℗ 2020 Sono Luminus
Released | May 22, 2020 |
Duration | 44m 06s |
Record Label | Sono Luminus |
Catalogue No. | DSL-92241 |
Genre | Classical (Contemporary Era) |
Atonement
Caput Ensemble, Tui Hirv
Available in 352.8 kHz / 24-bit, 176.4 kHz / 24-bit, 88.2 kHz / 24-bit AIFF, FLAC and 5.6448 MHz, 2.8224 MHz DSD high resolution audio formats
1.1
|
Atonement
Páll Ragnar Pálsson; Caput Ensemble; Guðni Franzson; Tui Hirv |
9:22 | |||
1.2
|
Lucidity
Páll Ragnar Pálsson; Caput Ensemble; Guðni Franzson |
9:02 | |||
1.3
|
Stalker's Monologue
Páll Ragnar Pálsson; Caput Ensemble; Guðni Franzson; Tui Hirv |
9:53 | |||
1.4
|
Midsummer's Night (Version for Ensemble & Recited Text)
Páll Ragnar Pálsson; Caput Ensemble; Guðni Franzson; Ásdís Sif Gunnarsdóttir |
5:54 | |||
1.5
|
Wheel Crosses Under Moss
Páll Ragnar Pálsson; Caput Ensemble; Guðni Franzson; Tui Hirv |
9:55 | |||
Digital Booklet
|
Sono Luminus releases Atonement, a collection of compositions by
composer Páll Ragnar Pálsson, performed by the Caput Ensemble and Tui Hirv.
"The compositions on this album illustrate the shift of us moving back to Iceland and continuing life there with a new perspective. The oldest piece on the album was composed in 2011 when we lived the slow-paced life of young parents in the countryside-like outskirts of Tallinn whereas the latest piece was composed in Iceland and premiered in Berlin 2018. The texts chosen for the compositions demonstrate my influences during the time quite appropriately. Stalker, Tarkovsky‘s famous screenplay from where I borrowed the monologue, was shot in Tallinn and cleverly displays references to Estonia‘s troubled history. Wheel Crosses under Moss contains excerpts of folk hymns from Vormsi, an island off the West coast of Estonia once inhabitated by Swedes, until the whole community was evaquated in fear of the Soviet Army. Other texts are by Icelandic artist and poetess Ásdís Sif Gunnarsdóttir, whom I have collaborated with on numerous occasions. In the album‘s title-piece poem, Atonement, Ásdís Sif sensitively describes a feeling of re-connecting with herself and finding inner peace. The word itself – atonement – indicates my approach to composition in music and life."
- Páll Ragnar Pálsson
352.8 kHz / 24-bit, 176.4 kHz / 24-bit, 88.2 kHz / 24-bit PCM and 5.6448 MHz, 2.8224 MHz DSD – Sono Luminus Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.30 -0.31 to -0.27 | -23.91 -28.96 to -20.73 | -18.34 -23.60 to -14.80 | 14 11 to 18 | |
1 | Atonement | -0.31 | -22.17 | -16.4 | 13 |
2 | Lucidity | -0.30 | -24.82 | -19.0 | 15 |
3 | Stalker's Monologue | -0.31 | -20.73 | -14.8 | 11 |
4 | Midsummer's Night (Version for Ensemble & Recited Text) | -0.27 | -28.96 | -23.6 | 18 |
5 | Wheel Crosses Under Moss | -0.30 | -22.87 | -17.9 | 13 |