℗ 2020 Toccata Classics
 

Persichetti: Organ Music

Tom Winpenny

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1.1
Peace, Op. 166 No. 41
Vincent Persichetti; Tom Winpenny
0:50
1.2
Give Peace, O God, Op. 162
Vincent Persichetti; Tom Winpenny
11:10
1.3
Primal, Op. 68 No. 1
Vincent Persichetti; Tom Winpenny
0:44
Auden Variations, Op. 136  
1.4
Chorale. Semplice
Vincent Persichetti; Tom Winpenny
1:10
1.5
Var. 1, A bene placido
Vincent Persichetti; Tom Winpenny
1:07
1.6
Var. 2, Affabile
Vincent Persichetti; Tom Winpenny
2:04
1.7
Var. 3, Comodo
Vincent Persichetti; Tom Winpenny
2:03
1.8
Var. 4, Ben articolato
Vincent Persichetti; Tom Winpenny
2:04
1.9
Var. 5, Sostenuto
Vincent Persichetti; Tom Winpenny
1:27
1.10
Var. 6, Gentile
Vincent Persichetti; Tom Winpenny
1:56
1.11
Var. 7, Ben proclamato
Vincent Persichetti; Tom Winpenny
1:45
1.12
Var. 8, Cantilena
Vincent Persichetti; Tom Winpenny
2:21
1.13
Var. 9, Tranquillo
Vincent Persichetti; Tom Winpenny
1:47
1.14
Var. 10, Serioso
Vincent Persichetti; Tom Winpenny
1:48
1.15
Var. 11, Rigoroso
Vincent Persichetti; Tom Winpenny
1:35
1.16
Var. 12, Con agilità
Vincent Persichetti; Tom Winpenny
1:50
1.17
Var. 13, Risoluto
Vincent Persichetti; Tom Winpenny
2:50
1.18
Parable VI, Op. 117
Vincent Persichetti; Tom Winpenny
16:38
1.19
Do Not Go Gentle, Op. 132
Vincent Persichetti; Tom Winpenny
12:09
1.20
Foundations, Op. 68 No. 4
Vincent Persichetti; Tom Winpenny
0:36
Dryden Liturgical Suite, Op. 144  
1.21
I. Prelude (By Whose Aid the World’s Foundations First Were Laid)
Vincent Persichetti; Tom Winpenny
2:51
1.22
II. Response (Give Us Thyself, That We May See)
Vincent Persichetti; Tom Winpenny
2:54
1.23
III. Psalm (From Sin and Sorrow Set Us Free)
Vincent Persichetti; Tom Winpenny
3:22
1.24
IV. Prayer (Make Us Eternal Truths Receive)
Vincent Persichetti; Tom Winpenny
2:52
1.25
V. Toccata (Inflame and Fire Our Hearts)
Vincent Persichetti; Tom Winpenny
6:55
Digital Booklet
Total Playing Time    1:26:48
The larger part of the organ music of the American composer Vincent Persichetti (1915–87) was composed towards the end of his life, with some of those pieces receiving their first recordings here. Several are based on hymn tunes, which can often be heard in the background – re-emerging in glorious affirmation in the Auden Variations. On occasion the language suggests a kaleidoscopic admixture of Hindemith and Messiaen, bristling with edgy flashes of colour; and Do not go gentle, an essay for pedals alone after the Dylan Thomas poem, is a statement of austere power. What these highly contrasted works have in common is complete textural clarity: Persichetti had been playing the organ since boyhood, and his writing for the instrument is that of a master.
96 kHz / 24-bit PCM – Toccata Classics Studio Masters

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