℗ 2020 PENTATONE
| Released | March 13, 2020 |
| Duration | 1h 11m 07s |
| Record Label | PENTATONE |
| Catalogue No. | PTC5186763 |
| Genre | Classical (Orchestral) |
Aspects of America: Pulitzer Edition (Live)
Oregon Symphony, Carlos Kalmar
Available in 96 kHz / 24-bit AIFF, FLAC and 2.8224 MHz DSD high resolution audio formats
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Symphony No. 7
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1.1
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I. Con moto (Live)
Walter Piston; Oregon Symphony; Carlos Kalmar |
7:00 | |||
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1.2
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II. Adagio pastorale (Live)
Walter Piston; Oregon Symphony; Carlos Kalmar |
10:19 | |||
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1.3
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III. Allegro festevole (Live)
Walter Piston; Oregon Symphony; Carlos Kalmar |
6:22 | |||
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Stringmusic
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1.4
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I. Prelude (Live)
Morton Gould; Oregon Symphony; Carlos Kalmar |
5:40 | |||
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1.5
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II. Tango (Live)
Morton Gould; Oregon Symphony; Carlos Kalmar |
4:10 | |||
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1.6
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III. Dirge (Live)
Morton Gould; Oregon Symphony; Carlos Kalmar |
6:39 | |||
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1.7
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IV. Ballad (Live)
Morton Gould; Oregon Symphony; Carlos Kalmar |
4:02 | |||
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1.8
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V. Strum (Perpetual Motion / Live)
Morton Gould; Oregon Symphony; Carlos Kalmar |
5:04 | |||
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Symphony No. 4, Op. 34 "Requiem"
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1.9
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I. Kyrie. Andante inquieto (Live)
Howard Hanson; Oregon Symphony; Carlos Kalmar |
7:22 | |||
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1.10
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II. Requiescat. Largo (Elegy / Live)
Howard Hanson; Oregon Symphony; Carlos Kalmar |
4:41 | |||
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1.11
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III. Dies irae. Presto (Live)
Howard Hanson; Oregon Symphony; Carlos Kalmar |
2:40 | |||
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1.12
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IV. Lux aeterna. Largo pastorale (Live)
Howard Hanson; Oregon Symphony; Carlos Kalmar |
7:08 | |||
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Digital Booklet
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Grammy Award Nomination, 2020 – Best Orchestral Performance
Carlos Kalmar, conductor (Oregon Symphony)
Oregon Symphony and Carlos Kalmar continue their acclaimed Aspects of America series with this second instalment, featuring three symphonic works that were all awarded a Pulitzer Prize. Walter Piston’s Symphony No. 7 (Pulitzer Prize 1961) is a pastoral and jubilant glorification of nature, while Morton Gould’s Stringmusic (Pulitzer Prize 1995) was composed for star cellist Rostropovich, and showcases all possible sounds and colors of the string orchestra. In his Symphony No. 4 “Requiem” (Pulitzer Prize 1944), Howard Hanson explores the mysteries of life and death in an American musical idiom that simultaneously reveals the composer’s Nordic roots.
96 kHz / 24-bit PCM and 2.8224 MHz DSD – PENTATONE Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.89 -2.78 to -0.23 | -22.13 -25.53 to -19.13 | -17.63 -21.90 to -14.70 | 13 11 to 15 | |
| 1 | I. Con moto (Live) | -0.24 | -20.87 | -16.1 | 12 |
| 2 | II. Adagio pastorale (Live) | -0.70 | -25.20 | -19.2 | 15 |
| 3 | III. Allegro festevole (Live) | -0.23 | -19.95 | -15.7 | 12 |
| 4 | I. Prelude (Live) | -1.43 | -23.23 | -18.9 | 12 |
| 5 | II. Tango (Live) | -0.25 | -21.52 | -16.9 | 14 |
| 6 | III. Dirge (Live) | -1.12 | -25.53 | -19.5 | 14 |
| 7 | IV. Ballad (Live) | -2.78 | -25.07 | -20.4 | 14 |
| 8 | V. Strum (Perpetual Motion / Live) | -1.41 | -20.60 | -16.6 | 12 |
| 9 | I. Kyrie. Andante inquieto (Live) | -0.24 | -19.41 | -16.1 | 11 |
| 10 | II. Requiescat. Largo (Elegy / Live) | -1.78 | -25.12 | -21.9 | 12 |
| 11 | III. Dies irae. Presto (Live) | -0.24 | -19.93 | -15.6 | 12 |
| 12 | IV. Lux aeterna. Largo pastorale (Live) | -0.24 | -19.13 | -14.7 | 11 |