℗ 2020 Jazz at Lincoln Center
| Released | May 1, 2020 |
| Duration | 39m 33s |
| Record Label | Blue Engine Records |
| Catalogue No. | BE0028 |
| Genre | Jazz (Big Band) |
The Fifties: A Prism (feat. Christopher Crenshaw)
Jazz at Lincoln Center Orchestra, Wynton Marsalis, Christopher Crenshaw
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Flipped His Lid (feat. Christopher Crenshaw)
Jazz at Lincoln Center Orchestra; Wynton Marsalis; Christopher Crenshaw |
6:56 | |||
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1.2
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Just a-Slidin' (feat. Christopher Crenshaw)
Jazz at Lincoln Center Orchestra; Wynton Marsalis; Christopher Crenshaw |
5:57 | |||
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1.3
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Conglomerate (feat. Christopher Crenshaw)
Jazz at Lincoln Center Orchestra; Wynton Marsalis; Christopher Crenshaw |
5:24 | |||
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1.4
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Cha-Cha Toda la Noche (feat. Christopher Crenshaw)
Jazz at Lincoln Center Orchestra; Wynton Marsalis; Christopher Crenshaw |
5:31 | |||
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1.5
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Unorthodox Sketches (feat. Christopher Crenshaw)
Jazz at Lincoln Center Orchestra; Wynton Marsalis; Christopher Crenshaw |
5:31 | |||
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1.6
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Pursuit of the New Thing (feat. Christopher Crenshaw)
Jazz at Lincoln Center Orchestra; Wynton Marsalis; Christopher Crenshaw |
10:14 |
“All jazz is modern,” says Wynton Marsalis—and we owe the 1950s for that. The momentous decade became the crucible in which modern jazz was formed, as styles like modal, hard bop, third stream, and more melted together and artists like Miles Davis, Duke Ellington, and Ornette Coleman reached the height of their powers. Now, Jazz at Lincoln Center Orchestra trombonist Chris Crenshaw has taken inspiration from the era to create The Fifties: A Prism, the newest Blue Engine album.
Recorded live at The House of Swing by the JLCO with Wynton Marsalis in February 2017, The Fifties does exactly that, refracting all the energy from a creatively supercharged era through a 21st-century lens. The result is at turns playful and moving, melodic and challenging—but it’s always swinging.
“When I was presented with the idea of coming up with a suite dealing with the 1950s, I immediately realized this was going to cover all the genres of jazz, from bebop to freedom music."
- Chris Crenshaw
96 kHz / 24-bit PCM – Blue Engine Records Studio Masters
Tracks 1-6 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-6 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.09 -0.35 to 0.00 | -17.28 -21.94 to -15.25 | -14.07 -18.40 to -12.10 | 12 11 to 13 | |
| 1 | Flipped His Lid (feat. Christopher Crenshaw) | 0.00 | -15.25 | -12.5 | 11 |
| 2 | Just a-Slidin' (feat. Christopher Crenshaw) | 0.00 | -15.73 | -12.5 | 11 |
| 3 | Conglomerate (feat. Christopher Crenshaw) | 0.00 | -17.59 | -14.9 | 12 |
| 4 | Cha-Cha Toda la Noche (feat. Christopher Crenshaw) | 0.00 | -15.64 | -12.1 | 11 |
| 5 | Unorthodox Sketches (feat. Christopher Crenshaw) | -0.35 | -21.94 | -18.4 | 13 |
| 6 | Pursuit of the New Thing (feat. Christopher Crenshaw) | 0.00 | -17.54 | -14.0 | 12 |