℗ 2015 Alpha Classics / Outhere Music
| Released | October 30, 2015 |
| Duration | 1h 17m 51s |
| Record Label | Alpha |
| Catalogue No. | ALPHA471 |
| Genre | Classical (Orchestral) |
The Sound of Weimar: Schubert-Liszt Transcriptions
Orchester Wiener Akademie, Martin Haselböck
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Deux Marches Caractéristiques' in C Major, Op. 121, D 886/1 (transcription by Franz Liszt)
|
|||||
|
1.1
|
Reitermarsch
Franz Schubert; Orchester Wiener Akademie; Martin Haselböck |
9:09 | |||
|
'Six Grande Marches', Op. 40, D 819/5 (transcription by Franz Liszt)
|
|||||
|
1.2
|
Trauermarsch
Franz Schubert; Orchester Wiener Akademie; Martin Haselböck |
15:53 | |||
|
Divertissement À La Hongroise in G Minor, Op. 54, D 818 (transcription by Franz Liszt)
|
|||||
|
1.3
|
Ungarischer Marsch
Franz Schubert; Orchester Wiener Akademie; Martin Haselböck |
6:04 | |||
|
Grosse Fantasie, D 760 Op. 15
|
|||||
|
1.4
|
I. Allegro con fuoco, ma non troppo
Franz Schubert; Gottlieb Wallisch; Orchester Wiener Akademie; Martin Haselböck |
6:05 | |||
|
1.5
|
II. Adagio
Franz Schubert; Gottlieb Wallisch; Orchester Wiener Akademie; Martin Haselböck |
6:10 | |||
|
1.6
|
III. Presto
Franz Schubert; Gottlieb Wallisch; Orchester Wiener Akademie; Martin Haselböck |
4:50 | |||
|
1.7
|
IV. Allegro
Franz Schubert; Gottlieb Wallisch; Orchester Wiener Akademie; Martin Haselböck |
3:37 | |||
|
Zwei Traueroden
|
|||||
|
1.8
|
Les Morts - Oraison pour grand orchestre, S112/1 LW. G25/1
Franz Liszt; Orchester Wiener Akademie; Martin Haselböck |
8:37 | |||
|
1.9
|
La Notte - Die nacht in C Minor S112/2 LW. G25/2
Franz Liszt; Orchester Wiener Akademie; Martin Haselböck |
11:20 | |||
|
1.10
|
Vexilla Regis Prodeunt - Kreuzeshymne S185 LWA 226
Franz Liszt; Orchester Wiener Akademie; Martin Haselböck |
6:06 | |||
|
Digital Booklet
|
|||||
Conductor Martin Haselböck and the Orchester Wiener Akademie present this programme devoted to Liszt's transcriptions of Schubert piano works for orchestra, part of Haselböck's series The Sound of Weimar. A reputed Lisztian, Haselböck and the orchestra ensured authenticity by using period instruments or faithful copies and recording this repertoire in historic venues favoured by the composer. As such, this volume was recorded in Raiding, Liszt's birthplace.
96 kHz / 24-bit PCM – Alpha Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.18 -5.67 to -0.50 | -24.36 -30.60 to -20.89 | -19.85 -26.70 to -16.30 | 14 12 to 17 | |
| 1 | Reitermarsch | -0.50 | -22.54 | -17.6 | 13 |
| 2 | Trauermarsch | -0.50 | -25.89 | -21.7 | 15 |
| 3 | Ungarischer Marsch | -0.50 | -21.52 | -17.1 | 12 |
| 4 | I. Allegro con fuoco, ma non troppo | -1.57 | -25.27 | -21.0 | 16 |
| 5 | II. Adagio | -0.70 | -27.08 | -22.7 | 17 |
| 6 | III. Presto | -0.70 | -24.51 | -19.9 | 15 |
| 7 | IV. Allegro | -0.70 | -21.36 | -17.7 | 13 |
| 8 | Les Morts - Oraison pour grand orchestre, S112/1 LW. G25/1 | -0.50 | -23.92 | -17.8 | 14 |
| 9 | La Notte - Die nacht in C Minor S112/2 LW. G25/2 | -5.67 | -30.60 | -26.7 | 16 |
| 10 | Vexilla Regis Prodeunt - Kreuzeshymne S185 LWA 226 | -0.50 | -20.89 | -16.3 | 13 |