℗ 2020 Signum Records
| Released | May 22, 2020 |
| Duration | 48m 37s |
| Record Label | Signum Records |
| Catalogue No. | SIGCD628 |
| Genre | Classical (Concerto) |
Gabriel Prokofiev: Concerto for Turntables No. 1 & Cello Concerto
Ural Philharmonic Orchestra, Alexey Bogorad
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Concerto for Turntables No. 1
|
|||||
|
1.1
|
I. Introduction (GrimEye / 140 bpm / Symphonic Version)
Gabriel Prokofiev; Alexey Bogorad; Ural Philharmonic Orchestra; Mr Switch |
1:39 | |||
|
1.2
|
II. Adagietto (Irreguluv / 75 bpm / Symphonic Version)
Gabriel Prokofiev; Alexey Bogorad; Ural Philharmonic Orchestra; Mr Switch |
4:36 | |||
|
1.3
|
III. Largo pesante - Allegro - Largo (Malmo / 62_125 bpm / Symphonic Version)
Gabriel Prokofiev; Alexey Bogorad; Ural Philharmonic Orchestra; Mr Switch |
6:43 | |||
|
1.4
|
IV. Andante (Meditnow / 95 bpm / Symphonic Version)
Gabriel Prokofiev; Alexey Bogorad; Ural Philharmonic Orchestra; Mr Switch |
6:47 | |||
|
1.5
|
V. Allegro Gavotte (Snow Time / 107 bpm / Symphonic Version)
Gabriel Prokofiev; Alexey Bogorad; Ural Philharmonic Orchestra; Mr Switch |
4:38 | |||
|
Cello Concerto
|
|||||
|
1.6
|
I. Scherzo Allegretto
Gabriel Prokofiev; Alexey Bogorad; Ural Philharmonic Orchestra; Boris Andrianov |
5:48 | |||
|
1.7
|
II. Lento (in memoriam)
Gabriel Prokofiev; Alexey Bogorad; Ural Philharmonic Orchestra; Boris Andrianov |
10:33 | |||
|
1.8
|
III. Allegro Energetico
Gabriel Prokofiev; Alexey Bogorad; Ural Philharmonic Orchestra; Boris Andrianov |
7:53 | |||
Gabriel Prokofiev’s famous first Concerto for Turntables reached a global audience when performed by Mr. Switch at the 2011 BBC Proms, under the baton of Vladimir Jurowski. It has since been performed 55 times worldwide, with the 5th movement being performed 20 times as part of the BBC’s Ten Piece’s project. The aim of the piece is demonstrate the main DJing techniques, with each movement showing off a specific one.
Prokofiev’s Cello Concerto was composed in 2012 and is the third concerto he composed. It was the most conventional of his concertos, with the other two (at that point) being for Bass Drum and Turntables. Despite this, Prokofiev still manages to explore influences of electronic and dance music in the concerto, whilst also exploring the traditional lyrical side of the cello.
96 kHz / 24-bit PCM – Signum Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.97 -1.00 to -0.90 | -21.05 -26.21 to -17.88 | -17.44 -22.10 to -14.70 | 12 11 to 16 | |
| 1 | I. Introduction (GrimEye / 140 bpm / Symphonic Version) | -1.00 | -18.76 | -16.2 | 11 |
| 2 | II. Adagietto (Irreguluv / 75 bpm / Symphonic Version) | -1.00 | -20.17 | -16.5 | 11 |
| 3 | III. Largo pesante - Allegro - Largo (Malmo / 62_125 bpm / Symphonic Version) | -1.00 | -17.88 | -14.7 | 11 |
| 4 | IV. Andante (Meditnow / 95 bpm / Symphonic Version) | -1.00 | -21.97 | -17.5 | 12 |
| 5 | V. Allegro Gavotte (Snow Time / 107 bpm / Symphonic Version) | -1.00 | -18.83 | -15.8 | 12 |
| 6 | I. Scherzo Allegretto | -0.95 | -26.21 | -22.1 | 16 |
| 7 | II. Lento (in memoriam) | -0.90 | -22.62 | -18.2 | 13 |
| 8 | III. Allegro Energetico | -0.90 | -21.92 | -18.5 | 13 |