℗ 2020 New Amsterdam
| Released | April 3, 2020 |
| Duration | 1h 22m 43s |
| Record Label | New Amsterdam |
| Catalogue No. | NWAM137 |
| Genre | Classical (Oratorio) |
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Place, Pt. 1 "Ted Hearne"
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1.1
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No. 1, Balloons
Ted Hearne; Ted Hearne; Place Orchestra |
5:56 | |||
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1.2
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No. 2, Boundary
Ted Hearne; Ted Hearne; Place Orchestra |
4:10 | |||
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1.3
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No. 3, Interview
Ted Hearne; Ted Hearne; Place Orchestra |
4:28 | |||
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1.4
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No. 4, Maps (Appropriation)
Ted Hearne; Ted Hearne; Place Orchestra; Josephine Lee; Isaiah Robinson; Chicago Children's Choir |
8:43 | |||
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1.5
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No. 5, Breakup Letter
Ted Hearne; Ted Hearne; Place Orchestra; Ayanna Woods; Philip White |
6:53 | |||
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1.6
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No. 6, Guilt
Ted Hearne; Ted Hearne; Place Orchestra; Steven Bradshaw |
2:58 | |||
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Place, Pt. 2 "Saul Williams"
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1.7
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No. 7, Is It OK to Say?
Ted Hearne; Ted Hearne; Place Orchestra; Sol Ruiz; Rage Thormbones |
2:37 | |||
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1.8
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No. 8, What About My Son
Ted Hearne; Ted Hearne; Place Orchestra |
4:29 | |||
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1.9
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No. 9, Displacement Bloop
Ted Hearne; Saul Williams |
11:06 | |||
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1.10
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No. 10, This Land Was Worth Every War
Ted Hearne; Ted Hearne; Place Orchestra; Sol Ruiz |
4:30 | |||
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1.11
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No. 11, The Tales You Tell Your Children
Ted Hearne; Ted Hearne; Place Orchestra; Isaiah Robinson; Ayanna Woods |
2:25 | |||
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1.12
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No. 12, New Faces
Ted Hearne; Ted Hearne; Place Orchestra; Sophia Byrd |
2:16 | |||
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1.13
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No. 13, Running to Us All
Ted Hearne; Ted Hearne; Place Orchestra; Chicago Children's Choir |
2:16 | |||
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1.14
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No. 14, Hallelujah in White
Ted Hearne; Ted Hearne; Place Orchestra; Isaiah Robinson |
1:25 | |||
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1.15
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No. 15, A Thought
Ted Hearne; Saul Williams; Ayanna Woods |
1:58 | |||
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1.16
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No. 16, The Guilt That I Feel Is Freedom
Ted Hearne; Ted Hearne; Place Orchestra; Ayanna Woods; Steven Bradshaw |
3:38 | |||
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1.17
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No. 17, You Were Never Comfortable with Intimacy
Ted Hearne; Ted Hearne; Place Orchestra; Sophia Byrd |
1:44 | |||
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1.18
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No. 18, Beneath the Ruins Are Older Ruins
Ted Hearne; Ted Hearne; Place Orchestra |
5:27 | |||
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Place, Pt. 3
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1.19
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No. 19, Colonizing Space
Ted Hearne; Ted Hearne; Place Orchestra; Isaiah Robinson |
5:44 | |||
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Digital Booklet
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Grammy Award Nomination, 2020 – Best Contemporary Classical Composition
Ted Hearne, composer (Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods & Place Orchestra)
Created with poet/librettist Saul Williams and director Patricia McGregor, Place is an 80-minute staged oratorio scored for 18 instrumentalists and 6 singers considering the topic of gentrification. Co-commissioned by the Los Angeles Philharmonic, The Barbican Centre and Beth Morrison Projects, Place premiered in 2018.
Composer, singer, bandleader and recording artist Ted Hearne draws on a wide breadth of influences ranging across music's full terrain, to create intense, personal and multi-dimensional works.
The New York Times has praised Mr. Hearne for his "tough edge and wildness of spirit," and "topical, politically sharp-edged works." Pitchfork called Hearne's work "some of the most expressive socially engaged music in recent memory -- from any genre," and Alex Ross wrote in The New Yorker that Hearne's music "holds up as a complex mirror image of an information-saturated, mass-surveillance world, and remains staggering in its impact."
48 kHz / 24-bit PCM – New Amsterdam Studio Masters
Track 9 – contains material which has been processed by a perceptual audio coding algorithm
Track 9 – contains material which has been processed by a perceptual audio coding algorithm
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.69 -11.01 to -0.30 | -19.99 -34.90 to -17.18 | -16.25 -28.70 to -13.20 | 11 10 to 15 | |
| 1 | No. 1, Balloons | -1.86 | -19.37 | -16.1 | 11 |
| 2 | No. 2, Boundary | -0.41 | -17.38 | -14.4 | 11 |
| 3 | No. 3, Interview | -1.17 | -19.16 | -14.6 | 10 |
| 4 | No. 4, Maps (Appropriation) | -0.67 | -19.25 | -15.5 | 12 |
| 5 | No. 5, Breakup Letter | -0.33 | -18.34 | -15.7 | 12 |
| 6 | No. 6, Guilt | -1.47 | -19.19 | -15.3 | 10 |
| 7 | No. 7, Is It OK to Say? | -0.30 | -18.42 | -14.8 | 12 |
| 8 | No. 8, What About My Son | -0.41 | -18.85 | -15.2 | 12 |
| 9 | No. 9, Displacement Bloop | -11.01 | -34.90 | -28.7 | 15 |
| 10 | No. 10, This Land Was Worth Every War | -1.38 | -19.25 | -16.1 | 12 |
| 11 | No. 11, The Tales You Tell Your Children | -1.31 | -20.70 | -16.8 | 13 |
| 12 | No. 12, New Faces | -2.40 | -17.40 | -13.8 | 10 |
| 13 | No. 13, Running to Us All | -0.31 | -17.18 | -13.3 | 11 |
| 14 | No. 14, Hallelujah in White | -1.72 | -18.56 | -13.2 | 10 |
| 15 | No. 15, A Thought | -1.74 | -27.94 | -24.1 | 15 |
| 16 | No. 16, The Guilt That I Feel Is Freedom | -0.48 | -18.34 | -14.7 | 11 |
| 17 | No. 17, You Were Never Comfortable with Intimacy | -3.73 | -20.11 | -17.5 | 10 |
| 18 | No. 18, Beneath the Ruins Are Older Ruins | -1.12 | -17.39 | -14.4 | 11 |
| 19 | No. 19, Colonizing Space | -0.30 | -18.02 | -14.6 | 10 |