℗ 2020 Navona
| Released | April 10, 2020 |
| Duration | 1h 03m 39s |
| Record Label | Navona |
| Catalogue No. | NV6278 |
| Genre | Classical (Choral) |
Quotation of Queries: Choral Encounters of Hong Kong, China and the Distant West
Cantoría Hong Kong
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Quotation of Queries
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1.1
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I. Prelude
Chan Hing-Yan; Chan Yan Yi Crystal; Cantoría Hong Kong; John Winzenburg |
1:53 | |||
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1.2
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II. The Hermit
Chan Hing-Yan; Chan Yan Yi Crystal; Cantoría Hong Kong; John Winzenburg |
1:52 | |||
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1.3
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III. Huanyi's Three Farewell Tunes
Chan Hing-Yan; Chan Yan Yi Crystal; Cantoría Hong Kong; John Winzenburg |
2:03 | |||
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1.4
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IV. Who Says That Dongpo Is Old
Chan Hing-Yan; Chan Yan Yi Crystal; Cantoría Hong Kong; John Winzenburg |
2:53 | |||
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1.5
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V. Ignore the Encumbrance
Chan Hing-Yan; Chan Yan Yi Crystal; Cantoría Hong Kong; John Winzenburg |
5:08 | |||
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The Suppliant Women (Excerpts)
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1.6
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Parados
John Browne; Ben Burton; Callum Armstrong; Cantoría Hong Kong; John Winzenburg |
3:46 | |||
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1.7
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Ode 2
John Browne; Ben Burton; Callum Armstrong; Cantoría Hong Kong; John Winzenburg |
5:50 | |||
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1.8
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Ode 3
John Browne; Ben Burton; Callum Armstrong; Cantoría Hong Kong; John Winzenburg |
5:05 | |||
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1.9
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3rd Amoibaion
John Browne; Ben Burton; Callum Armstrong; Cantoría Hong Kong; John Winzenburg |
5:00 | |||
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1.10
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Exodus
John Browne; Ben Burton; Callum Armstrong; Cantoría Hong Kong; John Winzenburg |
3:41 | |||
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Zigeunerlieder, Op. 103 (Excerpts)
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1.11
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No. 1, He, Zigeuner, greife in die Saiten ein
Johannes Brahms; Lai Pui Sang; Chu Cho Hang; Cantoría Hong Kong; John Winzenburg |
1:28 | |||
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1.12
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No. 7, Kommt dir manchmal in den Sinn
Johannes Brahms; Lai Pui Sang; Lau Cheuk Ying; Chan Wing Yan; Cantoría Hong Kong; John Winzenburg |
1:32 | |||
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1.13
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No. 8, Horch, der Wind klagt in den Zweigen
Johannes Brahms; Lai Pui Sang; Cantoría Hong Kong; John Winzenburg |
1:28 | |||
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1.14
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No. 5, Brauner Bursche führt zum Tanze
Johannes Brahms; Lai Pui Sang; Cantoría Hong Kong; John Winzenburg |
1:15 | |||
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8 Chansons françaises, FP 130 (Excerpts)
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1.15
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No. 1, Margoton va t'a l'iau
Francis Poulenc; Chan Wing Yan; Cantoría Hong Kong; John Winzenburg |
2:37 | |||
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1.16
