℗ 2020 Odradek Records
| Released | April 24, 2020 |
| Duration | 32m 14s |
| Record Label | Odradek Records |
| Catalogue No. | ODRCD706 |
| Genre | World (Brazil) |
Cromo
Antonio Vaz Lemes, Eliane Barni
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Quando Te Vi Pela Primeira Vez
Antonio Vaz Lemes; Eliane Barni |
1:27 | |||
|
1.2
|
Dentro da Noite
Antonio Vaz Lemes; Eliane Barni |
1:59 | |||
|
1.3
|
Cromo No. 2
Antonio Vaz Lemes; Eliane Barni |
2:07 | |||
|
1.4
|
Cantiga I
Antonio Vaz Lemes; Eliane Barni |
2:36 | |||
|
1.5
|
Soneto da Separação
Antonio Vaz Lemes; Eliane Barni |
2:36 | |||
|
1.6
|
Ponteio No. 49
Antonio Vaz Lemes |
2:14 | |||
|
1.7
|
Eu Sou Como Aquela Fonte
Antonio Vaz Lemes; Eliane Barni |
1:58 | |||
|
1.8
|
Coração Triste
Antonio Vaz Lemes; Eliane Barni |
3:01 | |||
|
1.9
|
Modinha
Antonio Vaz Lemes; Eliane Barni |
1:59 | |||
|
1.10
|
Casulo
Antonio Vaz Lemes; Eliane Barni |
3:40 | |||
|
1.11
|
Destino de Areia
Antonio Vaz Lemes; Eliane Barni |
1:50 | |||
|
1.12
|
Ponteio No. 1
Antonio Vaz Lemes |
3:26 | |||
|
1.13
|
Cantiga
Antonio Vaz Lemes; Eliane Barni |
3:21 |
Antonio Vaz Lemes conceived this album as a reflection of Brazil’s diverse musical influences: “we have all these nationalities living together”. Brazilian rhythms, African roots, European and North American influences, jazz and rock, all rub shoulders in Brazil, and throughout this collection of piano sonatas.
Mehmari’s Sonata was composed specifically for Antonio Vaz Lemes, using rhapsodic, improvisatory techniques reminiscent of jazz, alongside influences as wide-ranging as Prokofiev, Liszt, and the playful lyricism of Brazilian popular music.
Guarnieri’s Sonata takes the listener on a journey from tension, to bitterness, to triumph, while Amazonas’s Sonatina is a tribute to the urbane wit of Francis Poulenc.
Villani-Côrtes is one of Brazil’s most performed living composers, respected both as a popular musician and as a classical composer. On listening to this recording of Antionio Vaz Lemes performing his Sonata, Villani-Côrtes declared: “At that moment, I felt my life reached its climax!”
Currently residing in São Paulo, Antonio Vaz Lemes is a Professor at the Municipal School of Arts Initiation (EMIA). Sonata Brasileira is his first solo album; his collaborative album with countertenor Edson Cordeiro was nominated for a Latin Grammy Award.
88.2 kHz / 24-bit PCM – Odradek Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.29 -4.15 to -1.03 | -20.20 -22.36 to -16.58 | -16.67 -18.80 to -13.80 | 11 10 to 13 | |
| 1 | Quando Te Vi Pela Primeira Vez | -2.32 | -18.55 | -15.0 | 10 |
| 2 | Dentro da Noite | -4.15 | -21.83 | -17.7 | 10 |
| 3 | Cromo No. 2 | -1.43 | -19.58 | -16.3 | 10 |
| 4 | Cantiga I | -2.65 | -22.08 | -18.4 | 11 |
| 5 | Soneto da Separação | -1.63 | -20.05 | -16.3 | 11 |
| 6 | Ponteio No. 49 | -1.03 | -16.58 | -13.8 | 10 |
| 7 | Eu Sou Como Aquela Fonte | -2.90 | -20.26 | -16.7 | 10 |
| 8 | Coração Triste | -1.93 | -19.16 | -15.6 | 10 |
| 9 | Modinha | -1.66 | -20.96 | -17.4 | 13 |
| 10 | Casulo | -1.73 | -18.63 | -15.1 | 10 |
| 11 | Destino de Areia | -3.25 | -20.40 | -16.8 | 10 |
| 12 | Ponteio No. 1 | -1.89 | -22.36 | -18.8 | 12 |
| 13 | Cantiga | -3.15 | -22.16 | -18.8 | 11 |