marco Fumo
2:57
1.2
Odeon
Marco Fumo
2:43
1.3
Elite Syncopations
Marco Fumo
2:49
1.4
Carolina Shout
Marco Fumo
2:45
1.5
Tango
Marco Fumo
3:21
1.6
Café de Barracas
Marco Fumo
2:23
1.7
Garoto
Marco Fumo
3:44
Saudades do Brasil, Op. 67  
1.8
I. Sorocaba
Marco Fumo
1:24
1.9
Bethena, A Concert Waltz
Marco Fumo
4:14
1.10
Romance de Barrio
Marco Fumo
1:44
1.11
Keyboard Sonata in G minor, K. 111
Marco Fumo
2:57
Four Piano Blues  
1.12
IV. With Bounce
Marco Fumo
1:17
1.13
Jitterbug Waltz
Marco Fumo
3:16
Trois Novelettes, FP. 173  
1.14
III. Andantino tranquillo
Marco Fumo
2:22
1.15
Sunburst Rag
Marco Fumo
2:57
1.16
Grandpa's Spells
Marco Fumo
2:54
1.17
Clair de Lune
Marco Fumo
5:06
1.18
Reflections in D
Marco Fumo
3:55
Total Playing Time    52:48
Italian pianist Marco Fumo presents a fascinating and essential programme charting the evolution of African-American styles in piano music, embracing works from a cross-section of genres and eras, from Baroque to Brazilian choro, from ragtime to stride piano, from neoclassicism to tango, from impressionism to jazz. A versatile musician, for over a decade Fumo collaborated professionally with Nino Rota and Ennio Morricone. Marco Fumo has always aimed to embrace good music of any genre without distinction, interested more in its innate qualities than in categorisation. In this refreshing and original recital, Fumo interprets a kaleidoscopic spectrum of pieces, tracing their intricate, sometimes subtle interconnections through the lens of Afro-American cultural history. We hear works by Scarlatti and Stravinsky, Debussy and Copland, Scott Joplin and Fats Waller, accompanied by thoughtful booklet notes explaining the musical backgrounds to, and links between, these pieces. Marco Fumo is considered to be one of the best interpreters of Afro-American piano repertoire. After an early career in classical music, Marco studied early ragtime, analysing the origins of and influences on early ragtime piano. The result is a repertoire that embraces a century of literature from the Cuban dances of Saumell, Gottschalk and Cervantes up through Gershwin and Duke Ellington, including composers of ragtime and stride piano such as Joplin, Scott, Lamb, Matthews, Morton, Waller, Johnson, Jackson, Smith, and others.
96 kHz / 24-bit PCM – Odradek Records Studio Masters

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