℗ 2020 Carlos Cipa under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company
| Released | May 8, 2020 |
| Duration | 53m 42s |
| Record Label | Warner Classics |
| Genre | Classical |
Correlations (on 11 pianos)
Carlos Cipa
Available in MQA and 44.1 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Promenade I (on Blüthner Grand, 1935)
Carlos Cipa; Carlos Cipa |
1:05 | |||
|
1.2
|
Dreamlessly (on Blüthner Grand, 1935)
Carlos Cipa; Carlos Cipa |
5:28 | |||
|
1.3
|
Sable sonatina I (on Bechstein Grand, 1898)
Carlos Cipa; Carlos Cipa |
1:35 | |||
|
1.4
|
Fantasia on Bach (on Steinway Grand, 1975)
Carlos Cipa; Carlos Cipa |
2:55 | |||
|
1.5
|
Promenade II (on Collard and Collard Square, 1840)
Carlos Cipa; Carlos Cipa |
1:44 | |||
|
1.6
|
Sitting at a dead piano, trying to find some notes that work
Carlos Cipa; Carlos Cipa |
1:43 | |||
|
1.7
|
I wanted you to know (on Yamaha Upright, 1981)
Carlos Cipa; Carlos Cipa |
4:33 | |||
|
1.8
|
We tell ourselves stories in order to listen (on Yamaha Upright, 1981)
Carlos Cipa; Carlos Cipa |
6:27 | |||
|
1.9
|
Promenade III (on Yamaha Upright, 1981)
Carlos Cipa; Carlos Cipa |
1:24 | |||
|
1.10
|
Untitled (on Fender Rhodes, 1976)
Carlos Cipa; Carlos Cipa |
4:07 | |||
|
1.11
|
Surges (on Broadwood Grand, 1875)
Carlos Cipa; Carlos Cipa |
7:32 | |||
|
1.12
|
Playful (on Pleyel Grand, 1834)
Carlos Cipa; Carlos Cipa |
4:08 | |||
|
1.13
|
Sable sonatina II (on Bechstein Grand, 1898)
Carlos Cipa; Carlos Cipa |
1:29 | |||
|
1.14
|
Stairwell, 1130 p.m. (on Zierold Grand, 1900)
Carlos Cipa; Carlos Cipa |
3:03 | |||
|
1.15
|
Promenade IV (on Pleyel Grand, 1834)
Carlos Cipa; Carlos Cipa |
1:38 | |||
|
1.16
|
Forgotten in the attic (on Ritter Upright, 1920)
Carlos Cipa; Carlos Cipa |
4:51 | |||
|
Digital Booklet
|
Carlos Cipa is a Munich-based composer and pianist. He has been classically trained on the piano and studied contemporary classical composition at the University of Music and Performing Arts in Munich. During his teenage years, he started playing drums and gained experience as a member of various bands. Experimenting with different styles of music, he turned back to the piano as his main instrument, facilitating him to find his way throughout composition and improvisation.
His new album Correlations (on 11 Pianos) is yet again a return to the piano. Every day Carlos Cipa is on tour, he sets aside at least half an hour to familiarise himself with the piano on which he’ll perform. He sits there improvising, playing with total freedom as he tests out the weight of its keys, the timbre of its strings, the feel of its pedals, getting to know its charms and quirks. To many of us, one instrument sounds much like another, unless its design has been adapted for a specific purpose or age has taken its toll. To Cipa, though, each represents a new opportunity.
44.1 kHz / 24-bit PCM – Warner Classics Studio Masters
Track 9 – contains material which utilizes a limited amount of the available bandwidth Track 15 – contains material which has been processed by a perceptual audio coding algorithm
Track 9 – contains material which utilizes a limited amount of the available bandwidth Track 15 – contains material which has been processed by a perceptual audio coding algorithm
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.09 -8.23 to -0.30 | -27.57 -30.49 to -18.37 | -23.64 -27.40 to -15.60 | 15 11 to 22 | |
| 1 | Promenade I (on Blüthner Grand, 1935) | -4.66 | -29.04 | -23.6 | 15 |
| 2 | Dreamlessly (on Blüthner Grand, 1935) | -4.71 | -28.98 | -25.1 | 16 |
| 3 | Sable sonatina I (on Bechstein Grand, 1898) | -6.01 | -30.49 | -26.7 | 17 |
| 4 | Fantasia on Bach (on Steinway Grand, 1975) | -0.98 | -25.25 | -22.7 | 14 |
| 5 | Promenade II (on Collard and Collard Square, 1840) | -4.67 | -27.10 | -23.1 | 15 |
| 6 | Sitting at a dead piano, trying to find some notes that work | -8.13 | -29.30 | -25.0 | 14 |
| 7 | I wanted you to know (on Yamaha Upright, 1981) | -1.14 | -25.92 | -23.2 | 16 |
| 8 | We tell ourselves stories in order to listen (on Yamaha Upright, 1981) | -1.18 | -24.66 | -20.4 | 14 |
| 9 | Promenade III (on Yamaha Upright, 1981) | -8.23 | -27.97 | -23.3 | 12 |
| 10 | Untitled (on Fender Rhodes, 1976) | -0.68 | -30.47 | -27.4 | 22 |
| 11 | Surges (on Broadwood Grand, 1875) | -0.30 | -18.37 | -15.6 | 11 |
| 12 | Playful (on Pleyel Grand, 1834) | -4.36 | -28.44 | -25.1 | 15 |
| 13 | Sable sonatina II (on Bechstein Grand, 1898) | -5.08 | -27.67 | -23.0 | 15 |
| 14 | Stairwell, 1130 p.m. (on Zierold Grand, 1900) | -3.56 | -27.15 | -22.4 | 14 |
| 15 | Promenade IV (on Pleyel Grand, 1834) | -6.91 | -29.79 | -24.4 | 14 |
| 16 | Forgotten in the attic (on Ritter Upright, 1920) | -4.78 | -30.45 | -27.3 | 16 |