℗ 2019 Paraty
| Released | March 6, 2020 |
| Duration | 55m 53s |
| Record Label | Paraty |
| Catalogue No. | PTY159183D |
| Genre | Classical (Transcription) |
Cage Meets Satie: Works for Two Pianos
Anne de Fornel, Jay Gottlieb
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Three Dances pour deux pianos préparés
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1.1
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Dance 1
Erik Satie; John Cage; Anne de Fornel; Jay Gottlieb |
6:16 | |||
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1.2
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Dance 2
Erik Satie; John Cage; Anne de Fornel; Jay Gottlieb |
6:42 | |||
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1.3
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Dance 3
Erik Satie; John Cage; Anne de Fornel; Jay Gottlieb |
9:29 | |||
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1.4
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Experiences No. 1 pour deux pianos
Erik Satie; John Cage; Anne de Fornel; Jay Gottlieb |
3:37 | |||
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Socrate pour deux pianos, drame symphonique en trois parties, Part I
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1.5
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Portrait de Socrates (Le Banquet)
Erik Satie; John Cage; Anne de Fornel; Jay Gottlieb |
6:06 | |||
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Socrate pour deux pianos, drame symphonique en trois parties, Part II
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1.6
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Bords de I'llissus (Phèdre)
Erik Satie; John Cage; Anne de Fornel; Jay Gottlieb |
6:36 | |||
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Socrate pour deux pianos, drame symphonique en trois parties, Part III
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1.7
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Mort de Socrates (Phédon)
Erik Satie; John Cage; Anne de Fornel; Jay Gottlieb |
17:07 | |||
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Digital Booklet
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If there is one composer that John Cage admired throughout his career, it is Erik Satie. He was instrumental in promoting the music of the French composer in the United States. The first event he organized took place during the summer session of Black Mountain College (North Carolina) in 1948: twenty‐five concerts were dedicated to Satie’s music. Places varied: he sometimes chose the grand piano in the dining room and on other occasions, the upright piano in his bungalow whose open windows allowed the public sitting on the grass to listen to the music.
Throughout his life, Cage remained faithful to him, expressing his attachment in these terms: “Perhaps I can be blamed for my devotion to Satie. But I can never give it up... If my ideas get confused, I owe this confusion to love”.
88.2 kHz / 24-bit PCM – Paraty Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.89 -15.10 to -0.20 | -27.29 -34.61 to -21.43 | -24.47 -30.70 to -19.20 | 15 12 to 20 | |
| 1 | Dance 1 | -3.73 | -25.50 | -23.1 | 15 |
| 2 | Dance 2 | -0.72 | -29.96 | -27.1 | 20 |
| 3 | Dance 3 | -2.00 | -21.43 | -19.2 | 14 |
| 4 | Experiences No. 1 pour deux pianos | -15.10 | -34.61 | -30.7 | 12 |
| 5 | Portrait de Socrates (Le Banquet) | -1.65 | -26.86 | -24.1 | 16 |
| 6 | Bords de I'llissus (Phèdre) | -3.82 | -25.94 | -23.2 | 14 |
| 7 | Mort de Socrates (Phédon) | -0.20 | -26.74 | -23.9 | 17 |