℗ 2020 Sub Pop Records
| Released | May 8, 2020 |
| Duration | 41m 32s |
| Record Label | Sub Pop Records |
| Genre | Alternative Rock |
|
1.1
|
Nowhere (Live)
Shannon Lay |
2:53 | |||
|
1.2
|
November (Live)
Shannon Lay |
2:31 | |||
|
1.3
|
Something On Your Mind (Live)
Shannon Lay |
2:21 | |||
|
1.4
|
Parked (Live)
Shannon Lay |
4:25 | |||
|
1.5
|
Wild (Live)
Shannon Lay |
4:19 | |||
|
1.6
|
The Moons Detriment (Live)
Shannon Lay |
2:47 | |||
|
1.7
|
All This Life Going Down (Live)
Shannon Lay |
2:59 | |||
|
1.8
|
Recording 15 (Live)
Shannon Lay |
4:11 | |||
|
1.9
|
Coast (Live)
Shannon Lay |
3:20 | |||
|
1.10
|
Death Up Close (Live)
Shannon Lay |
3:20 | |||
|
1.11
|
August (Live)
Shannon Lay |
2:44 | |||
|
1.12
|
The Dream (Live)
Shannon Lay |
2:58 | |||
|
1.13
|
Everybody, Everybody (Live)
Shannon Lay |
2:44 |
There is an entire sub-genre of poetry devoted to rivers and their persistent, meditative flow. Emily Dickinson’s “My River Runs to Thee” compares them to the cycle of life, while Alfred Tennyson’s “The Brook” deems them eternal and Kathleen Raine’s “The River” muses on the dream-state they evoke. For transcendent folk-pop artist Shannon Lay, the river is all of the above: It’s the metaphor driving her sub-pop full-length debut, the exquisitely uplifting August – which doubles as an aural baptism renewing her purpose for making music.
Following that highly-acclaimed release, Lay offers Live at Zebulon, a live album recorded in promotion of that album, delivering an antimate and of-the-moment account of her new music.
“I always picture music as this river. Everyone’s throwing things into this river, it’s a place you can go to and feed off of that energy, and feel nourished by the fact that so many people are feeling what you’re feeling. It’s this beautiful exchange.”
- Shannon Lay
48 kHz / 24-bit PCM – Sub Pop Records Studio Masters
Tracks 3, 6-8, 10, 13 – contains material which has been processed by a perceptual audio coding algorithm Track 11 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Tracks 3, 6-8, 10, 13 – contains material which has been processed by a perceptual audio coding algorithm Track 11 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.62 -2.00 to -0.50 | -13.88 -16.54 to -12.20 | -10.69 -13.50 to -9.20 | 7 6 to 8 | |
| 1 | Nowhere (Live) | -0.50 | -13.16 | -9.6 | 7 |
| 2 | November (Live) | -2.00 | -16.52 | -13.5 | 8 |
| 3 | Something On Your Mind (Live) | -0.50 | -13.52 | -9.6 | 7 |
| 4 | Parked (Live) | -0.50 | -13.66 | -11.4 | 8 |
| 5 | Wild (Live) | -0.50 | -12.20 | -9.2 | 6 |
| 6 | The Moons Detriment (Live) | -0.50 | -13.48 | -10.8 | 7 |
| 7 | All This Life Going Down (Live) | -0.50 | -16.54 | -12.6 | 8 |
| 8 | Recording 15 (Live) | -0.50 | -12.65 | -9.5 | 6 |
| 9 | Coast (Live) | -0.50 | -14.15 | -9.9 | 7 |
| 10 | Death Up Close (Live) | -0.50 | -13.49 | -10.4 | 6 |
| 11 | August (Live) | -0.50 | -13.07 | -10.3 | 7 |
| 12 | The Dream (Live) | -0.50 | -15.08 | -11.6 | 8 |
| 13 | Everybody, Everybody (Live) | -0.50 | -12.88 | -10.6 | 7 |