℗ 2020 Odradek Records
Released | March 27, 2020 |
Duration | 58m 45s |
Record Label | Odradek Records |
Catalogue No. | ODRCD376 |
Genre | Classical (Chamber) |
Dances and Delights
Duo Ultima, Guido Bäumer, Aladár Rácz
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Scaramouche, Op. 53, No. 2
Eugène Bozza; Duo Ultima; Guido Bäumer; Aladár Rácz |
2:49 | |||
Croquembouches
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1.2
|
I. Plum Pudding
Claude Delvincourt; Duo Ultima; Guido Bäumer; Aladár Rácz |
1:31 | |||
1.3
|
II. Puits d'Amour
Claude Delvincourt; Duo Ultima; Guido Bäumer; Aladár Rácz |
2:24 | |||
1.4
|
III. Nègre en Chemise
Claude Delvincourt; Duo Ultima; Guido Bäumer; Aladár Rácz |
2:00 | |||
1.5
|
IV. Linzer Tart
Claude Delvincourt; Duo Ultima; Guido Bäumer; Aladár Rácz |
1:54 | |||
1.6
|
V. Grenadine
Claude Delvincourt; Duo Ultima; Guido Bäumer; Aladár Rácz |
3:09 | |||
1.7
|
VI. Rahat Loukhoum
Claude Delvincourt; Duo Ultima; Guido Bäumer; Aladár Rácz |
2:44 | |||
1.8
|
Pulcinella, Op. 53, No. 1
Eugène Bozza; Duo Ultima; Guido Bäumer; Aladár Rácz |
2:32 | |||
Pièces Françaises
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1.9
|
I. Tambourin
Fernande Decruck; Duo Ultima; Guido Bäumer; Aladár Rácz |
2:05 | |||
1.10
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II. Vieux Calvaire
Fernande Decruck; Duo Ultima; Guido Bäumer; Aladár Rácz |
3:05 | |||
1.11
|
III. Villageoise
Fernande Decruck; Duo Ultima; Guido Bäumer; Aladár Rácz |
2:54 | |||
1.12
|
IV. Forlane
Fernande Decruck; Duo Ultima; Guido Bäumer; Aladár Rácz |
2:29 | |||
1.13
|
V. L'Horloge
Fernande Decruck; Duo Ultima; Guido Bäumer; Aladár Rácz |
2:13 | |||
1.14
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VI. Rondel
Fernande Decruck; Duo Ultima; Guido Bäumer; Aladár Rácz |
2:13 | |||
1.15
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VII. Rigaudon
Fernande Decruck; Duo Ultima; Guido Bäumer; Aladár Rácz |
1:27 | |||
1.16
|
VIII. Toccata
Fernande Decruck; Duo Ultima; Guido Bäumer; Aladár Rácz |
1:58 | |||
1.17
|
Aria
Jacques Ibert; Duo Ultima; Guido Bäumer; Aladár Rácz |
3:31 | |||
1.18
|
Sonatine
Claude Pascal; Duo Ultima; Guido Bäumer; Aladár Rácz |
7:56 | |||
Études Tanguistiques
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1.19
|
No. 4. Lento meditativo
Astor Piazzolla; Duo Ultima; Guido Bäumer; Aladár Rácz |
3:34 | |||
1.20
|
No. 5
Astor Piazzolla; Duo Ultima; Guido Bäumer; Aladár Rácz |
2:15 | |||
1.21
|
No. 6. Avec anxiété
Astor Piazzolla; Duo Ultima; Guido Bäumer; Aladár Rácz |
4:02 |
Following the success of their Odradek Records releases, Flashback and French Connection, Duo Ultima returns with an irresistible programme of Dances & Delights for saxophone and piano, including pieces by Ibert and Piazzolla.
Guido Bäumer (saxophone) and Aladár Rácz (piano) have chosen a delectable selection of pieces for this album, each of them exhibiting elements of dance or comedy. There are two Bozza pieces inspired by the Commedia dell’arte: Scaramouche and Pulcinella, and a suite of sweets by Delvincourt, whose 'Croquembouches', dating from the 1920s, features an array of movements inspired by different desserts.
As Guido Bäumer describes in the album booklet, “Pascal’s Sonatine is one of the great virtuoso works of the classical saxophone literature, a bravura piece that is an expression of French savoir-vivre, and in the 'Pièces Françaises' by Decruck, the landscapes, smells and images of France come to life via many facets of saxophone technique…” Ibert’s Aria dates from 1930 and was originally written for mezzo-soprano and piano. Its enchanting melody has since been arranged for numerous different instrumental combinations, including saxophone and piano.
Piazzolla’s 'Études Tanguistiques' were written in 1987; originally for solo flute, they follow the lineage, from Biber to Bach to Berio, of solo works that display ‘contrapuntal’ characteristics, creating a sense of more than one line in the context of a solo work.
96 kHz / 24-bit PCM – Odradek Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.09 -4.25 to -0.25 | -19.06 -20.08 to -17.54 | -15.97 -17.00 to -14.60 | 11 8 to 13 | |
1 | Scaramouche, Op. 53, No. 2 | -0.26 | -19.20 | -16.2 | 13 |
2 | I. Plum Pudding | -0.26 | -19.67 | -16.5 | 13 |
3 | II. Puits d'Amour | -2.26 | -19.87 | -17.0 | 9 |
4 | III. Nègre en Chemise | -0.80 | -19.54 | -16.6 | 13 |
5 | IV. Linzer Tart | -0.26 | -17.54 | -14.6 | 11 |
6 | V. Grenadine | -3.46 | -18.86 | -15.6 | 9 |
7 | VI. Rahat Loukhoum | -2.04 | -20.08 | -16.9 | 11 |
8 | Pulcinella, Op. 53, No. 1 | -0.26 | -19.33 | -16.6 | 13 |
9 | I. Tambourin | -0.26 | -18.70 | -15.3 | 11 |
10 | II. Vieux Calvaire | -1.77 | -19.14 | -15.4 | 9 |
11 | III. Villageoise | -0.31 | -18.97 | -15.8 | 11 |
12 | IV. Forlane | -2.89 | -19.66 | -16.8 | 10 |
13 | V. L'Horloge | -0.26 | -19.49 | -16.3 | 13 |
14 | VI. Rondel | -0.26 | -19.14 | -15.7 | 12 |
15 | VII. Rigaudon | -0.26 | -18.62 | -15.5 | 12 |
16 | VIII. Toccata | -0.28 | -18.12 | -15.3 | 11 |
17 | Aria | -4.25 | -19.58 | -16.4 | 8 |
18 | Sonatine | -0.26 | -17.97 | -15.2 | 12 |
19 | No. 4. Lento meditativo | -1.99 | -19.60 | -16.4 | 9 |
20 | No. 5 | -0.26 | -18.16 | -15.4 | 12 |
21 | No. 6. Avec anxiété | -0.25 | -18.99 | -15.9 | 12 |