℗ 2020 Melt Yourself Down
| Released | March 27, 2020 |
| Duration | 39m 55s |
| Record Label | Decca (UMO) |
| Genre | Jazz |
|
1.1
|
Boot And Spleen
Melt Yourself Down |
3:45 | |||
|
1.2
|
This Is The Squeeze
Melt Yourself Down |
3:53 | |||
|
1.3
|
Born In The Manor
Melt Yourself Down |
3:55 | |||
|
1.4
|
Every Single Day
Melt Yourself Down |
3:42 | |||
|
1.5
|
It Is What It Is
Melt Yourself Down |
3:04 | |||
|
1.6
|
From The Mouth
Melt Yourself Down |
4:34 | |||
|
1.7
|
Crocodile EXPLICIT
Melt Yourself Down |
3:38 | |||
|
1.8
|
Don't Think Twice
Melt Yourself Down |
3:17 | |||
|
1.9
|
Chop Chop
Melt Yourself Down |
3:09 | |||
|
1.10
|
100% Yes
Melt Yourself Down |
6:58 |
London 6-piece Melt Yourself Down are releasing their third studio album 100% YES, on Decca Records/Universal Music Canada. Formed in 2012 by Mercury nominated sax innovator Pete Wareham and fronted by vocalist Kush Gaya, Melt Yourself Down rose from the ashes of Pete’s previous outfit Acoustic Ladyland and from everything he learned with Polar Bear. His work in reinventing and defying musical genres has paved the way for acts such as Comet is Coming, Black Flower and Sons of Kemet, to name a handful.
The desire to create new sonic pathways is an integral philosophy to Melt Yourself Down, whose two critically-lauded albums to date have alchemised influences from noisy No Wave to Nubian rhythms to create an eclectic and pan-global kind of party-punk. But their epochal third album 100% YES is their strongest statement yet, representing both a peak of musical synthesis for the band as well as a personal triumph.
This is a record set to establish Melt Yourself Down at the forefront of today’s music innovators, and a timely document of the increasingly complex nature of Britishness, whilst at the same time bubbles with excitement and hopefulness.
“So much has changed in the world since we started writing in 2016. We couldn’t ignore any of it and this new music is borne from our feelings of extreme cultural restlessness."
- Pete Wareham
96 kHz / 24-bit PCM – Decca (UMO) Studio Masters
Tracks 1, 5, 6, 10 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 2-4, 7, 9 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1, 5, 6, 10 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 2-4, 7, 9 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.68 -0.68 to -0.68 | -14.32 -15.70 to -13.42 | -11.88 -13.20 to -10.80 | 9 7 to 9 | |
| 1 | Boot And Spleen | -0.68 | -13.85 | -10.9 | 8 |
| 2 | This Is The Squeeze | -0.68 | -13.84 | -11.9 | 9 |
| 3 | Born In The Manor | -0.68 | -14.88 | -11.8 | 9 |
| 4 | Every Single Day | -0.68 | -15.70 | -13.2 | 9 |
| 5 | It Is What It Is | -0.68 | -14.70 | -12.2 | 9 |
| 6 | From The Mouth | -0.68 | -13.68 | -10.9 | 7 |
| 7 | Crocodile | -0.68 | -13.42 | -10.8 | 8 |
| 8 | Don't Think Twice | -0.68 | -14.99 | -13.0 | 9 |
| 9 | Chop Chop | -0.68 | -13.49 | -11.4 | 9 |
| 10 | 100% Yes | -0.68 | -14.63 | -12.7 | 9 |