℗ 2020 Naxos
| Released | April 24, 2020 |
| Duration | 2h 23m 22s |
| Record Label | Naxos |
| Catalogue No. | 8.574040-41 |
| Genre | Classical (Classical Era) |
Beethoven: Works
Various Artists
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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March in D Major, WoO 24
Ludwig van Beethoven; Indiana University Wind Ensemble; Rodney Dorsey |
8:17 | |||
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1.2
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March in C Major, WoO 20 "Zapfenstreich"
Ludwig van Beethoven; Indiana University Wind Ensemble; Rodney Dorsey |
4:27 | |||
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1.3
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Polonaise in D Major, WoO 21
Ludwig van Beethoven; Indiana University Wind Ensemble; Rodney Dorsey |
2:06 | |||
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1.4
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Ecossaise in D Major, WoO 22
Ludwig van Beethoven; Indiana University Wind Ensemble; Rodney Dorsey |
0:58 | |||
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3 Equali, WoO 30
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1.5
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No. 1, Andante
Ludwig van Beethoven; William Karceski; Chris Houlihan; Stefan Wiebe; Noah Roper |
2:14 | |||
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1.6
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No. 2, Poco adagio
Ludwig van Beethoven; William Karceski; Chris Houlihan; Stefan Wiebe; Noah Roper |
1:42 | |||
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1.7
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No. 3, Poco sostenuto
Ludwig van Beethoven; William Karceski; Chris Houlihan; Stefan Wiebe; Noah Roper |
1:05 | |||
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1.8
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Adagio in A-Flat Major, Hess 297
Ludwig van Beethoven; Layne Anspach; Scott Holben; Yu-Hsuan Cheng |
0:52 | |||
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1.9
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Grenadier's March, Hess 107 (Transcr. for Organ)
Ludwig van Beethoven; Janette Fishell |
4:21 | |||
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5 Pieces for Musical Clock, WoO 33
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1.10
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No. 4, Allegro non più molto
Ludwig van Beethoven; Janette Fishell |
8:31 | |||
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1.11
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No. 5, Allegretto
Ludwig van Beethoven; Janette Fishell |
5:32 | |||
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1.12
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No. 1, Adagio assai
Ludwig van Beethoven; Janette Fishell |
6:12 | |||
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1.13
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No. 2, Scherzo
Ludwig van Beethoven; Janette Fishell |
2:32 | |||
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1.14
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No. 3, Allegro
Ludwig van Beethoven; Janette Fishell |
2:23 | |||
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1.15
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Fugue in D Major, WoO 31
Ludwig van Beethoven; Janette Fishell |
2:11 | |||
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The Well-Tempered Clavier, Book 1, Prelude & Fugue in B-Flat Minor, BWV 867
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1.16
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II. Fugue (Arr. L,V. Beethoven for String Quartet)
Johann Sebastian Bach; Sofia Kim; Susie Kroh; Seido Karasaki; Hrafnhildur Marta Guðmundsdóttir; Lawrence DiBello |
2:15 | |||
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1.17
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Prelude & Fugue in E Minor, Hess 29 (First Version)
Ludwig van Beethoven; Tristan Segal; Noa Sarid; Isabel Kwon |
3:18 | |||
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Prelude & Fugue in E Minor, Hess 29 (Final Version)
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1.18
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I. Prelude
Ludwig van Beethoven; Tristan Segal; Noa Sarid; Isabel Kwon |
2:48 | |||
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1.19
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II. Fugue
Ludwig van Beethoven; Tristan Segal; Noa Sarid; Isabel Kwon |
2:15 | |||
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1.20
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String Quintet in D Minor, Hess 40
Ludwig van Beethoven; Sofia Kim; Susie Kroh; Seido Karasaki; Andrew Collins; Hrafnhildur Marta Guðmundsdóttir |
2:32 | |||
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Piano Quintet in E-Flat Major, Op. 16 (Version for Piano Quartet)
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2.1
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I. Grave - Allegro ma non troppo
Ludwig van Beethoven; Clara Scholtes; Seido Karasaki; Lawrence DiBello; Andreas Ioannides |
