℗ 2012 Deutsche Grammophon, Berlin
Released | 2012 |
Duration | 1h 07m 45s |
Record Label | Deutsche Grammophon (DG) |
Genre | Classical |
Nouveau Monde - Baroque Arias And Songs
Patricia Petibon, La Cetra Barockorchester Basel, Andrea Marcon
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Vendado es amor, no es ciego (Zarzuela)
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1.1
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El bajel que no recela
José de Nebra; Patricia Petibon; La Cetra Barockorchester Basel; Andrea Marcon |
5:31 | |||
1.2
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Yo soy la locura
Henri de Bailly; Anonymous; Patricia Petibon; Joël Grare; La Cetra Barockorchester Basel; Andrea Marcon |
2:40 | |||
Codex Martínez Compañon
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1.3
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Cachua a voz y bajo Al Nacimento de Christo Nuestro Señor
Anonymous; Patricia Petibon; Joël Grare; La Cetra Barockorchester Basel; Andrea Marcon |
3:14 | |||
Vendado es amor, no es ciego (Zarzuela)
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1.4
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En amor, pastorcillos, no hay quien distinga
José de Nebra; Patricia Petibon; Joël Grare; La Cetra Barockorchester Basel; Andrea Marcon |
1:48 | |||
Dido and Aeneas / Act 3
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1.5
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"Thy hand, Belinda...When I am laid in earth"
Henry Purcell; Nahum Tate; Virgil; Patricia Petibon; La Cetra Barockorchester Basel; Andrea Marcon |
5:22 | |||
Les indes galantes / Nouvelle Entrée: Les Sauvages Scène 6
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1.6
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Danse du Grand Calumet de la Paix (Rondeau) - Forêts paisibles
Jean-Philippe Rameau; Louis Fuzelier; Patricia Petibon; Kevin Greenlaw; La Cetra Barockorchester Basel; Andrea Marcon; La Cetra Vocalensemble Basel |
4:13 | |||
Cantata spagnola HWV 140
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1.7
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No se emendará jamás
George Frideric Handel; Patricia Petibon; Joël Grare; La Cetra Barockorchester Basel; Andrea Marcon |
3:36 | |||
Codex Martínez Compañon
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1.8
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Tonada la Lata a voz y bajo para bailar cantando
Anonymous; Patricia Petibon; Pierre Hamon; Joël Grare; La Cetra Barockorchester Basel; Andrea Marcon |
2:10 | |||
1.9
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Mon amy s'en est allé
Anonymous; La Cetra Barockorchester Basel; Patricia Petibon; Pierre Hamon; Joël Grare; La Cetra Barockorchester Basel; Andrea Marcon |
3:35 | |||
1.10
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Tonada la Lata el Congo a voz y bajo para baylar cantando
Anonymous; Patricia Petibon; Pierre Hamon; Joël Grare; La Cetra Barockorchester Basel; Andrea Marcon |
3:20 | |||
Chaconne for Soprano and Continuo
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1.11
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Sans frayer dans ce bois
Marc-Antoine Charpentier; Anonymous; Ovid; Patricia Petibon; Joël Grare; La Cetra Barockorchester Basel; Andrea Marcon |
2:29 | |||
Medée / Acte III / Scène 3
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1.12
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Quel prix de mon amour
Marc-Antoine Charpentier; Patricia Petibon; La Cetra Barockorchester Basel; Andrea Marcon |
5:35 | |||
Medée / Acte III / Scène 5 / Scéne 6
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1.13
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Prélude - Noire filles du stix - L'Enfer obéit à ta voix
Marc-Antoine Charpentier; Patricia Petibon; La Cetra Barockorchester Basel; Andrea Marcon; La Cetra Vocalensemble Basel |
3:57 | |||
Medée / Acte III / Scène 7
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1.14
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Dieu du Cocyte et des Royaumes sombres
Marc-Antoine Charpentier; Patricia Petibon; La Cetra Barockorchester Basel; Andrea Marcon; La Cetra Vocalensemble Basel |
4:49 | |||
1.15
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Greensleeves To A Ground - Arranged By La Cetra
Anonymous; Traditional; La Cetra Barockorchester Basel; Patricia Petibon; Pierre Hamon; Joël Grare; La Cetra Barockorchester Basel; Andrea Marcon |
4:09 | |||
1.16
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J'ai vu le loup, le renard et la belette
Traditional; La Cetra Barockorchester Basel; Patricia Petibon; Pierre Hamon; Joël Grare; La Cetra Barockorchester Basel; Andrea Marcon |
2:54 | |||
Les indes galantes / Première Entrée: Le Turc généreux Scène 2
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1.17
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La nuit couvre les cieux - Que nous sert d'échapper à la fureur des mers
Jean-Philippe Rameau; Louis Fuzelier; Patricia Petibon; La Cetra Barockorchester Basel; Andrea Marcon; La Cetra Vocalensemble Basel |
4:45 | |||
King Arthur, or The British Worthy (1691) / Act 5
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1.18
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Fairest Isle (Venus)
Henry Purcell; John Dryden; Patricia Petibon; La Cetra Barockorchester Basel; Andrea Marcon |
3:38 | |||
Digital Booklet
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"... [a] compelling programme, a tour de force for its performer/compiler, most atmospherically recorded. Compulsive, repeatable listening."
