℗ 2019 Queen Elisabeth Competition
Released April 26, 2019
Duration 39m 50s
Record Label Queen Elisabeth Competition
Catalogue No. BNPPF20183D
Genre Classical (Song (except lied))
 

Live at the Queen Elisabeth Competition 2018

Samuel Hasselhorn, Joseph Middleton

Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Pelléas et Mélisande, L. 88  
1.1
Oh, qu'est-ce que c'est? (Pelléas / Live)
Claude Debussy; Samuel Hasselhorn; Joseph Middleton
3:23
1.2
Erlkönig, D. 328 (Live)
Franz Schubert; Samuel Hasselhorn; Joseph Middleton
4:08
Romanzen und Balladen, Vol. IV, Op. 64  
1.3
III. Tragödie "Entflieh mit mir" (Live)
Robert Schumann; Samuel Hasselhorn; Joseph Middleton
1:22
Italienisches Liederbuch  
1.4
XXXV. Benedeit die sel'ge Mutter (Live)
Hugo Wolf; Samuel Hasselhorn; Joseph Middleton
3:56
Romanzen und Balladen, Vol. II, Op. 49  
1.5
I. Die beiden Grenadiere (Live)
Robert Schumann; Samuel Hasselhorn; Joseph Middleton
3:33
1.6
Gebet während der Schlacht, D. 171 (Live)
Franz Schubert; Samuel Hasselhorn; Joseph Middleton
3:18
Vier ernste Gesänge, Op. 121  
1.7
III. O Tod, wie bitter bist du (Live)
Johannes Brahms; Samuel Hasselhorn; Joseph Middleton
3:38
Des Knaben Wunderhorn  
1.8
VII. Wer hat dies Liedlein erdacht? (Live)
Gustav Mahler; Samuel Hasselhorn; La Monnaie Symphony Orchestra; Alain Altinoglu
1:57
1.9
VI. Wo die schönen Trompeten blasen (Live)
Gustav Mahler; Samuel Hasselhorn; La Monnaie Symphony Orchestra; Alain Altinoglu
6:19
Elias, Op. 70  
1.10
XXVI. Es ist genug (Live)
Felix Mendelssohn; Samuel Hasselhorn; La Monnaie Symphony Orchestra; Alain Altinoglu
4:51
Don Carlos, Act V  
1.11
Carlos écoute - Ah, je meurs (Rodrigo / Live)
Giuseppe Verdi; Samuel Hasselhorn; La Monnaie Symphony Orchestra; Alain Altinoglu
3:25
Digital Booklet
Anyone who heard Samuel Hasselhorn singing in the 2018 Queen Elisabeth Competition could not have failed to be impressed by the aura of maturity projected by this young man, who is clearly endowed with copious innate gifts. In addition to Debussy and Verdi, his renderings of the multi-faceted musical genius of Schubert, Mendelssohn, Schumann, Brahms, Wolf and Mahler - plus the poetic genius of Goethe or Heine - served to make one thing absolutely clear: the sheer extent of this young man's talent is opening the path to a brilliant future. Accordingly, he was awarded first prize by the jury, a decision acclaimed by the vast majority of the audience. En entendant Samuel Hasselhorn au Concours Reine Elisabeth de chant 2018, on ne pouvait qu'être frappé par la maturité qui se dégageait d'un jeune homme dont le berceau semblait avoir été visité par quelques fées: il ne cherchait pas à être autre chose que ce que la naissance, la nature et la formation, solide, avaient fait de lui. En plus de Debussy et Verdi, les mille facettes du génie de Schubert, Mendelssohn, Schumann, Brahms, Wolf et Mahler - mais aussi de Goethe ou Heine - ont suffi à se forger une certitude: l'étendue du talent de ce jeune homme lui ouvre les portes d'un avenir brillant. Résultat: une première place acclamée par le jury et par la foule des auditeurs.
44.1 kHz / 24-bit PCM – Queen Elisabeth Competition Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-4.48
-7.16 to -1.18
-26.77
-29.46 to -23.32
-22.40
-24.70 to -19.90
14
13 to 15
1
Oh, qu'est-ce que c'est? (Pelléas / Live)
-3.27-27.86-22.215
2
Erlkönig, D. 328 (Live)
-3.27-25.39-21.714
3
III. Tragödie "Entflieh mit mir" (Live)
-5.59-24.78-20.913
4
XXXV. Benedeit die sel'ge Mutter (Live)
-5.07-28.74-23.615
5
I. Die beiden Grenadiere (Live)
-4.57-26.60-22.013
6
Gebet während der Schlacht, D. 171 (Live)
-4.78-27.74-23.414
7
III. O Tod, wie bitter bist du (Live)
-5.68-29.46-24.514
8
VII. Wer hat dies Liedlein erdacht? (Live)
-4.97-26.01-22.114
9
VI. Wo die schönen Trompeten blasen (Live)
-7.16-28.73-24.713
10
XXVI. Es ist genug (Live)
-3.69-25.81-21.414
11
Carlos écoute - Ah, je meurs (Rodrigo / Live)
-1.18-23.32-19.913

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