℗ 2015 Deutsche Grammophon GmbH, Berlin under exclusive license to Universal Music Classics, a Division of UMG Recordings, Inc.
Released | September 11, 2015 |
Duration | 1h 25m 20s |
Record Label | Archiv |
Genre | Classical |
Gluck: Orfeo ed Euridice, Vol. 2: Orfeo ed Euridice (Live)
Franco Fagioli, Malin Hartelius, Emmanuelle De Negri, Accentus, Insula Orchestra, Laurence Equilbey
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Orfeo ed Euridice - Vienna Version (1762)
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1.1
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Overtura (Live)
Christoph Willibald von Gluck; Insula Orchestra; Laurence Equilbey |
3:10 | |||
Orfeo ed Euridice - Vienna Version (1762): Act I
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1.2
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Scene 1: Coro. "Ah, se intorno a quest'urna funestra" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Accentus; Insula Orchestra; Laurence Equilbey |
3:10 | |||
1.3
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Scene 1: Recitativo. "Basta, Basta, o compagni" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Insula Orchestra; Laurence Equilbey |
0:55 | |||
1.4
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Scene 1: Ballo. Larghetto (Live)
Christoph Willibald von Gluck; Insula Orchestra; Laurence Equilbey |
1:46 | |||
1.5
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Scene 1: Coro. "Ah, se intorno a quest'urna funestra" (Live)
Christoph Willibald von Gluck; Accentus; Insula Orchestra; Laurence Equilbey |
2:23 | |||
1.6
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Scene 1: Aria. "Chiamo il mio ben così" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Insula Orchestra; Laurence Equilbey |
6:55 | |||
1.7
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Scene 1: Recitativo. "Numi! barbari Numi" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Insula Orchestra; Laurence Equilbey |
1:05 | |||
1.8
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Scene 2: Recitativo. "T'assiste Amore!" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Emmanuelle De Negri; Insula Orchestra; Laurence Equilbey |
1:48 | |||
1.9
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Scene 2: Aria. "Gli sguardi trattieni" (Live)
Christoph Willibald von Gluck; Emmanuelle De Negri; Insula Orchestra; Laurence Equilbey |
2:39 | |||
1.10
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Scene 2: Recitativo. "Che disse! Che ascoltai!" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Insula Orchestra; Laurence Equilbey |
2:15 | |||
Orfeo ed Euridice - Vienna Version (1762): Act II
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1.11
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Scene 1: Ballo. Maestoso - Coro. "Chi mai dell'Erebo" (Live)
Christoph Willibald von Gluck; Accentus; Insula Orchestra; Laurence Equilbey |
1:43 | |||
1.12
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Scene 1: Ballo. Presto - Coro. "Chi mai dell'Erebo" (Live)
Christoph Willibald von Gluck; Accentus; Insula Orchestra; Laurence Equilbey |
1:39 | |||
1.13
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Scene 1: Ballo. Maestoso - Aria con Coro. "Deh, placatevi con me" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Accentus; Insula Orchestra; Laurence Equilbey |
4:20 | |||
1.14
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Scene 1: Coro. "Misero giovine" (Live)
Christoph Willibald von Gluck; Accentus; Insula Orchestra; Laurence Equilbey |
0:50 | |||
1.15
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Scene 1: Aria. "Mille pene, ombre moleste" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Insula Orchestra; Laurence Equilbey |
0:58 | |||
1.16
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Scene 1: Coro I. "Ah, quale incognito" (Live)
Christoph Willibald von Gluck; Accentus; Insula Orchestra; Laurence Equilbey |
0:36 | |||
1.17
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Scene 1: Aria. "Men tiranne, ah! voi sareste" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Insula Orchestra; Laurence Equilbey |
0:42 | |||
1.18
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Scene 1: Coro II. "Ah, quale incognito" (Live)
