℗ 2020 Sub Pop Records
 

Live at Zebulon

Shannon Lay

Available in MQA and 48 kHz / 24-bit AIFF, FLAC audio formats
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1.1
Nowhere (Live)
Shannon Lay
2:53
1.2
November (Live)
Shannon Lay
2:31
1.3
Something On Your Mind (Live)
Shannon Lay
2:21
1.4
Parked (Live)
Shannon Lay
4:25
1.5
Wild (Live)
Shannon Lay
4:19
1.6
The Moons Detriment (Live)
Shannon Lay
2:47
1.7
All This Life Going Down (Live)
Shannon Lay
2:59
1.8
Recording 15 (Live)
Shannon Lay
4:11
1.9
Coast (Live)
Shannon Lay
3:20
1.10
Death Up Close (Live)
Shannon Lay
3:20
1.11
August (Live)
Shannon Lay
2:44
1.12
The Dream (Live)
Shannon Lay
2:58
1.13
Everybody, Everybody (Live)
Shannon Lay
2:44
Total Playing Time    41:32
There is an entire sub-genre of poetry devoted to rivers and their persistent, meditative flow. Emily Dickinson’s “My River Runs to Thee” compares them to the cycle of life, while Alfred Tennyson’s “The Brook” deems them eternal and Kathleen Raine’s “The River” muses on the dream-state they evoke. For transcendent folk-pop artist Shannon Lay, the river is all of the above: It’s the metaphor driving her sub-pop full-length debut, the exquisitely uplifting August – which doubles as an aural baptism renewing her purpose for making music. Following that highly-acclaimed release, Lay offers Live at Zebulon, a live album recorded in promotion of that album, delivering an antimate and of-the-moment account of her new music. “I always picture music as this river. Everyone’s throwing things into this river, it’s a place you can go to and feed off of that energy, and feel nourished by the fact that so many people are feeling what you’re feeling. It’s this beautiful exchange.” - Shannon Lay
48 kHz / 24-bit PCM – Sub Pop Records Studio Masters

Tracks 3, 6-8, 10, 13 – contains material which has been processed by a perceptual audio coding algorithm Track 11 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit

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