℗ 2020 OnClassical
Released | May 1, 2020 |
Duration | 1h 07m 07s |
Record Label | OnClassical |
Catalogue No. | OC20066B |
Genre | Classical (Piano) |
Yann Tiersen: Amélie & Other Piano Works
Alessandro Simonetto
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
La pièce vide
Yann Tiersen; Alessandro Simonetto |
2:24 | |||
1.2
|
Naomi (Transcr. for Solo Piano)
Yann Tiersen; Alessandro Simonetto |
3:22 | |||
1.3
|
La vieux en veut encore
Yann Tiersen; Alessandro Simonetto |
1:31 | |||
1.4
|
Comptine d'été No. 1
Yann Tiersen; Alessandro Simonetto |
2:56 | |||
1.5
|
Comptine d'été No. 2
Yann Tiersen; Alessandro Simonetto |
2:18 | |||
1.6
|
Comptine d'été No. 3
Yann Tiersen; Alessandro Simonetto |
2:04 | |||
1.7
|
Sur le fil (Transcr. for Solo Piano)
Yann Tiersen; Alessandro Simonetto |
4:25 | |||
1.8
|
La dispute (Transcr. for Solo Piano)
Yann Tiersen; Alessandro Simonetto |
1:50 | |||
1.9
|
La chute
Yann Tiersen; Alessandro Simonetto |
5:47 | |||
1.10
|
Le retour (Transcr. for Solo Piano)
Yann Tiersen; Alessandro Simonetto |
2:00 | |||
1.11
|
L'échec (Transcr. for Solo Piano)
Yann Tiersen; Alessandro Simonetto |
1:36 | |||
1.12
|
L'absente
Yann Tiersen; Alessandro Simonetto |
2:55 | |||
1.13
|
La valse d'Amélie (From "Amélie" / Version for Solo Piano)
Yann Tiersen; Alessandro Simonetto |
2:47 | |||
1.14
|
Le moulin (From "Amélie" / Transcr. for Solo Piano)
Yann Tiersen; Alessandro Simonetto |
3:05 | |||
1.15
|
Comptine d'un autre ete. L'apres midi (From "Amélie")
Yann Tiersen; Alessandro Simonetto |
2:02 | |||
1.16
|
Summer 78 (From "Good Bye Lenin!" / Transcr. for Solo Piano)
Yann Tiersen; Alessandro Simonetto |
2:59 | |||
1.17
|
I Saw Daddy Today (From "Good Bye Lenin!")
Yann Tiersen; Alessandro Simonetto |
3:10 | |||
1.18
|
First Rendez-Vous (From "Good Bye Lenin!")
Yann Tiersen; Alessandro Simonetto |
1:24 | |||
1.19
|
La plage
Yann Tiersen; Alessandro Simonetto |
2:35 | |||
1.20
|
Mary (Transcr. for Solo Piano)
Yann Tiersen; Alessandro Simonetto |
2:49 | |||
1.21
|
Plus d'hiver (Transcr. for Solo Piano)
Yann Tiersen; Alessandro Simonetto |
1:21 | |||
1.22
|
Le matin
Yann Tiersen; Alessandro Simonetto |
1:44 | |||
1.23
|
La jetée (Transcr. for Solo Piano)
Yann Tiersen; Alessandro Simonetto |
2:04 | |||
1.24
|
Lok Gweltaz (Transcr. for Solo Piano)
Yann Tiersen; Alessandro Simonetto |
3:07 | |||
1.25
|
Porz Goret (Transcr. for Solo Piano)
Yann Tiersen; Alessandro Simonetto |
4:52 |
French composer Yann Tiersen has written music for various instruments, including guitar, piano, synthetizer, violin, accordion, xylophone, and melodica. Some of his compositions have been used in film scoring, such as “Amélie”, whose soundtrack primarily features excerpts from his first three studio albums (“La Valse des monstres”, “Rue des cascades”, and “La Phare”).
