℗ 2020 Fra Bernardo
| Released | May 22, 2020 |
| Duration | 1h 08m 17s |
| Record Label | Fra Bernardo |
| Catalogue No. | FB2001111 |
| Genre | Classical (Chamber) |
London Calling
Amandine Beyer, Michael Oman, Austrian Baroque Company, Johannes Hämmerle
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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Gavotta con divisioni
Nicola Matteis; Amandine Beyer; Michael Oman; Austrian Baroque Company |
2:39 | |||
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1.2
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Adagio - Presto
Nicola Matteis; Amandine Beyer; Michael Oman; Austrian Baroque Company |
2:19 | |||
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1.3
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Canciona dicha la preciosa
Andrea Falconieri; Amandine Beyer; Michael Oman; Austrian Baroque Company |
5:40 | |||
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1.4
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Su Gallarda
Andrea Falconieri; Amandine Beyer; Michael Oman; Austrian Baroque Company |
2:02 | |||
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1.5
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Aria tra la maniera Francese, è la Spagnola
Nicola Matteis; Amandine Beyer; Austrian Baroque Company |
2:01 | |||
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1.6
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Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona
Nicola Matteis; Amandine Beyer; Austrian Baroque Company |
3:55 | |||
|
1.7
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Fantazia No. 5
John Hilton; Michael Oman; Austrian Baroque Company |
3:26 | |||
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1.8
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Fantazia No. 1
John Hilton; Michael Oman; Austrian Baroque Company |
2:40 | |||
|
1.9
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Fantazia No. 2
John Hilton; Michael Oman; Austrian Baroque Company |
2:03 | |||
|
1.10
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Contr'aria
Nicola Matteis; Michael Oman; Austrian Baroque Company |
2:40 | |||
|
1.11
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Fancy
John Hilton; Michael Oman; Austrian Baroque Company |
1:03 | |||
|
1.12
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Scaramuccia
Nicola Matteis; Michael Oman; Austrian Baroque Company |
1:34 | |||
|
1.13
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Aria burlesca con molte bizzarrie
Nicola Matteis; Amandine Beyer; Austrian Baroque Company |
3:53 | |||
|
1.14
|
Gavotta
Nicola Matteis; Michael Oman; Austrian Baroque Company |
2:07 | |||
|
Prélude & Capriccio, HWV 571
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1.15
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I. Prélude
George Frideric Handel; Johannes Hämmerle |
2:01 | |||
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1.16
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II. Capriccio
George Frideric Handel; Johannes Hämmerle |
2:46 | |||
|
1.17
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Preludio
John Hilton; Michael Oman; Austrian Baroque Company |
1:45 | |||
|
1.18
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Fantasia a 3
John Hilton; Amandine Beyer; Michael Oman; Austrian Baroque Company |
2:12 | |||
|
1.19
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Fantazia No. 3
John Hilton; Michael Oman; Austrian Baroque Company |
2:10 | |||
|
The Fairy Queen, Z. 629
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1.20
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The Plaint (Arr. for Violin, Recorder & Chamber Ensemble)
Henry Purcell; Amandine Beyer; Michael Oman; Austrian Baroque Company |
6:34 | |||
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1.21
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Aria Amorosa
Nicola Matteis; Amandine Beyer; Michael Oman; Austrian Baroque Company |
4:06 | |||
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1.22
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Ground in D Minor la sol re per far la mano
Nicola Matteis; Amandine Beyer; Michael Oman; Austrian Baroque Company |
3:11 | |||
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1.23
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Grave
Nicola Matteis; Amandine Beyer; Michael Oman; Austrian Baroque Company |
2:21 | |||
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1.24
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Ground after the Scotch humour
Nicola Matteis; Amandine Beyer; Michael Oman; Austrian Baroque Company |
3:09 | |||
44.1 kHz / 24-bit PCM – Fra Bernardo Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.01 -7.90 to -0.51 | -15.81 -23.57 to -13.39 | -12.53 -20.40 to -10.10 | 9 8 to 12 | |
| 1 | Gavotta con divisioni | -0.51 | -13.39 | -10.1 | 8 |
| 2 | Adagio - Presto | -0.51 | -13.70 | -11.0 | 8 |
| 3 | Canciona dicha la preciosa | -0.51 | -16.02 | -13.5 | 11 |
| 4 | Su Gallarda | -0.51 | -15.34 | -12.2 | 10 |
| 5 | Aria tra la maniera Francese, è la Spagnola | -0.51 | -15.59 | -12.4 | 9 |
| 6 | Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona | -0.51 | -15.54 | -12.4 | 9 |
| 7 | Fantazia No. 5 | -0.51 | -14.47 | -10.8 | 8 |
| 8 | Fantazia No. 1 | -0.51 | -14.67 | -11.1 | 9 |
| 9 | Fantazia No. 2 | -0.51 | -14.76 | -11.1 | 9 |
| 10 | Contr'aria | -0.52 | -16.24 | -13.6 | 11 |
| 11 | Fancy | -0.51 | -14.45 | -10.2 | 8 |
| 12 | Scaramuccia | -0.51 | -14.44 | -10.7 | 8 |
| 13 | Aria burlesca con molte bizzarrie | -0.86 | -18.28 | -14.9 | 12 |
| 14 | Gavotta | -0.51 | -15.42 | -12.1 | 9 |
| 15 | I. Prélude | -7.90 | -23.57 | -20.4 | 10 |
| 16 | II. Capriccio | -4.62 | -20.62 | -16.8 | 12 |
| 17 | Preludio | -0.53 | -15.84 | -12.9 | 10 |
| 18 | Fantasia a 3 | -0.51 | -13.55 | -10.2 | 8 |
| 19 | Fantazia No. 3 | -0.51 | -15.63 | -12.6 | 9 |
| 20 | The Plaint (Arr. for Violin, Recorder & Chamber Ensemble) | -0.52 | -15.82 | -13.4 | 10 |
| 21 | Aria Amorosa | -0.51 | -15.41 | -12.8 | 10 |
| 22 | Ground in D Minor la sol re per far la mano | -0.51 | -15.53 | -12.1 | 10 |
| 23 | Grave | -0.51 | -16.96 | -13.2 | 11 |
| 24 | Ground after the Scotch humour | -0.51 | -14.10 | -10.3 | 8 |