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No. 2, La belle se siet au pied de la tour
Francis Poulenc; Cantoría Hong Kong; John Winzenburg |
1:29 | |||
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1.17
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No. 3, Pilons l'orge
Francis Poulenc; Cantoría Hong Kong; John Winzenburg |
0:48 | |||
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1.18
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No. 4, Clic, clac, dancez sabots
Francis Poulenc; Cheng Man Wai; Cantoría Hong Kong; John Winzenburg |
2:14 | |||
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1.19
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No. 8, Les tisserands
Francis Poulenc; Cantoría Hong Kong; John Winzenburg |
1:44 | |||
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2 Cantonese Works
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1.20
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I. Under the Mid-Autumn Moon
Chan Kai-Young; Tsang Chiu In; Cantoría Hong Kong; John Winzenburg |
3:36 | |||
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1.21
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II. The Crane Releasing Pavilion
Chan Kai-Young; Tsang Chiu In; Cantoría Hong Kong; John Winzenburg |
3:07 | |||
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Suite Nordestina
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1.22
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I. Morena bonita
Ronaldo Miranda; Cheng Man Wai; Cantoría Hong Kong; John Winzenburg |
0:51 | |||
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1.23
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II. Dendê trapiá
Ronaldo Miranda; Cheng Man Wai; Cantoría Hong Kong; John Winzenburg |
1:07 | |||
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1.24
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III. Bumba chora
Ronaldo Miranda; Cheng Man Wai; Cantoría Hong Kong; John Winzenburg |
2:19 | |||
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1.25
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IV. Eu vou, eu vou
Ronaldo Miranda; Cheng Man Wai; Cantoría Hong Kong; John Winzenburg |
0:53 | |||
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Digital Booklet
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48 kHz / 24-bit PCM – Navona Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.05 -10.73 to -1.01 | -24.59 -32.10 to -20.67 | -20.18 -28.10 to -16.40 | 13 11 to 16 | |
| 1 | I. Prelude | -1.06 | -26.09 | -17.9 | 14 |
| 2 | II. The Hermit | -9.99 | -32.10 | -26.7 | 12 |
| 3 | III. Huanyi's Three Farewell Tunes | -10.73 | -32.07 | -26.5 | 12 |
| 4 | IV. Who Says That Dongpo Is Old | -1.02 | -25.32 | -18.5 | 14 |
| 5 | V. Ignore the Encumbrance | -1.01 | -25.75 | -19.4 | 15 |
| 6 | Parados | -1.01 | -21.12 | -17.1 | 14 |
| 7 | Ode 2 | -1.01 | -25.46 | -19.7 | 16 |
| 8 | Ode 3 | -1.01 | -22.19 | -18.3 | 13 |
| 9 | 3rd Amoibaion | -1.01 | -21.38 | -17.1 | 13 |
| 10 | Exodus | -1.02 | -22.46 | -19.0 | 15 |
| 11 | No. 1, He, Zigeuner, greife in die Saiten ein | -1.02 | -22.28 | -18.3 | 12 |
| 12 | No. 7, Kommt dir manchmal in den Sinn | -2.68 | -26.41 | -22.4 | 12 |
| 13 | No. 8, Horch, der Wind klagt in den Zweigen | -6.33 | -26.18 | -22.3 | 12 |
| 14 | No. 5, Brauner Bursche führt zum Tanze | -1.81 | -22.40 | -19.0 | 13 |
| 15 | No. 1, Margoton va t'a l'iau | -4.49 | -25.07 | -21.9 | 13 |
| 16 | No. 2, La belle se siet au pied de la tour | -10.68 | -31.14 | -28.1 | 13 |
| 17 | No. 3, Pilons l'orge | -1.68 | -23.58 | -20.1 | 14 |
| 18 | No. 4, Clic, clac, dancez sabots | -4.66 | -23.82 | -20.3 | 14 |
| 19 | No. 8, Les tisserands | -2.11 | -24.29 | -21.0 | 12 |
| 20 | I. Under the Mid-Autumn Moon | -3.04 | -25.28 | -21.0 | 13 |
| 21 | II. The Crane Releasing Pavilion | -1.60 | -22.62 | -18.3 | 13 |
| 22 | I. Morena bonita | -3.27 | -23.94 | -20.7 | 11 |
| 23 | II. Dendê trapiá | -2.01 | -21.02 | -17.1 | 12 |
| 24 | III. Bumba chora | -1.03 | -22.06 | -17.5 | 11 |
| 25 | IV. Eu vou, eu vou | -1.01 | -20.67 | -16.4 | 12 |