13:01 | |||
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2.2
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II. Andante cantabile
Ludwig van Beethoven; Clara Scholtes; Seido Karasaki; Lawrence DiBello; Andreas Ioannides |
7:20 | |||
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2.3
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III. Rondo. Allegro ma non troppo
Ludwig van Beethoven; Clara Scholtes; Seido Karasaki; Lawrence DiBello; Andreas Ioannides |
5:54 | |||
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6 Minuets, WoO 9
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2.4
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No. 1 in E-Flat Major
Ludwig van Beethoven; Tristan Segal; Noa Sarid; Isabel Kwon |
2:05 | |||
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2.5
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No. 2 in G Major
Ludwig van Beethoven; Tristan Segal; Noa Sarid; Isabel Kwon |
1:58 | |||
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2.6
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No. 3 in C Major
Ludwig van Beethoven; Tristan Segal; Noa Sarid; Isabel Kwon |
2:29 | |||
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2.7
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No. 4 in F Major
Ludwig van Beethoven; Tristan Segal; Noa Sarid; Isabel Kwon |
2:01 | |||
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2.8
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No. 5 in D Major
Ludwig van Beethoven; Tristan Segal; Noa Sarid; Isabel Kwon |
1:50 | |||
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2.9
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No. 6 in G Major
Ludwig van Beethoven; Tristan Segal; Noa Sarid; Isabel Kwon |
1:56 | |||
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6 Ländler, WoO 15
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2.10
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No. 1 in D Major
Ludwig van Beethoven; Tristan Segal; Noa Sarid; Aleck Belcher |
0:43 | |||
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2.11
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No. 2 in D Major
Ludwig van Beethoven; Tristan Segal; Noa Sarid; Aleck Belcher |
0:42 | |||
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2.12
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No. 3 in D Major
Ludwig van Beethoven; Tristan Segal; Noa Sarid; Aleck Belcher |
0:38 | |||
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2.13
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No. 4 in D Minor
Ludwig van Beethoven; Tristan Segal; Noa Sarid; Aleck Belcher |
0:43 | |||
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2.14
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No. 5 in D Major
Ludwig van Beethoven; Tristan Segal; Noa Sarid; Aleck Belcher |
0:42 | |||
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2.15
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No. 6 in D Major
Ludwig van Beethoven; Tristan Segal; Noa Sarid; Aleck Belcher |
1:38 | |||
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6 German Dances, WoO 42
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2.16
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No. 1 in F Major
Ludwig van Beethoven; Clara Scholtes; Tatiana Lokhina |
0:32 | |||
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2.17
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No. 2 in D Major
Ludwig van Beethoven; Clara Scholtes; Tatiana Lokhina |
0:30 | |||
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2.18
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No. 3 in F Major
Ludwig van Beethoven; Clara Scholtes; Tatiana Lokhina |
1:38 | |||
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2.19
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No. 4 in A Major
Ludwig van Beethoven; Clara Scholtes; Tatiana Lokhina |
0:36 | |||
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2.20
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No. 5 in D Major
Ludwig van Beethoven; Clara Scholtes; Tatiana Lokhina |
0:41 | |||
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2.21
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No. 6 in G Major
Ludwig van Beethoven; Clara Scholtes; Tatiana Lokhina |
1:31 | |||
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2.22
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Rondo in G Major, WoO 41
Ludwig van Beethoven; Clara Scholtes; Tatiana Lokhina |
4:48 | |||
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2.23
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Duet in A Major, WoO 34
Ludwig van Beethoven; Sofia Kim; Susie Kroh |
0:22 | |||
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2.24
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Canon in A Major, WoO 35
Ludwig van Beethoven; Sofia Kim; Susie Kroh |
0:27 | |||
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22 Scottish Songs, WoO 156
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2.25
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No. 1, —
Ludwig van Beethoven; Tristan Segal; Lawrence DiBello; Andreas Ioannides |
3:15 | |||
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2.26
