℗ 2009 UNIVERSAL MUSIC; A Decca Gold release
| Released | August 12, 2009 |
| Duration | 1h 02m 11s |
| Record Label | Universal Music |
| Genre | Classical (Classical Crossover) |
MinimalRhythm
Joe Hisaishi, London Symphony Orchestra, Carmine Lauri
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Links
Joe Hisaishi; Joe Hisaishi; London Symphony Orchestra; Carmine Lauri |
5:53 | |||
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Sinfonia for Chamber Orchestra
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1.2
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I. Pulsation
Joe Hisaishi; Joe Hisaishi; London Symphony Orchestra; Carmine Lauri |
7:02 | |||
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1.3
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II. Fugue
Joe Hisaishi; Joe Hisaishi; London Symphony Orchestra; Carmine Lauri |
5:21 | |||
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1.4
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III. Divertimento
Joe Hisaishi; Joe Hisaishi; London Symphony Orchestra; Carmine Lauri |
11:13 | |||
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3 Romances, Op. 11
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1.5
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MKWAJU 1981-2009
Joe Hisaishi; Joe Hisaishi; London Symphony Orchestra; Carmine Lauri |
4:55 | |||
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The End of the World
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1.6
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I. Collapse
Joe Hisaishi; Joe Hisaishi; London Symphony Orchestra; Carmine Lauri |
5:32 | |||
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1.7
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II. Grace of the St. Paul
Joe Hisaishi; Joe Hisaishi; London Symphony Orchestra; Carmine Lauri |
7:10 | |||
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1.8
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III. Beyond the World
Joe Hisaishi; Joe Hisaishi; London Symphony Orchestra; Carmine Lauri |
7:10 | |||
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1.9
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DA-MA-SHI-E
Joe Hisaishi; Joe Hisaishi; London Symphony Orchestra; Carmine Lauri |
7:55 | |||
This release comes in a series of releases from the legendary Japanese composer Joe Hisaishi. MinimalRhythm features Hisiashi's large orchestral works performed by the London Philharmonic Orchestra with Carmine Lauri, including his seminal piece, "The End of the World".
Joe Hisaishi is known for over 100 film scores and solo albums dating back to 1981. While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical. Lesser known are the other musical roles he plays; he is also a typesetter, author, arranger, and conductor.
He has been associated with animator Hayao Miyazaki since 1984, having composed scores for all but one of his films.
96 kHz / 24-bit PCM – Universal Music Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.44 -4.18 to -0.20 | -22.37 -25.01 to -19.72 | -19.30 -22.10 to -16.70 | 13 12 to 14 | |
| 1 | Links | -0.61 | -22.73 | -19.8 | 14 |
| 2 | I. Pulsation | -4.18 | -25.01 | -22.1 | 12 |
| 3 | II. Fugue | -2.40 | -22.17 | -19.5 | 12 |
| 4 | III. Divertimento | -0.20 | -23.95 | -20.6 | 13 |
| 5 | MKWAJU 1981-2009 | -3.08 | -21.28 | -18.5 | 12 |
| 6 | I. Collapse | -0.73 | -21.18 | -17.8 | 13 |
| 7 | II. Grace of the St. Paul | -1.36 | -23.20 | -19.6 | 14 |
| 8 | III. Beyond the World | -0.21 | -19.72 | -16.7 | 12 |
| 9 | DA-MA-SHI-E | -0.20 | -22.06 | -19.1 | 13 |