Christoph Willibald von Gluck; Accentus; Insula Orchestra; Laurence Equilbey |
1:08 | |||
1.19
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Scene 2: Ballo. Andante (Danza degli spiriti beati) (Live)
Christoph Willibald von Gluck; Insula Orchestra; Laurence Equilbey |
2:08 | |||
1.20
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Scene 2: Arioso. "Che puro ciel! Che chiaro sol!" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Accentus; Insula Orchestra; Laurence Equilbey |
5:14 | |||
1.21
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Scene 2: Coro. "Vieni a' regni del riposo" (Live)
Christoph Willibald von Gluck; Accentus; Insula Orchestra; Laurence Equilbey |
1:50 | |||
1.22
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Scene 2: Ballo (Danza degli eroi ed eroine) (Live)
Christoph Willibald von Gluck; Insula Orchestra; Laurence Equilbey |
2:43 | |||
1.23
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Scene 2: Recitativo. "Anime avventurose" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Accentus; Insula Orchestra; Laurence Equilbey |
0:43 | |||
1.24
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Scene 2: Coro. "Torna, o bella, al tuo consorte" (Live)
Christoph Willibald von Gluck; Accentus; Insula Orchestra; Laurence Equilbey |
1:52 | |||
Orfeo ed Euridice - Vienna Version (1762): Act III
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1.25
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Scene 1: Recitativo. "Vieni, segui i miei passi" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Malin Hartelius; Insula Orchestra; Laurence Equilbey |
5:50 | |||
1.26
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Scene 1: Duetto. "Vieni, appaga il tuo consorte!" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Malin Hartelius; Insula Orchestra; Laurence Equilbey |
3:26 | |||
1.27
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Scene 1: Recitativo. "Qual vita è questa mai" (Live)
Christoph Willibald von Gluck; Malin Hartelius; Insula Orchestra; Laurence Equilbey |
1:54 | |||
1.28
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Scene 1: Aria. "Che fiero momento" (Live)
Christoph Willibald von Gluck; Malin Hartelius; Insula Orchestra; Laurence Equilbey |
3:20 | |||
1.29
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Scene 1: Recitativo. "Ecco un nuovo tormento" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Malin Hartelius; Insula Orchestra; Laurence Equilbey |
3:51 | |||
1.30
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Scene 1: Aria. "Che farò senza Euridice?" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Insula Orchestra; Laurence Equilbey |
4:26 | |||
1.31
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Scene 1: Recitativo. "Ah finisca e per sempre" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Insula Orchestra; Laurence Equilbey |
1:18 | |||
1.32
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Scene 2: Recitativo. "Orfeo! Che fai?" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Malin Hartelius; Emmanuelle De Negri; Insula Orchestra; Laurence Equilbey |
1:46 | |||
1.33
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Scene 3: Maestoso (Live)
Christoph Willibald von Gluck; Insula Orchestra; Laurence Equilbey |
0:22 | |||
1.34
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Scene 3: Ballo I. Grazioso (Live)
Christoph Willibald von Gluck; Insula Orchestra; Laurence Equilbey |
1:02 | |||
1.35
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Scene 3: Ballo II. Allegro (Live)
Christoph Willibald von Gluck; Insula Orchestra; Laurence Equilbey |
2:42 | |||
1.36
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Scene 3: Coro. "Trionfi Amore" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Malin Hartelius; Emmanuelle De Negri; Accentus; Insula Orchestra; Laurence Equilbey |
2:51 | |||
Digital Booklet
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"... Fagioli's sound is sweet and rich ... (he) swoops from chesty tenor up to soprano and back again (sometimes in one breath) and he fills out Gluck's lines with rich vibrato and plenty of ornamentation ... a beautiful and dramatic performance ..."
