℗ 2020 No Quarter Prod
| Released | April 17, 2020 |
| Duration | 35m 24s |
| Record Label | Universal Music Distribution Deal |
| Genre | Soundtrack |
Blood Machines - Original Motion Picture Soundtrack
Carpenter Brut
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Intro
Carpenter Brut |
1:36 | |||
|
1.2
|
Blood Machines Theme
Carpenter Brut |
3:21 | |||
|
1.3
|
Attack Of The Amazons
Carpenter Brut |
3:19 | |||
|
1.4
|
The Ceremony
Carpenter Brut |
2:24 | |||
|
1.5
|
Mima
Carpenter Brut |
0:29 | |||
|
1.6
|
Souls Wreck
Carpenter Brut |
2:29 | |||
|
1.7
|
Touchdown
Carpenter Brut |
0:42 | |||
|
1.8
|
Heart Ship
Carpenter Brut |
3:06 | |||
|
1.9
|
The Last Ceremony
Carpenter Brut |
1:33 | |||
|
1.10
|
Bloody Kisses The Swift
Carpenter Brut |
4:22 | |||
|
1.11
|
Lago's Sleep
Carpenter Brut |
1:40 | |||
|
1.12
|
Grand Final
Carpenter Brut |
6:45 | |||
|
1.13
|
Gone Now (feat. Pencey Sloe)
Carpenter Brut; Pencey Sloe |
3:38 |
Inspired by the spirit of the 80's films and music, Blood Machines is a 50-minute science-fiction film written and directed by Seth Ickerman, scored by the synthwave artist Carpenter Brut. The film tells the story of two space hunters that are tracking down a machine trying to free itself. After taking it down, they witness a mystical phenomenon: the ghost of a young woman pulls itself out of the machine, as if the spaceship had a soul. Trying to understand the nature of this entity, they start chasing the woman through space...
Carpenter Brut draws its influences from 80s TV shows and B-movies loaded with synthesizers. The mysterious and discreet man behind the pentagon – or the Brutagram as his fans would call it – evokes an encounter between Justice beats and the universe of John Carpenter.
Listening to his home-made EPs, however, one would rather bet on a metalhead background, a crush for Dario Argento and a force-fed religious education. This would explain his penchant for the occult, his passion for kitsch sounds and his adoration for all kinds of enjoyment. Carpenter Brut pays tribute to the post-hippie/pre-AIDS culture that then set the basis of electro and metal to give us a unique, violent and crazy 80s revival sound.
44.1 kHz / 24-bit PCM – Universal Music Distribution Deal Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.40 -0.40 to -0.40 | -10.47 -15.08 to -7.27 | -8.48 -11.70 to -6.40 | 4 3 to 6 | |
| 1 | Intro | -0.40 | -12.71 | -10.5 | 6 |
| 2 | Blood Machines Theme | -0.40 | -8.56 | -6.4 | 4 |
| 3 | Attack Of The Amazons | -0.40 | -10.65 | -8.9 | 4 |
| 4 | The Ceremony | -0.40 | -11.17 | -8.7 | 4 |
| 5 | Mima | -0.40 | -8.95 | -6.6 | 4 |
| 6 | Souls Wreck | -0.40 | -11.64 | -9.1 | 4 |
| 7 | Touchdown | -0.40 | -7.27 | -6.5 | 3 |
| 8 | Heart Ship | -0.40 | -9.42 | -8.5 | 4 |
| 9 | The Last Ceremony | -0.40 | -9.75 | -8.4 | 4 |
| 10 | Bloody Kisses The Swift | -0.40 | -10.46 | -8.8 | 3 |
| 11 | Lago's Sleep | -0.40 | -15.08 | -11.7 | 6 |
| 12 | Grand Final | -0.40 | -11.81 | -9.6 | 5 |
| 13 | Gone Now (feat. Pencey Sloe) | -0.40 | -8.57 | -6.6 | 4 |