The present recording features Tiersen’s original solo piano works selected from his very first album, but also from “L’Absente”, “Les Retrouvailles,” and from his last work - “EUSA”. It also includes some piano works found in the soundtracks for “Amélie” and “Goodbye Lenin!”.
Described by Eric James (music associate of Sir Charles S. Chaplin) as "a tremendous natural talent," Alessandro Simonetto gives a soft touch and poetical sense to the music. Similar assessments were expressed about his latest recording [Satie, E.: Early & Esoteric Works - ÆVEA AE16019/3]. But in this new recording we also find a particular rhythmic approach not only to what we identify as minimalistic music or purely "film music," but also rock and avant-garde.
In addition to this extraordinary contribution to the genre, Simonetto is scheduled to record the extensive soundtracks for “Goodbye Lenin!” and “EUSA” soon. The recording was made by using historical Brüel & Kjær microphones, 110 volts, and Prism Sound equipment. Simonetto plays here his own Steinway D-274.
88.2 kHz / 24-bit PCM – OnClassical Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.43 -12.12 to -1.29 | -27.61 -33.72 to -21.19 | -24.20 -29.00 to -18.40 | 13 10 to 17 | |
1 | La pièce vide | -11.17 | -31.04 | -27.9 | 12 |
2 | Naomi (Transcr. for Solo Piano) | -4.71 | -28.13 | -25.5 | 14 |
3 | La vieux en veut encore | -2.63 | -21.19 | -18.4 | 11 |
4 | Comptine d'été No. 1 | -9.10 | -29.04 | -26.3 | 12 |
5 | Comptine d'été No. 2 | -3.76 | -26.21 | -23.1 | 14 |
6 | Comptine d'été No. 3 | -2.49 | -24.85 | -21.9 | 14 |
7 | Sur le fil (Transcr. for Solo Piano) | -11.09 | -33.72 | -28.4 | 14 |
8 | La dispute (Transcr. for Solo Piano) | -1.29 | -27.05 | -23.9 | 13 |
9 | La chute | -5.61 | -26.36 | -22.3 | 13 |
10 | Le retour (Transcr. for Solo Piano) | -4.08 | -24.40 | -21.7 | 13 |
11 | L'échec (Transcr. for Solo Piano) | -11.48 | -32.02 | -29.0 | 13 |
12 | L'absente | 0.00 | -23.61 | -20.1 | 17 |
13 | La valse d'Amélie (From "Amélie" / Version for Solo Piano) | -6.33 | -27.28 | -23.1 | 13 |
14 | Le moulin (From "Amélie" / Transcr. for Solo Piano) | -6.76 | -27.67 | -24.7 | 14 |
15 | Comptine d'un autre ete. L'apres midi (From "Amélie") | -5.25 | -26.71 | -23.7 | 15 |
16 | Summer 78 (From "Good Bye Lenin!" / Transcr. for Solo Piano) | -6.32 | -27.12 | -23.9 | 14 |
17 | I Saw Daddy Today (From "Good Bye Lenin!") | -4.32 | -32.00 | -27.1 | 17 |
18 | First Rendez-Vous (From "Good Bye Lenin!") | -2.14 | -24.38 | -20.1 | 11 |
19 | La plage | -4.02 | -26.48 | -23.3 | 12 |
20 | Mary (Transcr. for Solo Piano) | -11.60 | -32.41 | -28.3 | 12 |
21 | Plus d'hiver (Transcr. for Solo Piano) | -12.12 | -29.30 | -26.0 | 10 |
22 | Le matin | -9.78 | -28.23 | -25.4 | 12 |
23 | La jetée (Transcr. for Solo Piano) | -7.48 | -25.19 | -22.2 | 10 |
24 | Lok Gweltaz (Transcr. for Solo Piano) | -6.54 | -28.30 | -25.1 | 12 |
25 | Porz Goret (Transcr. for Solo Piano) | -4.13 | -27.61 | -23.5 | 13 |