℗ 2020 Academy of Ancient Music
Released | May 1, 2020 |
Duration | 40m 54s |
Record Label | Academy of Ancient Music |
Catalogue No. | AAM008 |
Genre | Classical (Baroque Era) |
Valls: Missa Regalis
Oxford The Choir of Keble College, Academy of Ancient Music, Matthew Martin
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Missa Regalis
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1.1
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I. Kyrie
Francisco Valls; The Choir of Keble College, Oxford; Academy of Ancient Music; Matthew Martin |
5:17 | |||
1.2
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II. Gloria
Francisco Valls; The Choir of Keble College, Oxford; Academy of Ancient Music; Matthew Martin |
7:55 | |||
1.3
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Tiento y discurso de segundo tono, FO 2
Francisco Correa de Arauxo; Matthew Martin |
5:57 | |||
1.4
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III. Credo
Francisco Valls; The Choir of Keble College, Oxford; Academy of Ancient Music; Matthew Martin |
9:39 | |||
1.5
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Tiento de falsas primer tono, WSC 161
Juan Cabanilles; Matthew Martin |
2:52 | |||
1.6
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IV. Sanctus
Francisco Valls; The Choir of Keble College, Oxford; Academy of Ancient Music; Matthew Martin |
1:59 | |||
1.7
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Tiento de medio registro de tiple setimo tono, FO 29
Francisco Correa de Arauxo; Matthew Martin |
4:52 | |||
1.8
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V. Agnus Dei
Francisco Valls; The Choir of Keble College, Oxford; Academy of Ancient Music; Matthew Martin |
2:23 | |||
Digital Booklet
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AAM Records’ newest release features the Academy of Ancient Music joining forces with The Choir of Keble College and director Matthew Martin in a landmark recording of Francisco Vall’s ‘forgotten’ Missa Regalis [1740]. Performed from a new edition by Simon Heighes, Valls’ fascinating (and frequently confusticating) juxtaposition of ancient and ‘modern’ compositional styles provides a intriguing glimpse into the treasure-trove of Spanish baroque music, much of which remains relatively unknown to the wider world.
The Academy of Ancient Music is committed to the exploration of “new” works from the 17th and 18th centuries; AAM’s founder, Christopher Hogwood, was himself a keen musical detective, and this spirit of discovery runs throughout AAM’s activity. The movements of the Missa Regalis are interspersed with earlier keyboard works by both Francisco Corrêa de Arouxo and Juan Cabinilles. Director Matthew Martin writes: ‘there has been no attempt to create any particular formal liturgical sequence here, rather to place the Mass within a broader musical context using a style of keyboard writing most likely to have been familiar to Valls and his contemporaries.’ These organ pieces were recorded on the Aubertin organ in St. John’s College, Oxford and overlaid with Keble Chapel’s acoustic.
96 kHz / 24-bit PCM – Academy of Ancient Music Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.07 -12.56 to -0.41 | -23.05 -28.42 to -20.27 | -20.16 -26.60 to -17.10 | 12 10 to 14 | |
1 | I. Kyrie | -0.49 | -21.11 | -18.1 | 13 |
2 | II. Gloria | -1.49 | -22.29 | -19.2 | 13 |
3 | Tiento y discurso de segundo tono, FO 2 | -7.66 | -23.87 | -21.2 | 10 |
4 | III. Credo | -0.41 | -22.35 | -19.2 | 14 |
5 | Tiento de falsas primer tono, WSC 161 | -7.03 | -23.08 | -20.0 | 10 |
6 | IV. Sanctus | -0.50 | -20.27 | -17.1 | 11 |
7 | Tiento de medio registro de tiple setimo tono, FO 29 | -12.56 | -28.42 | -26.6 | 10 |
8 | V. Agnus Dei | -2.37 | -23.01 | -19.9 | 12 |