℗ 2020 Genuin
| Released | April 3, 2020 |
| Duration | 1h 05m 55s |
| Record Label | Genuin |
| Catalogue No. | GEN20694 |
| Genre | Classical (Chamber) |
Ambarabà: Works by Saint-Saëns, Henze & Others
sixty1strings
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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The Carnival of the Animals, R. 125
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1.1
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VII. Aquarium (Arr. for Mandolin, Guitar & Harp)
Camille Saint-Saëns; sixty1strings |
3:08 | |||
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Carillon, Récitatif, Masque
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1.2
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I. Carillon
Hans Werner Henze; sixty1strings |
6:27 | |||
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1.3
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II. Récitatif
Hans Werner Henze; sixty1strings |
2:27 | |||
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1.4
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III. Masque
Hans Werner Henze; sixty1strings |
1:42 | |||
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7 Character Pieces (Excerpts)
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1.5
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No. 3, Song
Boris Mikheev; Ekaterina Solovey |
1:55 | |||
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1.6
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No. 4, Improvisation
Boris Mikheev; Ekaterina Solovey |
2:06 | |||
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1.7
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No. 5, Dancing
Boris Mikheev; Ekaterina Solovey |
2:17 | |||
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Danzas argentinas, Op. 2 (Arr. for Mandolin, Guitar & Harp)
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1.8
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No. 1, Danza del viejo boyero
Alberto Ginastera; sixty1strings |
1:29 | |||
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1.9
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No. 2, Danza de la moza donosa
Alberto Ginastera; sixty1strings |
3:26 | |||
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1.10
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No. 3, Danza del gaucho matrero
Alberto Ginastera; sixty1strings |
3:54 | |||
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Danse sacrée et danse profane, L. 103 (Arr. for Mandolin, Harp & Guitar)
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1.11
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I. Danse sacrée
Claude Debussy; sixty1strings |
5:04 | |||
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1.12
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II. Danse profane
Claude Debussy; sixty1strings |
5:42 | |||
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1.13
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Un tiempo fue Itálica famosa
Joaquín Rodrigo; Negin Habibi |
8:52 | |||
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1.14
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Hable con ella (Arr. for Mandolin, Harp & Guitar)
Alberto Iglesias; sixty1strings |
5:37 | |||
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Ma mére l`oye, M. 60
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1.15
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III. Laideronnette, impératrice des pagodes (Arr. for Mandolin, Harp & Guitar)
Maurice Ravel; sixty1strings |
3:44 | |||
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1.16
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Ambarabà (Arr. for Mandolin, Harp & Guitar)
Walter Fähndrich; sixty1strings |
8:05 | |||
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Digital Booklet
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The trio sixty1strings is indeed a unique ensemble! On their GENUIN album Ambarabà, the three young musicians Ekaterina Solovey (mandolin), Negin Habibi (guitar), and Konstanze Kuß (harp), explore a whole cosmos of sound that ranges from baroque structures to folkloristic and impressionistic spheres. The program includes the only original work for the instrumentation by Hans-Werner Henze and transcriptions of Debussy, Ginastera, Rodrigo, and Micheev. The works, however, receive no new attire; instead, they allow let their original garments to shine in an entirely new and special way. The album thereby pays homage to the beauty of the three instruments, which we rediscover in an excitingly evocative manner.
96 kHz / 24-bit PCM – Genuin Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.29 -13.72 to -0.30 | -30.17 -35.87 to -25.94 | -26.09 -31.70 to -22.20 | 15 12 to 18 | |
| 1 | VII. Aquarium (Arr. for Mandolin, Guitar & Harp) | -13.72 | -35.87 | -31.7 | 13 |
| 2 | I. Carillon | -1.57 | -31.39 | -26.8 | 16 |
| 3 | II. Récitatif | -6.32 | -31.68 | -28.2 | 14 |
| 4 | III. Masque | -6.39 | -30.46 | -26.6 | 14 |
| 5 | No. 3, Song | -9.20 | -34.30 | -29.0 | 14 |
| 6 | No. 4, Improvisation | -4.64 | -31.51 | -25.6 | 17 |
| 7 | No. 5, Dancing | -2.00 | -30.33 | -23.4 | 18 |
| 8 | No. 1, Danza del viejo boyero | -4.92 | -28.26 | -24.1 | 12 |
| 9 | No. 2, Danza de la moza donosa | -4.18 | -31.78 | -27.6 | 16 |
| 10 | No. 3, Danza del gaucho matrero | -0.30 | -25.94 | -22.2 | 14 |
| 11 | I. Danse sacrée | -3.71 | -27.94 | -24.1 | 13 |
| 12 | II. Danse profane | -3.12 | -27.07 | -23.7 | 13 |
| 13 | Un tiempo fue Itálica famosa | -10.17 | -32.48 | -28.8 | 14 |
| 14 | Hable con ella (Arr. for Mandolin, Harp & Guitar) | -6.16 | -29.38 | -26.8 | 15 |
| 15 | III. Laideronnette, impératrice des pagodes (Arr. for Mandolin, Harp & Guitar) | -3.95 | -26.61 | -23.5 | 15 |
| 16 | Ambarabà (Arr. for Mandolin, Harp & Guitar) | -4.37 | -27.73 | -25.3 | 15 |