℗ 1963 Parlophone Records Limited, a Warner Music Group Company
Released April 24, 2020
Duration 53m 20s
Record Label Warner Classics
Genre Classical (Concerto)
 

Brahms: Double Concerto, Op. 102 - Beethoven: Violin Sonata, Op. 12 No. 1

Christian Ferras, Paul Tortelier, Philharmonia Orchestra, Paul Kletzki

Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
    • MQA 96 kHz | 24-bit (source)
Add to cart
discounted price

 
Double Concerto for Violin and Cello in A Minor, Op. 102  
1.1
I. Allegro
Johannes Brahms; Christian Ferras; Paul Tortelier; Philharmonia Orchestra; Paul Kletzki
16:49
1.2
II. Andante
Johannes Brahms; Christian Ferras; Paul Tortelier; Philharmonia Orchestra; Paul Kletzki
8:36
1.3
III. Vivace non troppo - Poco meno allegro
Johannes Brahms; Christian Ferras; Paul Tortelier; Philharmonia Orchestra; Paul Kletzki
8:29
Violin Sonata No. 1 in D Major, Op. 12 No. 1  
1.4
I. Allegro con brio (feat. Pierre Barbizet)
Ludwig van Beethoven; Christian Ferras; Pierre Barbizet
6:43
1.5
II. Tema con variazioni. Andante con moto (feat. Pierre Barbizet)
Ludwig van Beethoven; Christian Ferras; Pierre Barbizet
8:10
1.6
III. Rondo. Allegro (feat. Pierre Barbizet)
Ludwig van Beethoven; Christian Ferras; Pierre Barbizet
4:33
Violin virtuoso Christian Ferras appears alongside cellist Paul Tortelier to perform the Brahms Double Concerto Op. 102, followed by Beethoven's Violin Sonata Op. 12. Backing the soloist is the Philharmonia Orchestra under direction of Paul Kletzki. The Double Concerto in A minor, Op. 102, by Johannes Brahms was Brahms' final work for orchestra. It was composed in the summer of 1887, and first performed on 18 October of that year in the Gürzenich in Cologne, Germany. Brahms approached the project with anxiety over writing for instruments that were not his own. He wrote it for the cellist Robert Hausmann, a frequent chamber music collaborator, and his old but estranged friend, the violinist Joseph Joachim. The concerto was, in part, a gesture of reconciliation towards Joachim, after their long friendship had ruptured following Joachim's divorce from his wife Amalie (Brahms had sided with Amalie in the dispute.) The concerto makes use of the musical motif A–E–F, a permutation of F–A–E, which stood for a personal motto of Joachim, Frei aber einsam ("free but lonely"). Ludwig van Beethoven's Violin Sonata No. 1 in D major is a violin sonata from his Op. 12 set, along with his Violin Sonata No. 2 and Violin Sonata No. 3. It was written in 1798 and dedicated to Antonio Salieri. Being an early work written around the period when Beethoven studied with Haydn, the sonata is for the most part written in a classical style much like that of Mozart or Haydn.
96 kHz / 24-bit PCM – Warner Classics Studio Masters

Tracks 1-6 – contains high-resolution digital transfers of material originating from an analogue master source
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-3.50
-6.58 to -0.08
-25.48
-28.96 to -20.99
-22.05
-25.30 to -17.50
13
12 to 14
1
I. Allegro
-0.08-20.99-17.513
2
II. Andante
-6.58-27.69-24.712
3
III. Vivace non troppo - Poco meno allegro
-0.15-21.82-18.413
4
I. Allegro con brio (feat. Pierre Barbizet)
-4.27-25.91-22.414
5
II. Tema con variazioni. Andante con moto (feat. Pierre Barbizet)
-5.53-28.96-25.314
6
III. Rondo. Allegro (feat. Pierre Barbizet)
-4.39-27.49-24.014

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions