℗ 2017 Smithsonian Folkways Recordings
| Released | March 10, 2017 |
| Duration | 1h 17m 18s |
| Record Label | Smithsonian Folkways Recordings |
| Catalogue No. | SFW40574 |
| Genre | Latin (Rock en Espa) |
|
1.1
|
Espejos vs. The Gaze (Espejos vs. La Mirada)
Quetzal |
5:10 | |||
|
1.2
|
Pillow People (Gente de Almohada)
Quetzal |
4:56 | |||
|
1.3
|
Critical Time (Tiempo Crítico)
Quetzal |
5:01 | |||
|
1.4
|
Barrio Healer (La Curandera del Barrio)
Quetzal |
5:56 | |||
|
1.5
|
Olokun y Yemayá
Quetzal |
6:16 | |||
|
1.6
|
La Danza de Coyolxauhqui (The Dance Of Coyolxauhqui)
Quetzal |
2:47 | |||
|
1.7
|
La Bamba
Quetzal |
4:11 | |||
|
1.8
|
Get To Knowing (Conociendo / feat. Aloe Blacc)
Quetzal; Aloe Blacc |
5:59 | |||
|
1.9
|
¡Mira! (Look!)
Quetzal |
1:24 | |||
|
1.10
|
Mamá Nahual
Quetzal |
5:03 | |||
|
1.11
|
La Lloroncita
Quetzal |
7:55 | |||
|
1.12
|
Ay Que No Que No
Quetzal |
0:50 | |||
|
1.13
|
Unbound (Sueltos)
Quetzal |
3:49 | |||
|
1.14
|
Pajaritos
Quetzal |
1:32 | |||
|
1.15
|
Cellular Memory (Memoria Celular)
Quetzal |
5:41 | |||
|
1.16
|
Godo Alfredo
Quetzal |
0:39 | |||
|
1.17
|
Toro Ayotzinapa
Quetzal |
6:55 | |||
|
1.18
|
La Indita
Quetzal |
3:14 |
The GRAMMY-winning East L.A. band Quetzal summons a powerful panoply of sounds from its urban palette – rock, R&B, Mexican son jarocho, Japanese taiko, Afro-Cuban batá, and more – to create an ambitious, artful album with a social point of view. The Eternal Getdown, their seventh album, taps Quetzal’s extended family of artists, including Aloe Blacc, to affirm the power of music and people to “get down” together in creative harmony.
This album is the 46th in the Smithsonian Folkways Tradiciones/Traditions Series of Latino music albums, produced with support from the Smithsonian Latino Center.
96 kHz / 24-bit PCM – Smithsonian Folkways Recordings Studio Masters
Tracks 1, 12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 14 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1, 12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 14 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.54 -7.86 to -2.70 | -18.90 -33.34 to -13.72 | -15.96 -29.70 to -11.50 | 10 7 to 23 | |
| 1 | Espejos vs. The Gaze (Espejos vs. La Mirada) | -2.87 | -16.85 | -13.1 | 7 |
| 2 | Pillow People (Gente de Almohada) | -2.71 | -14.83 | -12.5 | 7 |
| 3 | Critical Time (Tiempo Crítico) | -2.70 | -17.88 | -15.2 | 9 |
| 4 | Barrio Healer (La Curandera del Barrio) | -2.75 | -15.56 | -12.8 | 7 |
| 5 | Olokun y Yemayá | -2.73 | -15.62 | -12.9 | 7 |
| 6 | La Danza de Coyolxauhqui (The Dance Of Coyolxauhqui) | -2.79 | -13.72 | -11.5 | 7 |
| 7 | La Bamba | -2.85 | -17.59 | -14.7 | 9 |
| 8 | Get To Knowing (Conociendo / feat. Aloe Blacc) | -2.71 | -15.45 | -12.6 | 8 |
| 9 | ¡Mira! (Look!) | -3.92 | -20.25 | -19.8 | 10 |
| 10 | Mamá Nahual | -2.73 | -15.71 | -13.2 | 8 |
| 11 | La Lloroncita | -3.05 | -20.48 | -17.6 | 10 |
| 12 | Ay Que No Que No | -7.71 | -21.48 | -17.6 | 8 |
| 13 | Unbound (Sueltos) | -2.77 | -16.05 | -13.1 | 9 |
| 14 | Pajaritos | -7.86 | -33.34 | -29.7 | 20 |
| 15 | Cellular Memory (Memoria Celular) | -2.79 | -15.84 | -13.0 | 8 |
| 16 | Godo Alfredo | -4.20 | -32.58 | -26.5 | 23 |
| 17 | Toro Ayotzinapa | -2.82 | -15.93 | -13.0 | 8 |
| 18 | La Indita | -3.81 | -21.06 | -18.4 | 11 |