℗ 2020 NMC Recordings
| Released | March 13, 2020 |
| Duration | 51m 52s |
| Record Label | NMC Recordings |
| Catalogue No. | NMCD239 |
| Genre | Classical (Chamber) |
Anna Meredith, Alexander Goehr & Colin Matthews: Chamber Works (Live)
Various Artists
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
|
Tripotage Miniatures
|
|||||
|
1.1
|
No. 1, Lanolin (Live)
Anna Meredith; Aurora Orchestra |
1:54 | |||
|
1.2
|
No. 2, 40 Watt (Live)
Anna Meredith; Aurora Orchestra |
2:03 | |||
|
1.3
|
No. 3, Moth (Live)
Anna Meredith; Aurora Orchestra |
2:22 | |||
|
1.4
|
No. 4, Buzzard (Live)
Anna Meredith; Aurora Orchestra |
3:23 | |||
|
1.5
|
No. 5, Scrying (Live)
Anna Meredith; Aurora Orchestra |
1:49 | |||
|
1.6
|
No. 6, Majolica (Live)
Anna Meredith; Aurora Orchestra |
3:33 | |||
|
After "The Waking" (Version for Quintet)
|
|||||
|
1.7
|
I. — (Live)
Alexander Goehr; Nash Ensemble; Martyn Brabbins |
5:25 | |||
|
1.8
|
II. — (Live)
Alexander Goehr; Nash Ensemble; Martyn Brabbins |
3:41 | |||
|
1.9
|
III. — (Live)
Alexander Goehr; Nash Ensemble; Martyn Brabbins |
3:25 | |||
|
1.10
|
IV. — (Live)
Alexander Goehr; Nash Ensemble; Martyn Brabbins |
2:37 | |||
|
1.11
|
V. — (Live)
Alexander Goehr; Nash Ensemble; Martyn Brabbins |
4:38 | |||
|
Postludes
|
|||||
|
1.12
|
No. 1, Prelude (Live)
Colin Matthews; Nicholas Daniel; Britten Sinfonia |
7:19 | |||
|
1.13
|
No. 2, Elegiac Intermezzo (Live)
Colin Matthews; Nicholas Daniel; Britten Sinfonia |
1:50 | |||
|
1.14
|
No. 3, Barcarolle (Live)
Colin Matthews; Nicholas Daniel; Britten Sinfonia |
3:34 | |||
|
1.15
|
No. 4, Epilogue (Live)
Colin Matthews; Nicholas Daniel; Britten Sinfonia |
4:19 | |||
|
Digital Booklet
|
|||||
48 kHz / 24-bit PCM – NMC Recordings Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.21 -14.50 to -0.82 | -27.68 -35.68 to -23.00 | -23.61 -31.20 to -18.80 | 12 8 to 15 | |
| 1 | No. 1, Lanolin (Live) | -8.78 | -26.97 | -23.8 | 12 |
| 2 | No. 2, 40 Watt (Live) | -14.50 | -33.61 | -26.2 | 8 |
| 3 | No. 3, Moth (Live) | -8.94 | -35.68 | -31.2 | 15 |
| 4 | No. 4, Buzzard (Live) | -10.17 | -30.48 | -27.5 | 13 |
| 5 | No. 5, Scrying (Live) | -11.21 | -33.80 | -29.8 | 13 |
| 6 | No. 6, Majolica (Live) | -0.82 | -23.22 | -19.3 | 14 |
| 7 | I. — (Live) | -4.36 | -25.28 | -22.0 | 14 |
| 8 | II. — (Live) | -2.51 | -26.01 | -22.6 | 13 |
| 9 | III. — (Live) | -4.66 | -23.33 | -20.0 | 11 |
| 10 | IV. — (Live) | -5.75 | -26.14 | -23.0 | 13 |
| 11 | V. — (Live) | -2.71 | -24.84 | -21.4 | 13 |
| 12 | No. 1, Prelude (Live) | -2.37 | -23.00 | -18.8 | 12 |
| 13 | No. 2, Elegiac Intermezzo (Live) | -7.25 | -31.56 | -27.1 | 10 |
| 14 | No. 3, Barcarolle (Live) | -5.49 | -27.69 | -22.2 | 12 |
| 15 | No. 4, Epilogue (Live) | -3.60 | -23.51 | -19.2 | 11 |