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Violin Sonata in A Major, Hess 46
Ludwig van Beethoven; Clara Scholtes; Tatiana Lokhina |
2:28 | |||
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2.27
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Trio Secondo in A-Flat Major, Hess 28
Ludwig van Beethoven; Clara Scholtes; Seido Karasaki; Lawrence DiBello |
1:32 | |||
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2.28
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Duo for Violin and Cello in E-Flat Major, Gardi 2
Ludwig van Beethoven; Sofia Kim; Hrafnhildur Marta Guðmundsdóttir |
3:21 | |||
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2.29
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Piano Trio in F Minor, Biamonti 637 (Transcr. N. Marston)
Ludwig van Beethoven; Tristan Segal; Lawrence DiBello; Andreas Ioannides |
4:36 | |||
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2.30
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String Trio, Hess 25
Ludwig van Beethoven; Eunji Kim; Seido Karasaki; Lawrence DiBello |
6:54 | |||
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Digital Booklet
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In his first decade in Vienna, Beethoven seems to have been preoccupied with music for wind instruments. The best-known example is his "Quintet in E flat major, Op. 16", which he arranged at the same time for piano quartet. He also wrote music for dances and settings of folk songs, and reflected the public’s interest in automata by writing for musical clock. The Napoleonic wars were mirrored in Beethoven’s music of the period, especially in his military compositions such as a series of Marches and the "Equali", scored for trombones, which were later played at his funeral.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.16 -14.04 to -0.49 | -24.95 -31.48 to -18.79 | -21.78 -28.00 to -15.70 | 13 10 to 15 | |
| 1.1 | March in D Major, WoO 24 | -0.51 | -18.90 | -15.7 | 13 |
| 1.2 | March in C Major, WoO 20 "Zapfenstreich" | -0.65 | -21.66 | -18.7 | 13 |
| 1.3 | Polonaise in D Major, WoO 21 | -2.59 | -21.35 | -18.3 | 12 |
| 1.4 | Ecossaise in D Major, WoO 22 | -1.61 | -19.66 | -16.4 | 12 |
| 1.5 | No. 1, Andante | -1.61 | -22.33 | -18.9 | 11 |
| 1.6 | No. 2, Poco adagio | -5.20 | -24.29 | -21.0 | 11 |
| 1.7 | No. 3, Poco sostenuto | -3.35 | -22.09 | -18.4 | 10 |
| 1.8 | Adagio in A-Flat Major, Hess 297 | -5.69 | -24.64 | -21.3 | 10 |
| 1.9 | Grenadier's March, Hess 107 (Transcr. for Organ) | -4.05 | -24.36 | -20.9 | 13 |
| 1.10 | No. 4, Allegro non più molto | -11.96 | -28.64 | -25.8 | 11 |
| 1.11 | No. 5, Allegretto | -14.04 | -30.63 | -28.0 | 11 |
| 1.12 | No. 1, Adagio assai | -4.48 | -22.10 | -20.0 | 11 |
| 1.13 | No. 2, Scherzo | -6.95 | -27.23 | -24.2 | 11 |
| 1.14 | No. 3, Allegro | -11.72 | -27.93 | -25.0 | 11 |
| 1.15 | Fugue in D Major, WoO 31 | -1.67 | -18.79 | -15.7 | 10 |
| 1.16 | II. Fugue (Arr. L,V. Beethoven for String Quartet) | -6.35 | -24.22 | -21.3 | 11 |
| 1.17 | Prelude & Fugue in E Minor, Hess 29 (First Version) | -7.91 | -26.04 | -22.9 | 12 |
| 1.18 | I. Prelude | -7.19 | -25.39 | -22.2 | 12 |
| 1.19 | II. Fugue | -6.76 | -25.35 | -21.9 | 12 |
| 1.20 | String Quintet in D Minor, Hess 40 | -5.30 | -25.99 | -22.9 | 13 |
| 2.1 | I. Grave - Allegro ma non troppo | -0.75 | -24.04 | -20.8 | 15 |
| 2.2 | II. Andante cantabile | -3.04 | -27.58 | -24.6 | 14 |
| 2.3 | III. Rondo. Allegro ma non troppo | -2.16 | -24.23 | -20.9 | 14 |
| 2.4 | No. 1 in E-Flat Major | -6.48 | -27.97 | -24.9 | 15 |
| 2.5 | No. 2 in G Major | -3.33 | -25.56 | -22.3 | 14 |
| 2.6 | No. 3 in C Major | -5.44 | -26.71 | -23.5 | 13 |
| 2.7 | No. 4 in F Major | -6.40 | -27.74 | -24.6 | 15 |
| 2.8 | No. 5 in D Major | -4.32 | -24.51 | -21.1 | 13 |
| 2.9 | No. 6 in G Major | -5.46 | -26.60 | -23.4 | 13 |
| 2.10 | No. 1 in D Major | -5.58 | -24.82 | -21.7 | 13 |
| 2.11 | No. 2 in D Major | -3.55 | -22.93 | -20.2 | 12 |
| 2.12 | No. 3 in D Major | -4.28 | -21.80 | -19.1 | 11 |
| 2.13 | No. 4 in D Minor | -8.63 | -26.21 | -23.1 | 10 |
| 2.14 | No. 5 in D Major | -4.14 | -23.20 | -20.2 | 13 |
| 2.15 | No. 6 in D Major | -1.33 | -22.24 | -18.9 | 13 |
| 2.16 | No. 1 in F Major | -8.06 | -24.97 | -21.8 | 12 |
| 2.17 | No. 2 in D Major | -5.96 | -23.12 | -20.2 | 11 |
| 2.18 | No. 3 in F Major | -4.76 | -25.69 | -22.7 | 14 |
| 2.19 | No. 4 in A Major | -6.06 | -26.44 | -23.2 | 14 |
| 2.20 | No. 5 in D Major | -5.48 | -24.57 | -21.6 | 12 |
| 2.21 | No. 6 in G Major | -5.56 | -26.59 | -23.4 | 14 |
| 2.22 | Rondo in G Major, WoO 41 | -3.11 | -25.35 | -22.1 | 15 |
| 2.23 | Duet in A Major, WoO 34 | -7.75 | -26.10 | -21.7 | 11 |
| 2.24 | Canon in A Major, WoO 35 | -12.21 | -31.48 | -27.6 | 12 |
| 2.25 | No. 1, — | -5.84 | -26.09 | -23.1 | 12 |
| 2.26 | Violin Sonata in A Major, Hess 46 | -4.63 | -25.19 | -21.8 | 14 |
| 2.27 | Trio Secondo in A-Flat Major, Hess 28 | -7.35 | -25.62 | -22.3 | 12 |
| 2.28 | Duo for Violin and Cello in E-Flat Major, Gardi 2 | -3.57 | -25.22 | -22.1 | 15 |
| 2.29 | Piano Trio in F Minor, Biamonti 637 (Transcr. N. Marston) | -0.49 | -27.16 | -23.6 | 15 |
| 2.30 | String Trio, Hess 25 | -2.54 | -26.35 | -23.2 | 15 |