℗ 2020 Polyvinyl Record Co.
 

If You're Dreaming

Anna Burch

Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats

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1.1
Can't Sleep
Anna Burch
4:36
1.2
Party's Over
Anna Burch
2:31
1.3
Jacket
Anna Burch
3:36
1.4
So I Can See
Anna Burch
3:22
1.5
Ask Me To
Anna Burch
3:24
1.6
Keep It Warm
Anna Burch
1:40
1.7
Go It Alone
Anna Burch
3:18
1.8
Tell Me What's True
Anna Burch
3:48
1.9
Not So Bad
Anna Burch
3:15
1.10
Picture Show
Anna Burch
1:07
1.11
Every Feeling
Anna Burch
4:27
1.12
Here With You
Anna Burch
2:56
Total Playing Time    38:00
Anna Burch’s follow up to her 2018 debut, Quit the Curse, takes us down a different path than its predecessor, shedding some nervous energy in favor of a deeper exploration of an internal world.

After months on the road in support of Quit the Curse, Burch disappeared for a while. The long stretches of touring had been broken up by only a few weeks off here and there, and a month spent writing in Berlin between European dates. The time she did get to spend at home in Detroit was disrupted by several unexpected housing changes, adding to the transient feelings brought on by constant touring. When things finally stabilized, Burch encamped into a slow, thoughtful and intentional writing process for what would become the second album. Days were spent playing guitar, exploring unconventional chord changes, ruminating on song structures and allowing her subconscious to wander until lyrics materialized. Though about half of the songs were already written, this time was dedicated to taking a closer look at the loose ends of three years of ideas and seeing if there were common threads that held them together.

If You’re Dreaming was tracked with producer Sam Evian in his home studio in the Catskill mountains of upstate New York. Where the first album had been a rush of inspired songwriting followed by a drawn-out process of arrangement and mixing, Burch and Evian worked with self-imposed time limitations to establish a sharper focus and get to the core of the new songs. The work was swift but somehow more relaxed, locking into a groove of tracking the basic elements and then expanding on the arrangements with overdubs and auxiliary instrumentation. The end goal was to present not just an assortment of new songs, but craft an album that moved dynamically through an interconnected emotional arc.
96 kHz / 24-bit PCM – Polyvinyl Records Studio Masters

Tracks 1-12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit

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