℗ 2020 Naxos
| Released | March 13, 2020 |
| Duration | 1h 05m 38s |
| Record Label | Naxos |
| Catalogue No. | 8.579055 |
| Genre | Classical (Modern Era) |
Exiles in Paradise: Émigré Composers in Hollywood
Brinton Averil Smith, Evelyn Chen
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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30 Moods & Scenes in Triple Measure "Triakontameron", Vol. 3
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1.1
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No. 11, Alt-Wien (Arr. J. Heifetz & B. A. Smith for Cello & Piano)
Leopold Godowsky; Brinton Averil Smith; Evelyn Chen |
2:28 | |||
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Morceaux de fantaisie, Op. 3
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1.2
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No. 5, Sérénade (Arr. B. A. Smith for Cello & Piano)
Sergei Rachmaninoff; Brinton Averil Smith; Evelyn Chen |
3:05 | |||
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L'oiseau de feu
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1.3
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Berceuse (Arr. S. Dushkin & B. A. Smith for Cello & Piano)
Igor Stravinsky; Brinton Averil Smith; Evelyn Chen |
3:03 | |||
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Das Buch der hängenden Gärten, Op. 15
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1.4
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No. 5, Saget mir, auf welchem Pfade (Arr. B. A. Smith for Cello & Piano)
Arnold Schoenberg; Brinton Averil Smith; Evelyn Chen |
1:09 | |||
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Zwei Stimmungen, Op. 32
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1.5
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No. 1 in D Minor (Arr. B. A. Smith for Cello & Piano)
Joseph Achron; Brinton Averil Smith; Evelyn Chen |
1:51 | |||
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Jazzettes, Op. 26
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1.6
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No. 3, Allegro ritmico (Arr. B. A. Smith for Cello & Piano)
Louis Gruenberg; Brinton Averil Smith; Evelyn Chen |
3:11 | |||
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3 Impromptus, Op. 90
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1.7
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No. 1, Andante cantabile
Ernst Toch; Brinton Averil Smith |
2:06 | |||
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1.8
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No. 2, Allegretto grazioso
Ernst Toch; Brinton Averil Smith |
1:05 | |||
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1.9
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No. 3, Adagio, con espressione
Ernst Toch; Brinton Averil Smith |
2:57 | |||
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1.10
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I nottambuli, Op. 47 (Version for Cello & Piano)
Mario Castelnuovo-Tedesco; Brinton Averil Smith; Evelyn Chen |
13:55 | |||
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1.11
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Toccata capricciosa, Op. 36
Miklós Rózsa; Brinton Averil Smith |
5:49 | |||
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Much Ado About Nothing Suite, Op. 11
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1.12
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I. Maiden in the Bridal Chamber (Arr. B. A. Smith for Cello & Piano)
Erich Wolfgang Korngold; Brinton Averil Smith; Evelyn Chen |
2:56 | |||
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1.13
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II. March of the Watch (Arr. B. A. Smith for Cello & Piano)
Erich Wolfgang Korngold; Brinton Averil Smith; Evelyn Chen |
1:57 | |||
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1.14
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III. Garden Scene (Arr. B. A. Smith for Cello & Piano)
Erich Wolfgang Korngold; Brinton Averil Smith; Evelyn Chen |
4:33 | |||
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1.15
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IV. Hornpipe (Arr. B. A. Smith for Cello & Piano)
Erich Wolfgang Korngold; Brinton Averil Smith; Evelyn Chen |
1:58 | |||
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1.16
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Carmen Fantasie (Arr. D. Grigorian for Cello & Piano)
Franz Waxman; Brinton Averil Smith; Evelyn Chen |
10:58 | |||
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1.17
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It Ain't Necessarily So (From "Porgy and Bess" / Arr. J. Heifetz & B. A. Smith for Cello & Piano)
George Gershwin; Brinton Averil Smith; Evelyn Chen |
2:37 | |||
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Digital Booklet
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Political crises and rising antisemitism in Europe during the first half of the 20th century prompted many leading musicians to immigrate to America. An influx of refugees formed a flourishing artistic community centred within a few square miles near Hollywood and this exceptional gathering of composers transformed America’s musical landscape. This survey explores their diverse output through music for cello and piano, including arrangements by the composers and their fellow expatriate performers never before heard on the cello.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.59 -9.40 to -0.52 | -25.83 -31.10 to -21.83 | -22.46 -27.40 to -18.70 | 13 11 to 15 | |
| 1 | No. 11, Alt-Wien (Arr. J. Heifetz & B. A. Smith for Cello & Piano) | -4.79 | -24.13 | -21.1 | 12 |
| 2 | No. 5, Sérénade (Arr. B. A. Smith for Cello & Piano) | -2.39 | -24.73 | -21.6 | 13 |
| 3 | Berceuse (Arr. S. Dushkin & B. A. Smith for Cello & Piano) | -6.51 | -31.10 | -27.4 | 15 |
| 4 | No. 5, Saget mir, auf welchem Pfade (Arr. B. A. Smith for Cello & Piano) | -8.52 | -29.56 | -25.3 | 13 |
| 5 | No. 1 in D Minor (Arr. B. A. Smith for Cello & Piano) | -7.53 | -26.34 | -22.8 | 12 |
| 6 | No. 3, Allegro ritmico (Arr. B. A. Smith for Cello & Piano) | -2.22 | -23.78 | -20.5 | 15 |
| 7 | No. 1, Andante cantabile | -9.40 | -30.74 | -27.2 | 12 |
| 8 | No. 2, Allegretto grazioso | -6.01 | -28.94 | -25.8 | 13 |
| 9 | No. 3, Adagio, con espressione | -6.99 | -28.81 | -24.9 | 13 |
| 10 | I nottambuli, Op. 47 (Version for Cello & Piano) | -1.45 | -23.26 | -19.8 | 14 |
| 11 | Toccata capricciosa, Op. 36 | -5.30 | -24.98 | -21.7 | 12 |
| 12 | I. Maiden in the Bridal Chamber (Arr. B. A. Smith for Cello & Piano) | -6.44 | -25.17 | -21.9 | 11 |
| 13 | II. March of the Watch (Arr. B. A. Smith for Cello & Piano) | -1.62 | -23.13 | -20.1 | 15 |
| 14 | III. Garden Scene (Arr. B. A. Smith for Cello & Piano) | -2.23 | -25.21 | -21.5 | 13 |
| 15 | IV. Hornpipe (Arr. B. A. Smith for Cello & Piano) | -2.23 | -21.83 | -18.7 | 12 |
| 16 | Carmen Fantasie (Arr. D. Grigorian for Cello & Piano) | -0.52 | -24.03 | -20.9 | 15 |
| 17 | It Ain't Necessarily So (From "Porgy and Bess" / Arr. J. Heifetz & B. A. Smith for Cello & Piano) | -3.87 | -23.38 | -20.6 | 12 |