℗ 2020 play loud! productions
| Released | February 22, 2020 |
| Duration | 50m 40s |
| Record Label | play loud! productions |
| Catalogue No. | pl-98 |
| Genre | Jazz (Classic Jazz) |
Music is the Most Beautiful Language in the World - Yiddisher Jazz in London's East End 1920s to 1950s
Various Artists
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Beigels (1935)
Max Bacon |
2:58 | |||
|
1.2
|
Mahzel (1951)
Johnny Franks & his Kosher Ragtimers |
2:39 | |||
|
1.3
|
Selection of Hebrew Dances No. 1 (1934)
Ambrose & his Orchestra |
3:07 | |||
|
1.4
|
Wilhemina (1951)
Johnny Franks & his Kosher Ragtimers |
3:01 | |||
|
1.5
|
A Brivella der Mama (1933)
Lew Stone and The Monseigneur Band |
3:06 | |||
|
1.6
|
A Day in Tthe Lane (1951)
Baker and Willie |
2:32 | |||
|
1.7
|
Yiddisher Samba (1956)
Stanely Laudan |
1:37 | |||
|
1.8
|
Tzena Tzena Tzena (1950)
Johnny Franks & his Kosher Ragtimers |
2:27 | |||
|
1.9
|
Kosher Fox Trot Medley Petticoat Lane, Pt. 1 (1929)
Mendel and his Mishpoche Band |
2:55 | |||
|
1.10
|
Rock'n'Roll Kozatsky (1956)
Stanley Laudan |
1:50 | |||
|
1.11
|
Bei mir bist du schon (1937)
Maurice Winnick |
2:45 | |||
|
1.12
|
Petticoat Lane (1929)
The Plazza Band |
3:00 | |||
|
1.13
|
Why Be Angry Sweetheart (1949)
Rita Marlowe |
2:47 | |||
|
1.14
|
Return to Me (1948)
Oscar Grasso and his Intimate Music |
3:12 | |||
|
1.15
|
Hebrew Chant (1949)
Leo Fuld |
2:50 | |||
|
1.16
|
Whitechapel (1951)
Chaim Towber with Johnny Franks Orchestra |
2:58 | |||
|
1.17
|
Festival of Britain (1951)
Chaim Towber with Johnny Franks Orchestra |
2:57 | |||
|
1.18
|
Jew's Temporary Shelter 75th Anniversary Appeal (1960)
Choir of Carmel College; A.P.W Simon |
3:59 |
44.1 kHz / 24-bit PCM – play loud! productions Studio Masters
Tracks 1-18 – contains high-resolution digital transfers of material originating from an analogue master source Track 18 – 44.1 kHz / 16-bit PCM
Tracks 1-18 – contains high-resolution digital transfers of material originating from an analogue master source Track 18 – 44.1 kHz / 16-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.62 -2.78 to -0.10 | -14.68 -22.22 to -11.71 | -11.73 -23.50 to -8.60 | 9 7 to 13 | |
| 1 | Beigels (1935) | -0.22 | -16.19 | -12.9 | 11 |
| 2 | Mahzel (1951) | -1.77 | -14.68 | -11.6 | 8 |
| 3 | Selection of Hebrew Dances No. 1 (1934) | -0.18 | -14.28 | -10.2 | 9 |
| 4 | Wilhemina (1951) | -0.10 | -12.02 | -9.3 | 7 |
| 5 | A Brivella der Mama (1933) | -0.36 | -13.56 | -10.7 | 8 |
| 6 | A Day in Tthe Lane (1951) | -1.42 | -15.02 | -11.3 | 8 |
| 7 | Yiddisher Samba (1956) | -2.78 | -19.11 | -15.2 | 11 |
| 8 | Tzena Tzena Tzena (1950) | -0.10 | -16.84 | -12.8 | 12 |
| 9 | Kosher Fox Trot Medley Petticoat Lane, Pt. 1 (1929) | -1.36 | -15.37 | -12.0 | 8 |
| 10 | Rock'n'Roll Kozatsky (1956) | -0.10 | -13.08 | -10.1 | 8 |
| 11 | Bei mir bist du schon (1937) | -0.82 | -17.37 | -14.1 | 11 |
| 12 | Petticoat Lane (1929) | -0.21 | -11.71 | -8.6 | 7 |
| 13 | Why Be Angry Sweetheart (1949) | -0.10 | -12.68 | -10.1 | 8 |
| 14 | Return to Me (1948) | -0.12 | -12.23 | -9.3 | 7 |
| 15 | Hebrew Chant (1949) | -0.26 | -13.32 | -10.5 | 8 |
| 16 | Whitechapel (1951) | -0.10 | -12.05 | -9.3 | 7 |
| 17 | Festival of Britain (1951) | -0.10 | -12.53 | -9.7 | 7 |
| 18 | Jew's Temporary Shelter 75th Anniversary Appeal (1960) | -1.07 | -22.22 | -23.5 | 13 |