℗ 2020 Sub Pop Records
 

Dream Hunting in the Valley of the In-Between

Man Man

Available in MQA and 48 kHz / 24-bit AIFF, FLAC audio formats

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1.1
Dreamers
Man Man
0:50
1.2
Cloud Nein
Man Man
3:21
1.3
On the Mend
Man Man
3:43
1.4
Lonely Beuys
Man Man
3:58
1.5
Future Peg
Man Man
2:55
1.6
Goat
Man Man
4:10
1.7
Inner Iggy
Man Man
2:13
1.8
Hunters
Man Man
3:41
1.9
Oyster Point
Man Man
0:29
1.10
The Prettiest Song in the World
Man Man
2:31
1.11
Animal Attraction
Man Man
5:40
1.12
Sheela
Man Man
2:39
1.13
Unsweet Meat
Man Man
2:37
1.14
Swan
Man Man
1:20
1.15
Powder My Wig
Man Man
4:11
1.16
If Only
Man Man
3:39
1.17
In the Valley of the In-Between
Man Man
1:00
Total Playing Time    48:57
Honus Honus (aka Ryan Kattner) has devoted his career to exploring the uncertainty between life’s extremes: beauty and ugliness, order and chaos. The songs on Dream Hunting in the Valley of the In-Between, Man Man’s first album in over six years and his Sub Pop debut, are as intimate, soulful, and timeless as they are audaciously inventive and daring.

The 17-track effort was produced by Cyrus Ghahremani, mixed by S. Husky Höskulds (Norah Jones, Tom Waits, Mike Patton, Solomon Burke, Bettye LaVette, Allen Toussaint), and mastered by Dave Cooley (Blood Orange, M83, DIIV, Paramore, Snail Mail, clipping).

At the end of 2015, Man Man went on an unexpected and unforeseen hiatus, and thus began a period of creative reinvention for Honus. In the midst of this Man Man sabbatical, Honus began piecing together what would become Dream Hunting in the Valley of the In-Between. He recruited longtime-creative collaborator Ghahremani to help him produce. Written in a friend’s LA “guesthouse” (more shack than chic) that had “an old upright piano, a thrift store lamp, and nothing else,” it was an arduous, three-and-a-half-year process.

“I had chord progression notes that looked like chicken scratch and lyrics on pieces of paper stuck all over the walls. It looked like I was about to break the big case, catch the killer. One of the best things about this time, in these ‘lost in the wilderness/surreal exile from my own band’ years, was that I finally found players who believed in me, trusted my vision, respected my songwriting. It was rejuvenating.”
- Man Man
48 kHz / 24-bit PCM – Sub Pop Records Studio Masters

Tracks 1, 4, 16 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track 14 – contains material which has been processed by a perceptual audio coding algorithm

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