- The Times of London
This live recording of Gluck’s Orfeo et Euridice boasts an all-star cast featuring countertenor Franco Fagioli in the title role. Conductor Laurence Equilbey leads period instrument orchestra Insula and chamber choir Accentus on this performance of the 1762 Vienna version of the score, along with extra music Gluck composed for later performances. Fagioli is joined by sopranos Malin Hartelius and Emmanuelle de Negri on this album which marks Fagioli’s first complete recording of an operatic title role.
"It is a great honour to work with Deutsche Grammophon. I am delighted with Orfeo ed Euridice and look forward to many other projects in the future."
- Franco Fagioli
96 kHz / 24-bit PCM – Archiv Studio Masters
Live recording from the Théâtre de Poissy (France), 5 and 7 April 2015 Executive Producer: Renaud Loranger Project Manager: Burkhard Bartsch Recording Producer: Laure Casenave-Péré Sound Engineer: Thomas Dappelo Sound Assistant: Vincent Mons Recording System: Kali Son Microphones: Neumann M149, TLM 170, DPA 4052, 4053, 4011, schoeps MK 4, MK 21. Digital Converter and Preamplifier: DAD AX 32 Recorded in 24bits/ 96 kHz, using Pyramix Performance material: Gluck. Sämtliche Werke, Bärenreiter-Verlag Kassel · Basel · London New York · Praha English, German and French libretto translations by courtesy of Sony Classical, New York Cover Photo © plainpicture/Glasshouse Artists Photos: © ‘bdllah Lasri (de Negri); © Jean-Baptiste Millot (Equilbey); © Julian Laidig (Fagioli); © Claudia Prieler (Hartelius) All others © Camera Lucida Productions Art Direction: Merle Kersten Design: Baumann Communication, Hamburg
Live recording from the Théâtre de Poissy (France), 5 and 7 April 2015 Executive Producer: Renaud Loranger Project Manager: Burkhard Bartsch Recording Producer: Laure Casenave-Péré Sound Engineer: Thomas Dappelo Sound Assistant: Vincent Mons Recording System: Kali Son Microphones: Neumann M149, TLM 170, DPA 4052, 4053, 4011, schoeps MK 4, MK 21. Digital Converter and Preamplifier: DAD AX 32 Recorded in 24bits/ 96 kHz, using Pyramix Performance material: Gluck. Sämtliche Werke, Bärenreiter-Verlag Kassel · Basel · London New York · Praha English, German and French libretto translations by courtesy of Sony Classical, New York Cover Photo © plainpicture/Glasshouse Artists Photos: © ‘bdllah Lasri (de Negri); © Jean-Baptiste Millot (Equilbey); © Julian Laidig (Fagioli); © Claudia Prieler (Hartelius) All others © Camera Lucida Productions Art Direction: Merle Kersten Design: Baumann Communication, Hamburg
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.28 -13.12 to -0.11 | -26.67 -31.90 to -20.74 | -23.38 -28.80 to -17.20 | 13 11 to 15 | |
1 | Overtura (Live) | -0.21 | -21.59 | -18.6 | 14 |
2 | Scene 1: Coro. "Ah, se intorno a quest'urna funestra" (Live) | -2.73 | -23.06 | -20.0 | 12 |