- Gramophone
"... [a] terrifically fun recording ... All the selections are executed with passionate inflection by French soprano Patricia Petibon and incisive vigor by Andrea Marcon's Baroque ensemble La Cetra ... Petibon exhibits a lush, even tone throughout the registers, including astonishingly strong and effortless low notes, unusual for a high coloratura ... [a] delightful and unique compilation."
- Opera News
Soprano singer Patricia Petibon teams up with La Cetra Barockorchester Basel lead by Andrea Marcon for a stunning recital programme of Baroque era Arias and Song.
The soprano Patricia Petibon was born in Montargis, France. Already interested in the piano and fine arts as a child, she earned a bachelor’s degree in musicology at the Paris Conservatoire and then went on to study singing there with Professor Rachel Yakar, graduating with a first prize in 1995. She was discovered by the acclaimed American conductor and harpsichordist William Christie and consequently often worked with his orchestra Les Arts Florissants, appearing with Christie at the Aix-en-Provence Festival, La Scala in Milan, the Teatro Colón in Buenos Aires and the Wigmore Hall in London. Since then she has built a prodigious and prolific career. Patricia Petibon has been an exclusive Deutsche Grammophon artist since 2008.
96 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.92 -8.02 to -0.20 | -24.60 -31.51 to -20.97 | -20.82 -27.20 to -17.60 | 14 11 to 17 | |
1 | El bajel que no recela | -1.22 | -20.97 | -17.6 | 11 |
2 | Yo soy la locura | -3.70 | -26.27 | -22.4 | 12 |
3 | Cachua a voz y bajo Al Nacimento de Christo Nuestro Señor | -0.95 | -24.74 | -20.1 | 14 |
4 | En amor, pastorcillos, no hay quien distinga | -1.42 | -22.67 | -18.8 | 13 |
5 | "Thy hand, Belinda...When I am laid in earth" | -1.61 | -25.25 | -20.3 | 14 |
6 | Danse du Grand Calumet de la Paix (Rondeau) - Forêts paisibles | -0.20 | -21.80 | -18.1 | 14 |
7 | No se emendará jamás | -1.34 | -26.99 | -22.2 | 17 |
8 | Tonada la Lata a voz y bajo para bailar cantando | -3.35 | -25.48 | -22.5 | 15 |
9 | Mon amy s'en est allé | -0.20 | -21.19 | -18.2 | 14 |
10 | Tonada la Lata el Congo a voz y bajo para baylar cantando | -0.20 | -22.48 | -18.8 | 14 |
11 | Sans frayer dans ce bois | -4.39 | -26.78 | -24.2 | 14 |
12 | Quel prix de mon amour | -0.72 | -24.91 | -21.1 | 15 |
13 | Prélude - Noire filles du stix - L'Enfer obéit à ta voix | -0.80 | -23.09 | -19.6 | 14 |
14 | Dieu du Cocyte et des Royaumes sombres | -1.37 | -25.63 | -21.9 | 17 |
15 | Greensleeves To A Ground - Arranged By La Cetra | -8.02 | -31.51 | -27.2 | 15 |
16 | J'ai vu le loup, le renard et la belette | -0.41 | -22.55 | -19.4 | 14 |
17 | La nuit couvre les cieux - Que nous sert d'échapper à la fureur des mers | -0.45 | -23.10 | -19.1 | 14 |
18 | Fairest Isle (Venus) | -4.19 | -27.33 | -23.3 | 14 |