℗ 2019 La Diane française
Released | May 15, 2020 |
Duration | 1h 31m 37s |
Record Label | NoMadMusic |
Catalogue No. | NMM071D |
Genre | Classical (Sonata for keyboard, violin etc.) |
J.S. Bach: Complete sonatas for obbligato harpsichord and violin
Stéphanie-Marie Degand, Violaine Cochard
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Sonata No. 1 in B Minor, BWV 1014
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1.1
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I. Adagio
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
3:19 | |||
1.2
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II. Allegro
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
2:51 | |||
1.3
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III. Andante
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
3:03 | |||
1.4
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IV. (Allegro)
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
3:28 | |||
Sonata No. 2 in A Major, BWV 1015
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1.5
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I. Dolce
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
2:58 | |||
1.6
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II. Allegro
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
3:12 | |||
1.7
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III. (Allegro)
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
3:14 | |||
1.8
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IV. Andante un poco
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
4:14 | |||
Sonata No. 3 in E Major, BWV 1016
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1.9
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I. Adagio
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
3:53 | |||
1.10
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II. Allegro
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
2:50 | |||
1.11
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III. Adagio ma non tanto
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
4:36 | |||
1.12
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IV. (Allegro)
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
3:41 | |||
Sonata No. 4 in C Minor, BWV 1017
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2.1
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I. Largo
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
4:38 | |||
2.2
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II. Allegro
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
4:35 | |||
2.3
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III. (Allegro)
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
3:22 | |||
2.4
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IV. (Largo)
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
4:48 | |||
Sonata No. 5 in F Minor, BWV 1018
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2.5
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I. Largo
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
6:04 | |||
2.6
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II. Allegro
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
4:36 | |||
2.7
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III. Adagio
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
3:36 | |||
2.8
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IV. Vivace
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
2:30 | |||
Sonata No. 6 in G Major, BWV 1019
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2.9
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I. Allegro
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
3:39 | |||
2.10
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II. Largo
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
1:45 | |||
2.11
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III. (Allegro)
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
4:37 | |||
2.12
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IV. Adagio
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
2:50 | |||
2.13
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V. (Allegro).
Johann Sebastian Bach; Stéphanie-Marie Degand; Violaine Cochard |
3:18 | |||
Digital Booklet
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As soon as they met at the Conservatoire national supérieur de musique de Paris, Stéphanie-Marie Degand and Violaine Cochard developed a musical complicity: J.S. Bach's Six Sonatas for Obbligato Harpsichord and Violin quickly became their preferred repertoire. These works (with the exception of the 6th) are of Corellian inspiration - on the model of the "sonata da chiesa": alternation of four movements slow-fast-slow-fast. Bach mixes the rigour of North German counterpoint with Italian cantabile alternating with fast movements, almost all of which are fugal. A recording that celebrates thirty years of friendship and shared passion for music.
96 kHz / 24-bit PCM – NoMadMusic Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.01 -4.94 to -0.30 | -17.88 -21.41 to -14.78 | -14.55 -18.60 to -11.50 | 11 9 to 13 | |
1.1 | I. Adagio | -0.30 | -17.27 | -13.9 | 10 |
1.2 | II. Allegro | -0.30 | -15.86 | -12.3 | 11 |
1.3 | III. Andante | -2.54 | -19.33 | -15.5 | 11 |
1.4 | IV. (Allegro) | -0.30 | -15.75 | -12.2 | 11 |
1.5 | I. Dolce | -0.75 | -20.44 | -16.8 | 13 |
1.6 | II. Allegro | -0.30 | -17.12 | -13.5 | 11 |
1.7 | III. (Allegro) | -2.03 | -19.58 | -16.1 | 11 |
1.8 | IV. Andante un poco | -0.30 | -16.24 | -12.8 | 11 |
1.9 | I. Adagio | -0.30 | -15.94 | -12.6 | 10 |
1.10 | II. Allegro | -0.30 | -16.90 | -13.5 | 11 |
1.11 | III. Adagio ma non tanto | -0.30 | -16.47 | -13.5 | 11 |
1.12 | IV. (Allegro) | -0.30 | -14.78 | -11.5 | 9 |
2.1 | I. Largo | -2.34 | -19.95 | -16.2 | 12 |
2.2 | II. Allegro | -0.30 | -17.14 | -13.9 | 11 |
2.3 | III. (Allegro) | -0.72 | -16.73 | -14.0 | 9 |
2.4 | IV. (Largo) | -0.30 | -16.77 | -13.6 | 11 |
2.5 | I. Largo | -1.12 | -19.29 | -16.6 | 11 |
2.6 | II. Allegro | -0.31 | -17.31 | -14.0 | 12 |
2.7 | III. Adagio | -2.52 | -21.41 | -18.5 | 12 |
2.8 | IV. Vivace | -0.30 | -17.20 | -13.7 | 12 |
2.9 | I. Allegro | -0.30 | -16.25 | -12.9 | 11 |
2.10 | II. Largo | -1.91 | -20.24 | -16.7 | 12 |
2.11 | III. (Allegro) | -4.94 | -21.41 | -18.6 | 12 |
2.12 | IV. Adagio | -1.78 | -20.65 | -17.1 | 12 |
2.13 | V. (Allegro). | -0.30 | -16.99 | -13.7 | 11 |