℗ 2020 Reference Recordings
Released | May 22, 2020 |
Duration | 1h 01m 00s |
Record Label | Reference Recordings |
Catalogue No. | FR-738SACD |
Genre | Classical (Orchestral) |
Tchaikovsky: Symphony No. 4 - Johnathan Leshnoff: Double Concerto for Clarinet & Bassoon (Live)
Pittsburgh Symphony Orchestra, Manfred Honeck, Michael Rusinek, Nancy Goeres
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Symphony No. 4 in F Minor, Op. 36, TH 27
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1.1
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I. Andante sostenuto - Moderato con anima (Live)
Pyotr Ilyich Tchaikovsky; Pittsburgh Symphony Orchestra; Manfred Honeck |
18:55 | |||
1.2
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II. Andantino in modo di canzona (Live)
Pyotr Ilyich Tchaikovsky; Pittsburgh Symphony Orchestra; Manfred Honeck |
10:15 | |||
1.3
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III. Scherzo. Allegro (Live)
Pyotr Ilyich Tchaikovsky; Pittsburgh Symphony Orchestra; Manfred Honeck |
5:33 | |||
1.4
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IV. Finale. Allegro con fuoco (Live)
Pyotr Ilyich Tchaikovsky; Pittsburgh Symphony Orchestra; Manfred Honeck |
8:47 | |||
Double Concerto for Clarinet & Bassoon
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1.5
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I. — (Live)
Jonathan Leshnoff; Michael Rusinek; Nancy Goeres; Pittsburgh Symphony Orchestra; Manfred Honeck |
6:50 | |||
1.6
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II. — (Live)
Jonathan Leshnoff; Michael Rusinek; Nancy Goeres; Pittsburgh Symphony Orchestra; Manfred Honeck |
2:45 | |||
1.7
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III. — (Live)
Jonathan Leshnoff; Michael Rusinek; Nancy Goeres; Pittsburgh Symphony Orchestra; Manfred Honeck |
7:55 | |||
Digital Booklet
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Music Director Manfred Honeck and the Pittsburgh Symphony Orchestra, with Reference Recordings, are pleased to announce the release of a new recording in superb audiophile, pairing Tchaikovsky’s iconic "Symphony No. 4" with the world premiere of leading American composer Jonathan Leshnoff’s "Double Concerto for Clarinet and Bassoon", featuring the orchestra’s own Michael Rusinek, Principal Clarinet, and Nancy Goeres, Principal Bassoon. This release was recorded in Heinz Hall for the Performing Arts, the acoustically outstanding and historic home of the orchestra.
This release and the entire Pittsburgh Live! Series are recorded and mastered by the team at Soundmirror, whose outstanding orchestral, solo, opera and chamber recordings have received more than 100 GRAMMY nominations and awards. For over 40 years, Soundmirror has recorded for every major classical label.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Reference Recordings Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.76 -12.40 to -0.28 | -25.95 -32.15 to -18.53 | -21.73 -28.30 to -13.80 | 13 11 to 16 | |
1 | I. Andante sostenuto - Moderato con anima (Live) | -0.28 | -19.70 | -13.8 | 11 |
2 | II. Andantino in modo di canzona (Live) | -1.01 | -26.83 | -21.4 | 14 |
3 | III. Scherzo. Allegro (Live) | -6.31 | -32.15 | -27.7 | 16 |
4 | IV. Finale. Allegro con fuoco (Live) | -0.30 | -18.53 | -13.9 | 11 |
5 | I. — (Live) | -5.67 | -27.05 | -23.5 | 12 |
6 | II. — (Live) | -12.40 | -31.11 | -28.3 | 11 |
7 | III. — (Live) | -0.34 | -26.29 | -23.5 | 14 |