℗ 2003 Deutsche Grammophon GmbH, Berlin under exclusive license to Universal Music Classics, a Division of UMG Recordings, Inc.
| Released | March 3, 2003 |
| Duration | 58m 42s |
| Record Label | DG |
| Genre | Classical |
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Piano Sonata In B Minor, S.178
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1.1
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Lento assai - Allegro energico
Franz Liszt; Yundi Li |
3:40 | |||
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1.2
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Grandioso - Recitativo -
Franz Liszt; Yundi Li |
8:44 | |||
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1.3
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Andante sostenuto -
Franz Liszt; Yundi Li |
6:57 | |||
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1.4
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Allegro energico - Andante sostenuto - Lento assai
Franz Liszt; Yundi Li |
10:48 | |||
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6 Etudes d’exécution transcendante d’après Paganini S.140
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1.5
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No.3 La Campanella
Franz Liszt; Yundi Li |
4:44 | |||
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1.6
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Liebeslied (“Widmung”) S.566 After Schumann
Franz Liszt; Yundi Li |
3:39 | |||
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Liebesträume (3 Notturnos) S.541
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1.7
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No.3 (“O lieb, so lang du lieben kannst!”)
Franz Liszt; Yundi Li |
4:37 | |||
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Supplément aux “Années de pèlerinage” 2e volume “Venezia e Napoli” S 162
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1.8
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No.3. Tarantella
Franz Liszt; Yundi Li |
9:07 | |||
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“Rigoletto” de Verdi: Paraphrase de concert S.434
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1.9
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Concert Paraphrase after Giuseppe Verdi’s Opera
Franz Liszt; Yundi Li |
6:26 | |||
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Digital Booklet
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"... rarely is one so aware of Liszt's alchemy ... the fact that (Li) chose clarity and consistency of vision over making momentary impressions says much about his seriousness as an artist."
- Stereophile
"... a complete artist with nothing to prove and everything to tell ... his command of the keyboard is so preternaturally embracing, including, when he wishes, a veritable peacock's tail of piquant colour, that one experiences his playing as an extension of his imagination. And his imagination is that of a supremely gifted actor ... sound is captured at the optimum point as it flares, detail-rippled, into spaciousness. Raving? I am, as you will be when you hear this."
- Fanfare
Yundi Li's second album for Deutsche Grammophon, an all-Liszt programme released in 2003, was named Best CD of the Year by The New York Times, received rave reviews internationally and earned Li an ECHO award for Best Soloist Recording.
44.1 kHz / 24-bit PCM – DG Studio Masters
Recording: Berlin, Teldex-Studio, 10/2002 Executive Producer: Christopher Alder Recording Producer: Christian Gansch Tonmeister (Balance Engineer): Rainer Maillard Recording Engineer and Editing: Dagmar Birwe Recorded and edited by Emil Berliner Studios Photos: Kásskara Design: fri DESIGN Art Direction: Hartmut Pfeiffer
Recording: Berlin, Teldex-Studio, 10/2002 Executive Producer: Christopher Alder Recording Producer: Christian Gansch Tonmeister (Balance Engineer): Rainer Maillard Recording Engineer and Editing: Dagmar Birwe Recorded and edited by Emil Berliner Studios Photos: Kásskara Design: fri DESIGN Art Direction: Hartmut Pfeiffer
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.76 -8.60 to -0.52 | -26.00 -30.82 to -22.86 | -21.31 -25.80 to -18.60 | 13 12 to 14 | |
| 1 | Lento assai - Allegro energico | -0.56 | -22.86 | -18.6 | 14 |
| 2 | Grandioso - Recitativo - | -0.64 | -23.78 | -19.0 | 13 |
| 3 | Andante sostenuto - | -4.56 | -28.62 | -22.5 | 14 |
| 4 | Allegro energico - Andante sostenuto - Lento assai | -0.80 | -24.15 | -18.8 | 14 |
| 5 | No.3 La Campanella | -1.90 | -25.55 | -21.4 | 13 |
| 6 | Liebeslied (“Widmung”) S.566 After Schumann | -5.12 | -27.46 | -23.5 | 12 |
| 7 | No.3 (“O lieb, so lang du lieben kannst!”) | -8.60 | -30.82 | -25.8 | 13 |
| 8 | No.3. Tarantella | -2.17 | -24.87 | -20.5 | 14 |
| 9 | Concert Paraphrase after Giuseppe Verdi’s Opera | -0.52 | -25.84 | -21.7 | 14 |