℗ 2020 Boston Symphony Orchestra
 

Adès Conducts Adès (Live)

Boston Symphony Orchestra, Thomas Adès, Kirill Gerstein, Christianne Stotijn, Mark Stone

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price
 
Concerto for Piano and Orchestra  
1.1
1. - (Live at Symphony Hall, Boston / 2019)
Thomas Adès; Kirill Gerstein; Boston Symphony Orchestra; Thomas Adès
7:35
1.2
2. - (Live at Symphony Hall, Boston / 2019)
Thomas Adès; Kirill Gerstein; Boston Symphony Orchestra; Thomas Adès
7:00
1.3
3. - (Live at Symphony Hall, Boston / 2019)
Thomas Adès; Kirill Gerstein; Boston Symphony Orchestra; Thomas Adès
6:51
Totentanz  
1.4
Der Prediger (Live at Symphony Hall, Boston / 2016)
Thomas Adès; Anonymous; Mark Stone; Boston Symphony Orchestra; Thomas Adès
1:16
1.5
Der Tod (Live at Symphony Hall, Boston / 2016)
Thomas Adès; Anonymous; Mark Stone; Boston Symphony Orchestra; Thomas Adès
1:56
1.6
Der Tod zum Papst – Der Papst (Live at Symphony Hall, Boston / 2016)
Thomas Adès; Anonymous; Christianne Stotijn; Mark Stone; Boston Symphony Orchestra; Thomas Adès
1:52
1.7
Der Tod zum Kaiser – Der Kaiser (Live at Symphony Hall, Boston / 2016)
Thomas Adès; Anonymous; Christianne Stotijn; Mark Stone; Boston Symphony Orchestra; Thomas Adès
2:16
1.8
Der Tod zum Kardinal – Der Kardinal (Live at Symphony Hall, Boston / 2016)
Thomas Adès; Anonymous; Christianne Stotijn; Mark Stone; Boston Symphony Orchestra; Thomas Adès
2:42
1.9
Der Tod zum König – Der König (Live at Symphony Hall, Boston / 2016)
Thomas Adès; Anonymous; Christianne Stotijn; Mark Stone; Boston Symphony Orchestra; Thomas Adès
1:55
1.10
Der Tod zum Mönch – Der Mönch (Live at Symphony Hall, Boston / 2016)
Thomas Adès; Anonymous; Christianne Stotijn; Mark Stone; Boston Symphony Orchestra; Thomas Adès
1:41
1.11
Der Tod zum Ritter – Der Ritter – Der Tod zum Bürgermeister – Der Bürgermeister (Live at Symphony Hall, Boston / 2016)
Thomas Adès; Anonymous; Christianne Stotijn; Mark Stone; Boston Symphony Orchestra; Thomas Adès
1:49
1.12
Der Tod zum Arzt – Der Arzt – Der Tod zum Wucherer – Der Wucherer (Live at Symphony Hall, Boston / 2016)
Thomas Adès; Anonymous; Christianne Stotijn; Mark Stone; Boston Symphony Orchestra; Thomas Adès
0:45
1.13
Der Tod zum Kaufmann – Der Kaufmann (Live at Symphony Hall, Boston / 2016)
Thomas Adès; Anonymous; Christianne Stotijn; Mark Stone; Boston Symphony Orchestra; Thomas Adès
2:05
1.14
Der Tod zum Küster – Der Küster – Der Tod zum Küster (Live at Symphony Hall, Boston / 2016)
Thomas Adès; Anonymous; Christianne Stotijn; Mark Stone; Boston Symphony Orchestra; Thomas Adès
4:01
1.15
Der Handwerker – Der Tod zum Handwerker (Live at Symphony Hall, Boston / 2016)
Thomas Adès; Anonymous; Christianne Stotijn; Mark Stone; Boston Symphony Orchestra; Thomas Adès
2:20
1.16
Der Tod zum Bauer – Der Bauer (Live at Symphony Hall, Boston / 2016)
Thomas Adès; Anonymous; Christianne Stotijn; Mark Stone; Boston Symphony Orchestra; Thomas Adès
2:13
1.17
Der Tod zum Mädchen – Das Mädchen (Live at Symphony Hall, Boston / 2016)
Thomas Adès; Anonymous; Christianne Stotijn; Mark Stone; Boston Symphony Orchestra; Thomas Adès
2:58
1.18
Der Tod zum Kind – Das Kind (Live at Symphony Hall, Boston / 2016)
Thomas Adès; Anonymous; Christianne Stotijn; Mark Stone; Boston Symphony Orchestra; Thomas Adès
4:43
Total Playing Time    55:58
Grammy Award Nomination, 2020 – Best classical instrumental solo Kirill Gerstein; Thomas Adès, conductor (Boston Symphony Orchestra) Grammy Award Nomination, 2020 – Best Contemporary Classical Composition Thomas Adès, composer (Kirill Gerstein, Thomas Adès & Boston Symphony Orchestra) Grammy Award Nomination, 2020 – Best Classical Compendium Mark Stone & Christianne Stotijn; Thomas Adès, conductor; Nick Squire, producer In March this year, Thomas Adès, one of the most acclaimed and most frequently performed contemporary composers of our time, conducted the Boston Symphony Orchestra and Kirill Gerstein performing the world premiere of his Concerto for Piano and Orchestra. Comissioned by the BSO for Kirill Gerstein the work already is becoming part of the concert repertoire worldwide. This live recording of what turned out to be a ravishing celebration of contemporary music, receiving rapturous response from audience and critics alike, is paired on the album with Adès’s 2013 work Totentanz. Totentanz brings together baritone (Mark Stone) and mezzo-soprano (Christianne Stotijn) soloists with a (very) large orchestra, unfolding a dialogue between a charismatic and gleefully macabre Grim Reaper and the procession of his many victims, from Pope to Maiden and Child.
96 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters

For Your Consideration | More ▸

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions