℗ 2019 La Prima Volta
| Released | April 17, 2020 |
| Duration | 1h 19m 27s |
| Record Label | La Dolce Volta |
| Catalogue No. | LDV75D |
| Genre | Classical (Solo concerto, concerto grosso, sinfonia concertante) |
Walton, Grisi & Prokofiev: Heroes
Adrien La Marca, Liège Royal Philharmonic, Christian Arming
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Concerto for Viola and Orchestra
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1.1
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I. Andante comodo
William Walton; Adrien La Marca; Christian Arming; Liège Royal Philharmonic |
8:47 | |||
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1.2
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II. Vivo e molto preciso
William Walton; Adrien La Marca; Christian Arming; Liège Royal Philharmonic |
4:24 | |||
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1.3
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III. Allegro moderato
William Walton; Adrien La Marca; Christian Arming; Liège Royal Philharmonic |
13:19 | |||
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1.4
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On the Reel
Gwenaël Mario Grisi; Adrien La Marca; Christian Arming; Liège Royal Philharmonic |
23:59 | |||
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Romeo and Juliet, Op. 64
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1.5
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I. Introduction
Sergey Prokoviev; Adrien La Marca; Christian Arming; Liège Royal Philharmonic |
2:44 | |||
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1.6
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II. Juliet as a Young Girl
Sergey Prokoviev; Adrien La Marca; Christian Arming; Liège Royal Philharmonic |
3:33 | |||
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1.7
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III. Dance of the Knights
Sergey Prokoviev; Adrien La Marca; Christian Arming; Liège Royal Philharmonic |
5:42 | |||
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1.8
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IV. Balcony Scene
Sergey Prokoviev; Adrien La Marca; Christian Arming; Liège Royal Philharmonic |
6:18 | |||
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1.9
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V. Death of Juliet
Sergey Prokoviev; Adrien La Marca; Christian Arming; Liège Royal Philharmonic |
8:15 | |||
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1.10
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VI. Mercutio
Sergey Prokoviev; Adrien La Marca; Christian Arming; Liège Royal Philharmonic |
2:26 | |||
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Digital Booklet
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Three large-scale works for viola and orchestra feature on the new recording by violist Adrien La Marca with the Liège Royal Philharmonic. Musically, a programme must tell a story: here the viola becomes the central hero of each work, in an almost cinematographic adventure. A hero who roams from the heart of Russian ballet music with Prokofiev's Romeo and Juliet, through the lyricism of interwar English music with Walton's Viola Concerto, to music of today by the Belgian composer Gwenaël Mario Grisi, whose On the Reel is literally 'scripted', written directly from analysis of film scenarios. Epic sweep, passions, contrasts... Everything you might expect from a great adventure movie is there in this music. Moments of powerful lyricism, love and tenderness, inner struggles, combats or doubts.
44.1 kHz / 24-bit PCM – La Dolce Volta Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.65 -2.45 to -0.33 | -19.95 -22.40 to -18.09 | -16.83 -19.50 to -15.40 | 12 11 to 15 | |
| 1 | I. Andante comodo | -0.55 | -21.39 | -18.3 | 14 |
| 2 | II. Vivo e molto preciso | -0.41 | -18.90 | -15.8 | 12 |
| 3 | III. Allegro moderato | -0.48 | -20.65 | -17.5 | 12 |
| 4 | On the Reel | -0.37 | -18.81 | -15.7 | 11 |
| 5 | I. Introduction | -2.45 | -21.64 | -18.5 | 12 |
| 6 | II. Juliet as a Young Girl | -0.52 | -22.40 | -19.5 | 15 |
| 7 | III. Dance of the Knights | -0.50 | -18.09 | -15.4 | 11 |
| 8 | IV. Balcony Scene | -0.44 | -18.74 | -15.6 | 11 |
| 9 | V. Death of Juliet | -0.50 | -20.04 | -16.6 | 12 |
| 10 | VI. Mercutio | -0.33 | -18.81 | -15.4 | 11 |