En sol: Musique pour le Roi-Soleil: Works by Jean-Henri d'Anglebert, Louis Couperin, François Couperin, Gaspard Le Roux, Élisabeth-Claude Jacquet de La Guerre & Joseph Nicolas Pancrace Royer
Rebecca Maurer
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Pièces de clavecin, 1689 |
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1 |
Prélude in g-Moll Jean Henri d'Anglebert; Rebecca Maurer |
1:50 | |||
2 |
Air d’Apollon du Triomphe de l’Amour (arr. by J.H. d'Anglebert) Jean-Baptiste Lully; Rebecca Maurer |
3:37 | |||
L'art de toucher le clavecin, 1716 |
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3 |
Troisième Prélude François Couperin; Rebecca Maurer |
0:58 | |||
Premier Livre de Pièces de clavecin, Premier ordre, 1713 |
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4 |
Allemande l'Auguste François Couperin; Rebecca Maurer |
3:27 | |||
5 |
Première Courante François Couperin; Rebecca Maurer |
1:34 | |||
6 |
Seconde Courante François Couperin; Rebecca Maurer |
2:11 | |||
7 |
Sarabande la Majestueuse François Couperin; Rebecca Maurer |
2:54 | |||
8 |
Gavotte François Couperin; Rebecca Maurer |
1:25 | |||
9 |
La Milordine. Gigue François Couperin; Rebecca Maurer |
1:44 | |||
Pièces de clavecin, 1689 |
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10 |
Chaconne de Phaeton (arr. by J.H. d'Anglebert) Jean-Baptiste Lully; Rebecca Maurer |
4:02 | |||
Pièces de clavessin, Premier Livre, 1687 |
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11 |
Prélude in g-Moll Élisabeth-Claude Jacquet de La Guerre; Rebecca Maurer |
2:08 | |||
Pièces de clavecin |
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12 |
Passacaille in g-Moll Louis Couperin; Rebecca Maurer |
5:10 | |||
Pièces de clavecin, 1689 |
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13 |
Gigue Mr. de Lully (arr. by J.H. d'Anglebert) Jean-Baptiste Lully; Rebecca Maurer |
1:27 | |||
14 |
Passacaille d'Armide (arr. by J.H. d'Anglebert) Jean-Baptiste Lully; Rebecca Maurer |
4:40 | |||
15 |
Sarbande. Dieu des Enfers (arr. by J.H. d'Anglebert) Jean-Baptiste Lully; Rebecca Maurer |
1:32 | |||
Pièces de clavecin |
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16 |
Passacaille Louis Couperin; Rebecca Maurer |
5:27 | |||
17 |
Tombeau de Monsieur de Blancrocher Louis Couperin; Rebecca Maurer |
4:48 | |||
Second Livre de Pièces de clavecin, Sixiême ordre, 1717 |
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18 |
Les Baricades Mistérieuses François Couperin; Rebecca Maurer |
2:38 | |||
Pièces de clavessin, 1705 |
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19 |
I. Prélude Gaspard Le Roux; Rebecca Maurer |
1:10 | |||
20 |
II. Allemande Gaspard Le Roux; Rebecca Maurer |
2:47 | |||
21 |
III. Courante Gaspard Le Roux; Rebecca Maurer |
1:44 | |||
22 |
IV. Le Bel-ébat Gaspard Le Roux; Rebecca Maurer |
1:21 | |||
23 |
V. La Piece sans Titre Gaspard Le Roux; Rebecca Maurer |
1:17 | |||
24 |
VI. Gigue Gaspard Le Roux; Rebecca Maurer |
1:50 | |||
Pièces de clavecin, Premier Livre, 1746 |
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25 |
Le Vertigo Joseph Nicolas Pancrace Royer; Rebecca Maurer |
5:21 | |||
L'art de toucher le clavecin, 1716 |
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26 |
Septième Prélude François Couperin; Rebecca Maurer |
3:17 | |||
Digital Booklet |
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Total Playing Time 70:19
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"Rebecca Maurer delivers fine performances. D'Anglebert's transcriptions come off very well, with good attention to their dramatic origin. Louis Couperin's Passacaille is one of the highlights."
- MusicWeb International
Harpsichordist Rebecca Maurer weaves pieces from the most brilliant era of the harpsichord to form a musical tapestry full of allusions and cross references. The works presented on this ICMA nominated album date back to the time of the Sun King, Louis XIV. She performs this repertoire on a historical Ruckers harpsichord, strengthening the magic even more: the result is poetic music in a magnificent garment, played with perfect timing and an extraordinary sense of tonal colour and sweeping lines.
- MusicWeb International
Harpsichordist Rebecca Maurer weaves pieces from the most brilliant era of the harpsichord to form a musical tapestry full of allusions and cross references. The works presented on this ICMA nominated album date back to the time of the Sun King, Louis XIV. She performs this repertoire on a historical Ruckers harpsichord, strengthening the magic even more: the result is poetic music in a magnificent garment, played with perfect timing and an extraordinary sense of tonal colour and sweeping lines.
96 kHz / 24-bit PCM – Genuin Studio Masters
Recorded at Musée d’art et d’histoire, Neuchâtel, Switzerland, October 12 -14, 2014
Recording producer / Tonmeister: Michael Silberhorn
Editing: Hannes Fritsch, Michael Silberhorn
Harpsichord tuning and maintenance: Pierre-Laurent Haesler
Harpsichord: Ioannes Ruckers (1632/1745)
Pitch: A=395·Temperament:1/5–commameantone
English translation: Matthew Harris
French translation: Laurence Wuilhemin Booklet Editing: Johanna Brause, Leipzig
Photography: Birgit Meixner (cover), Michael Silberhorn (cover harpsichord motive, p. 15), Anna Katharina Kuenzle (back cover harpsichord motive) The Emblem of the Sun King © bpk | RMN - Grand Palais | Christian Jean | Jean Schormans The young Louis XIV © bpk / BnF, Dist. RMN-GP
Layout: Sabine Kahlke-Rosenthal, Leipzig Graphic
Design: Thorsten Stapel, Münster
Recorded at Musée d’art et d’histoire, Neuchâtel, Switzerland, October 12 -14, 2014
Recording producer / Tonmeister: Michael Silberhorn
Editing: Hannes Fritsch, Michael Silberhorn
Harpsichord tuning and maintenance: Pierre-Laurent Haesler
Harpsichord: Ioannes Ruckers (1632/1745)
Pitch: A=395·Temperament:1/5–commameantone
English translation: Matthew Harris
French translation: Laurence Wuilhemin Booklet Editing: Johanna Brause, Leipzig
Photography: Birgit Meixner (cover), Michael Silberhorn (cover harpsichord motive, p. 15), Anna Katharina Kuenzle (back cover harpsichord motive) The Emblem of the Sun King © bpk | RMN - Grand Palais | Christian Jean | Jean Schormans The young Louis XIV © bpk / BnF, Dist. RMN-GP
Layout: Sabine Kahlke-Rosenthal, Leipzig Graphic
Design: Thorsten Stapel, Münster