3 | Scene 1: Recitativo. "Basta, Basta, o compagni" (Live) | -6.69 | -29.26 | -25.9 | 12 |
4 | Scene 1: Ballo. Larghetto (Live) | -9.81 | -31.32 | -28.3 | 13 |
5 | Scene 1: Coro. "Ah, se intorno a quest'urna funestra" (Live) | -3.13 | -23.68 | -20.5 | 12 |
6 | Scene 1: Aria. "Chiamo il mio ben così" (Live) | -3.61 | -26.68 | -23.1 | 14 |
7 | Scene 1: Recitativo. "Numi! barbari Numi" (Live) | -6.68 | -26.65 | -23.7 | 12 |
8 | Scene 2: Recitativo. "T'assiste Amore!" (Live) | -5.89 | -28.92 | -25.6 | 15 |
9 | Scene 2: Aria. "Gli sguardi trattieni" (Live) | -5.73 | -28.76 | -25.3 | 15 |
10 | Scene 2: Recitativo. "Che disse! Che ascoltai!" (Live) | -5.72 | -27.46 | -24.2 | 13 |
11 | Scene 1: Ballo. Maestoso - Coro. "Chi mai dell'Erebo" (Live) | -1.46 | -24.00 | -19.9 | 13 |
12 | Scene 1: Ballo. Presto - Coro. "Chi mai dell'Erebo" (Live) | -1.48 | -21.55 | -18.5 | 13 |
13 | Scene 1: Ballo. Maestoso - Aria con Coro. "Deh, placatevi con me" (Live) | -2.79 | -25.17 | -21.4 | 14 |
14 | Scene 1: Coro. "Misero giovine" (Live) | -0.72 | -22.70 | -18.7 | 12 |
15 | Scene 1: Aria. "Mille pene, ombre moleste" (Live) | -9.92 | -30.52 | -27.6 | 13 |
16 | Scene 1: Coro I. "Ah, quale incognito" (Live) | -5.89 | -28.15 | -24.9 | 12 |
17 | Scene 1: Aria. "Men tiranne, ah! voi sareste" (Live) | -7.97 | -29.06 | -25.9 | 11 |
18 | Scene 1: Coro II. "Ah, quale incognito" (Live) | -4.44 | -24.48 | -20.9 | 11 |
19 | Scene 2: Ballo. Andante (Danza degli spiriti beati) (Live) | -13.12 | -31.57 | -28.8 | 11 |
20 | Scene 2: Arioso. "Che puro ciel! Che chiaro sol!" (Live) | -6.57 | -28.20 | -25.2 | 13 |
21 | Scene 2: Coro. "Vieni a' regni del riposo" (Live) | -2.09 | -23.32 | -20.4 | 13 |
22 | Scene 2: Ballo (Danza degli eroi ed eroine) (Live) | -11.55 | -30.22 | -27.6 | 11 |
23 | Scene 2: Recitativo. "Anime avventurose" (Live) | -7.65 | -29.07 | -26.0 | 12 |
24 | Scene 2: Coro. "Torna, o bella, al tuo consorte" (Live) | -1.75 | -23.61 | -20.8 | 13 |
25 | Scene 1: Recitativo. "Vieni, segui i miei passi" (Live) | -4.48 | -28.82 | -25.3 | 15 |
26 | Scene 1: Duetto. "Vieni, appaga il tuo consorte!" (Live) | -2.21 | -23.61 | -20.2 | 13 |
27 | Scene 1: Recitativo. "Qual vita è questa mai" (Live) | -6.90 | -29.21 | -25.2 | 13 |
28 | Scene 1: Aria. "Che fiero momento" (Live) | -2.64 | -25.74 | -21.8 | 14 |
29 | Scene 1: Recitativo. "Ecco un nuovo tormento" (Live) | -4.24 | -28.10 | -24.2 | 15 |
30 | Scene 1: Aria. "Che farò senza Euridice?" (Live) | -4.93 | -26.60 | -22.7 | 13 |
31 | Scene 1: Recitativo. "Ah finisca e per sempre" (Live) | -10.21 | -31.90 | -28.7 | 13 |
32 | Scene 2: Recitativo. "Orfeo! Che fai?" (Live) | -5.11 | -28.06 | -24.7 | 15 |
33 | Scene 3: Maestoso (Live) | -5.79 | -23.05 | -19.8 | 12 |
34 | Scene 3: Ballo I. Grazioso (Live) | -10.08 | -30.41 | -27.8 | 12 |
35 | Scene 3: Ballo II. Allegro (Live) | -5.95 | -24.96 | -22.4 | 12 |
36 | Scene 3: Coro. "Trionfi Amore" (Live) | -0.11 | -20.74 | -17.2 | 14 |