℗ 2020 Little Tribeca
| Released | March 27, 2020 |
| Duration | 1h 08m 02s |
| Record Label | Aparté |
| Catalogue No. | AP227D |
| Genre | Classical (Song (except lied)) |
Soir Païen
Alexis Kossenko, Anna Reinhold, Emmanuel Olivier, Sabine Devieilhe, Magali Mosnier
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Soir Païen for voice, flute and piano
Philippe Gaubert; Alexis Kossenko; Anna Reinhold; Emmanuel Olivier |
3:42 | |||
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Deux Stèles orientées for voice and flute
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1.2
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I. Mon amante a les vertus de l'eau
Jacques Ibert; Alexis Kossenko; Anna Reinhold |
2:58 | |||
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1.3
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II. On me dit…
Jacques Ibert; Alexis Kossenko; Anna Reinhold |
1:48 | |||
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1.4
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Une flûte invisible for voice, flute and piano
André Caplet; Alexis Kossenko; Anna Reinhold; Emmanuel Olivier |
2:54 | |||
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Trois odelettes anacréontiques for voice, flute and piano, Op. 13
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1.5
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I. Au Printemps
Maurice Emmanuel; Alexis Kossenko; Anna Reinhold; Emmanuel Olivier |
2:56 | |||
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1.6
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II. À la Cigale
Maurice Emmanuel; Alexis Kossenko; Anna Reinhold; Emmanuel Olivier |
2:07 | |||
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1.7
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III. À la Rose
Maurice Emmanuel; Alexis Kossenko; Anna Reinhold; Emmanuel Olivier |
2:41 | |||
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Corbeille de fruits for voice and flute
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1.8
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I. Écoute, mon cœur
André Caplet; Alexis Kossenko; Anna Reinhold |
3:34 | |||
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Asie for voice, flute and piano
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1.9
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II. La flûte enchantée
Maurice Ravel; Alexis Kossenko; Anna Reinhold; Emmanuel Olivier |
2:52 | |||
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Sonate pour deux flutes, Op. 75
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1.10
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I. Assez lent
Charles Koechlin; Alexis Kossenko; Magali Mosnier |
4:31 | |||
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1.11
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II. Allegretto scherzando
Charles Koechlin; Alexis Kossenko; Magali Mosnier |
0:59 | |||
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1.12
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III. Final
Charles Koechlin; Alexis Kossenko; Magali Mosnier |
3:18 | |||
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Deux poèmes de Ronsard for voice and flute, Op. 26
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1.13
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I. Rossignol, mon mignon
Albert Roussel; Alexis Kossenko; Sabine Devieilhe |
5:03 | |||
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1.14
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II. Ciel, aer et vens
Albert Roussel; Alexis Kossenko; Sabine Devieilhe |
3:29 | |||
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Les Joueurs de flûte for flute and piano, Op. 27
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1.15
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I. Pan
Albert Roussel; Alexis Kossenko; Emmanuel Olivier |
3:08 | |||
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1.16
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II. Tityre
Albert Roussel; Alexis Kossenko; Emmanuel Olivier |
1:08 | |||
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1.17
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III. Krishna
Albert Roussel; Alexis Kossenko; Emmanuel Olivier |
3:24 | |||
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1.18
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IV. Monsieur de la Péjaudie
Albert Roussel; Alexis Kossenko; Emmanuel Olivier |
1:55 | |||
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1.19
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Hommage à Roussel for voice, flute and piano
Maurice Delage; Alexis Kossenko; Anna Reinhold; Emmanuel Olivier |
3:38 | |||
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1.20
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Syrinx, L. 129
Claude Debussy; Alexis Kossenko; Anna Reinhold |
3:01 | |||
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Poèmes d'Automne, Op. 13
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1.21
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III. Le Nénuphar
Charles Koechlin; Alexis Kossenko; Anna Reinhold; Emmanuel Olivier |
5:23 | |||
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Chansons lointaines
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1.22
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IV. Soir Païen for voice, flute and piano
Georges Hüe; Alexis Kossenko; Anna Reinhold; Emmanuel Olivier |
3:33 | |||
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Digital Booklet
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Flautist Alexis Kossenko's latest offering is evocative, impressionistic: a programme in which flute, piano and voice together have pride of place. In the company of Anna Reinhold, Sabine Devieilhe, Magali Mosnier and Emmanuel Olivier, Alexis Kossenko blends melodie and chamber music through a fascinating programme that explores the various influences of French music in the early twentieth century. From Ancient Greece (with Maurice Emmanuel's Odelettes anacréontiques or Debussy's very famous Syrinx) to the Orient, with Jacques Ibert and Maurice Ravel (Asie), the musicians deploy a great color palette, to the image of Monet or Renoir's vivid paintings. The result is a fine picture of French music at the time of Debussy. Music in all its clarity, refinement and transparency.
96 kHz / 24-bit PCM – Aparté Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.01 -10.36 to -0.25 | -25.37 -31.07 to -22.33 | -21.13 -27.10 to -18.40 | 13 9 to 15 | |
| 1 | Soir Païen for voice, flute and piano | -0.25 | -22.33 | -18.4 | 14 |
| 2 | I. Mon amante a les vertus de l'eau | -1.17 | -24.60 | -18.8 | 13 |
| 3 | II. On me dit… | -2.55 | -25.32 | -20.2 | 14 |
| 4 | Une flûte invisible for voice, flute and piano | -0.25 | -23.06 | -19.2 | 12 |
| 5 | I. Au Printemps | -0.26 | -22.66 | -19.0 | 13 |
| 6 | II. À la Cigale | -4.04 | -24.27 | -20.5 | 13 |
| 7 | III. À la Rose | -1.03 | -22.44 | -18.5 | 13 |
| 8 | I. Écoute, mon cœur | -0.45 | -23.71 | -18.7 | 13 |
| 9 | II. La flûte enchantée | -0.47 | -24.05 | -19.7 | 15 |
| 10 | I. Assez lent | -8.90 | -30.42 | -26.3 | 11 |
| 11 | II. Allegretto scherzando | -6.69 | -26.91 | -22.7 | 9 |
| 12 | III. Final | -5.31 | -28.25 | -23.7 | 13 |
| 13 | I. Rossignol, mon mignon | -3.08 | -25.06 | -20.1 | 13 |
| 14 | II. Ciel, aer et vens | -1.81 | -26.27 | -21.1 | 13 |
| 15 | I. Pan | -1.33 | -26.16 | -22.6 | 15 |
| 16 | II. Tityre | -2.03 | -25.45 | -22.1 | 13 |
| 17 | III. Krishna | -4.23 | -27.66 | -24.0 | 13 |
| 18 | IV. Monsieur de la Péjaudie | -6.82 | -26.57 | -22.7 | 11 |
| 19 | Hommage à Roussel for voice, flute and piano | -2.67 | -24.46 | -20.2 | 14 |
| 20 | Syrinx, L. 129 | -10.36 | -31.07 | -27.1 | 12 |
| 21 | III. Le Nénuphar | -0.95 | -24.23 | -19.5 | 14 |
| 22 | IV. Soir Païen for voice, flute and piano | -1.47 | -23.17 | -19.7 | 12 |