℗ 2020 harmonia mundi
| Released | April 17, 2020 |
| Duration | 1h 11m 58s |
| Record Label | harmonia mundi |
| Catalogue No. | 902648DI |
| Genre | Classical (Duo) |
Cantilena
Tabea Zimmermann, Javier Perianes
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Le Grand Tango (for alto and piano)
Astor Piazzolla; Tabea Zimmermann; Javier Perianes |
12:20 | |||
|
Cinco canciones negras
|
|||||
|
1.2
|
I. Cuba dentro de un piano (for alto and piano)
Xavier Montsalvatge; Tabea Zimmermann; Javier Perianes |
4:53 | |||
|
1.3
|
II. Canción de cuna para dormir a un negrito (for alto and piano)
Xavier Montsalvatge; Tabea Zimmermann; Javier Perianes |
2:53 | |||
|
1.4
|
III. Punto de Habanera (for alto and piano)
Xavier Montsalvatge; Tabea Zimmermann; Javier Perianes |
1:13 | |||
|
1.5
|
IV. Chévere (for alto and piano)
Xavier Montsalvatge; Tabea Zimmermann; Javier Perianes |
2:13 | |||
|
1.6
|
V. Canto negro (for alto and piano)
Xavier Montsalvatge; Tabea Zimmermann; Javier Perianes |
1:10 | |||
|
Siete Canciones Populares Españolas
|
|||||
|
1.7
|
I. El paño moruno (for alto and piano)
Manuel de Falla; Tabea Zimmermann; Javier Perianes |
2:18 | |||
|
1.8
|
II. Seguidilla murciana (for alto and piano)
Manuel de Falla; Tabea Zimmermann; Javier Perianes |
1:13 | |||
|
1.9
|
III. Asturiana (for alto and piano)
Manuel de Falla; Tabea Zimmermann; Javier Perianes |
2:35 | |||
|
1.10
|
IV. Canción (for alto and piano)
Manuel de Falla; Tabea Zimmermann; Javier Perianes |
1:33 | |||
|
1.11
|
V. Polo (for alto and piano)
Manuel de Falla; Tabea Zimmermann; Javier Perianes |
1:15 | |||
|
1.12
|
VI. Nana (for alto and piano)
Manuel de Falla; Tabea Zimmermann; Javier Perianes |
2:13 | |||
|
1.13
|
VII. Jota (for alto and piano)
Manuel de Falla; Tabea Zimmermann; Javier Perianes |
3:35 | |||
|
Bachianas Brasileiras, No. 5
|
|||||
|
1.14
|
Aria (Cantilena / for alto and piano)
Heitor Villa-Lobos; Tabea Zimmermann; Javier Perianes |
5:50 | |||
|
1.15
|
En sourdine (for alto and piano)
Pau Casals; Tabea Zimmermann; Javier Perianes |
4:15 | |||
|
Cançó catalana, No. 1
|
|||||
|
1.16
|
En el mirall canviant de la mar blava (for alto and piano)
Pau Casals; Tabea Zimmermann; Javier Perianes |
1:35 | |||
|
1.17
|
El ángel travieso (for alto and piano)
Pau Casals; Tabea Zimmermann; Javier Perianes |
2:54 | |||
|
1.18
|
Tres estrofas de amor (for alto and piano)
Pau Casals; Tabea Zimmermann; Javier Perianes |
4:07 | |||
|
Tonadillas en un estilo antiguo
|
|||||
|
1.19
|
El mirar de la maja (for alto and piano)
Enrique Granados; Tabea Zimmermann; Javier Perianes |
2:57 | |||
|
1.20
|
El majo olvidado (for alto and piano)
Enrique Granados; Tabea Zimmermann; Javier Perianes |
3:54 | |||
|
1.21
|
La maja dolorosa, No. 3 (for alto and piano)
Enrique Granados; Tabea Zimmermann; Javier Perianes |
3:01 | |||
|
1.22
|
El majo discreto (for alto and piano)
Enrique Granados; Tabea Zimmermann; Javier Perianes |
1:27 | |||
|
España, Op. 165
|
|||||
|
1.23
|
Tango (for alto and piano)
Isaac Albéniz; Tabea Zimmermann; Javier Perianes |
2:34 | |||
|
Digital Booklet
|
|||||
Musical instruments made to sing! This album invites you to travel from Spain to South America in the company of the greatest composers the countries of the region have produced: next to Spanish folk songs reshaped by Falla, compositions by Casals, Granados, Montsalvatge, and the beloved Ária from the fifth Bachiana brasileira by Brazil's Villa-Lobos, an Argentine tango by Piazzolla is paired with its Spanish counterpart by Albéniz (though his is in the form of a habanera). A wide-ranging programme which brings together two virtuoso soloists... who are not about to part anytime soon.
96 kHz / 24-bit PCM – harmonia mundi Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.74 -16.08 to -0.50 | -28.62 -36.94 to -21.65 | -25.16 -34.20 to -18.40 | 13 11 to 15 | |
| 1 | Le Grand Tango (for alto and piano) | -0.50 | -22.21 | -18.4 | 14 |
| 2 | I. Cuba dentro de un piano (for alto and piano) | -0.50 | -28.88 | -25.0 | 15 |
| 3 | II. Canción de cuna para dormir a un negrito (for alto and piano) | -16.08 | -36.67 | -34.1 | 12 |
| 4 | III. Punto de Habanera (for alto and piano) | -7.21 | -27.58 | -24.1 | 13 |
| 5 | IV. Chévere (for alto and piano) | -2.17 | -26.66 | -22.6 | 15 |
| 6 | V. Canto negro (for alto and piano) | -1.98 | -23.48 | -20.0 | 12 |
| 7 | I. El paño moruno (for alto and piano) | -2.39 | -24.51 | -21.5 | 15 |
| 8 | II. Seguidilla murciana (for alto and piano) | -2.03 | -23.27 | -19.8 | 11 |
| 9 | III. Asturiana (for alto and piano) | -13.46 | -35.83 | -33.1 | 11 |
| 10 | IV. Canción (for alto and piano) | -4.96 | -25.36 | -21.9 | 11 |
| 11 | V. Polo (for alto and piano) | -3.43 | -21.65 | -18.5 | 12 |
| 12 | VI. Nana (for alto and piano) | -14.81 | -36.94 | -34.2 | 11 |
| 13 | VII. Jota (for alto and piano) | -2.81 | -26.57 | -22.7 | 15 |
| 14 | Aria (Cantilena / for alto and piano) | -0.92 | -25.12 | -21.2 | 14 |
| 15 | En sourdine (for alto and piano) | -11.92 | -32.87 | -29.7 | 12 |
| 16 | En el mirall canviant de la mar blava (for alto and piano) | -14.67 | -33.49 | -30.6 | 12 |
| 17 | El ángel travieso (for alto and piano) | -1.82 | -26.53 | -22.0 | 13 |
| 18 | Tres estrofas de amor (for alto and piano) | -4.37 | -25.91 | -21.7 | 13 |
| 19 | El mirar de la maja (for alto and piano) | -10.77 | -32.62 | -29.2 | 13 |
| 20 | El majo olvidado (for alto and piano) | -13.22 | -32.96 | -29.5 | 12 |
| 21 | La maja dolorosa, No. 3 (for alto and piano) | -9.81 | -30.10 | -27.0 | 12 |
| 22 | El majo discreto (for alto and piano) | -6.61 | -28.41 | -24.7 | 13 |
| 23 | Tango (for alto and piano) | -8.66 | -30.56 | -27.1 | 11 |