℗ 2020 Paraty
| Released | September 11, 2020 |
| Duration | 58m 03s |
| Record Label | Paraty |
| Catalogue No. | PTY100273D |
| Genre | Classical (Mass, requiem etc.) |
Les Messes retrouvées de Jehan Titelouze, Vol. 2
Ensemble Les Meslanges, François Ménissier, Thomas Van Essen, Volny Hostiou
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Missa Sex Vocum Simplici Corde
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1.1
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I. Kyrie (Bonus Track)
Jehan Titelouze; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
2:37 | |||
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1.2
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II. Gloria
Jehan Titelouze; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
3:10 | |||
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1.3
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III. Credo
Jehan Titelouze; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
6:15 | |||
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1.4
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IV. Sanctus
Jehan Titelouze; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
2:04 | |||
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1.5
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V. Agnus Dei
Jehan Titelouze; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
1:37 | |||
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Magnificat Quinti Toni
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1.6
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I. Magnificat anima mea dominum
Jehan Titelouze; Ensemble Les Meslanges; François Ménissier |
1:29 | |||
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1.7
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II. Et exultavit spiritus meus
Jean de Bournonville; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
0:46 | |||
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1.8
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III. Quia respexit humilitatem
Jehan Titelouze; Ensemble Les Meslanges; François Ménissier |
1:17 | |||
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1.9
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IV. Quia fecit mihi magna
Jean de Bournonville; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
0:34 | |||
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1.10
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V. Et misericordia ejus
Jehan Titelouze; Ensemble Les Meslanges; François Ménissier |
1:31 | |||
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1.11
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VI. Fecit potentiam
Jean de Bournonville; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
0:30 | |||
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1.12
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VII. Deposuit potentes
Jehan Titelouze; Ensemble Les Meslanges; François Ménissier |
1:34 | |||
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1.13
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VIII. Esurientes implevit bonis
Jean de Bournonville; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
0:25 | |||
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1.14
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IX. Suscepit Israël
Jehan Titelouze; Ensemble Les Meslanges; François Ménissier |
1:49 | |||
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1.15
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X. Sicut locutus est
Jean de Bournonville; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
0:39 | |||
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1.16
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XI. Gloria Patri et Filio
Jehan Titelouze; Ensemble Les Meslanges; François Ménissier |
1:11 | |||
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1.17
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XII. Sicut erat in Principio
Jean de Bournonville; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
0:51 | |||
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Missa Quatuor Vocum Votiva
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1.18
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I. Kyrie
Jehan Titelouze; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
2:17 | |||
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1.19
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II. Gloria
Jehan Titelouze; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
3:04 | |||
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1.20
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III. Credo
Jehan Titelouze; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
6:37 | |||
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1.21
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IV. Sanctus
Jehan Titelouze; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
3:39 | |||
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1.22
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V. Agnus Dei
Jehan Titelouze; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
2:54 | |||
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Annue Christe
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1.23
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I. Annue Christe
Jehan Titelouze; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
3:32 | |||
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1.24
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II. Salva Redemptor
Jehan Titelouze; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
1:19 | |||
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1.25
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III. Dole captivos
Jehan Titelouze; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
2:41 | |||
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1.26
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IV. Sit tibi Jesu
Jehan Titelouze; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
1:16 | |||
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1.27
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V. Amen
Jehan Titelouze; Ensemble Les Meslanges; Thomas Van Essen; Volny Hostiou |
2:25 | |||
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Digital Booklet
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Printed at the beginning of Jehan Titelouze's Hymnes de l'église pour toucher sur l'orgue (1623), these verses by the poet Pierre Bardin (1595-1635) of Rouen celebrate one of the greatest musicians of the reign of Louis XIII. We knew that Titelouze, long considered the founder of the French organ school of the organ, had also left behind vocal music, which was presumed lost. The recent discovery, by Laurent Guillo, of four polyphonic masses composed by Titelouze was a special event, which today allows us to appreciate his contrapuntal genius in all of its diversity.
As the only 17th century polyphonic masses from Rouen that have survived, they constitute a precious link in the knowledge of the musical life of the rich Norman capital and its Notre-Dame cathedral, whose organ was played by Titelouze for nearly a half century, from 1588 to 1633.
96 kHz / 24-bit PCM – Paraty Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.73 -9.13 to -0.17 | -20.17 -27.16 to -16.59 | -16.95 -24.20 to -13.40 | 10 8 to 12 | |
| 1 | I. Kyrie (Bonus Track) | -1.54 | -17.99 | -14.6 | 11 |
| 2 | II. Gloria | -1.03 | -17.85 | -14.5 | 11 |
| 3 | III. Credo | -0.92 | -18.10 | -14.8 | 12 |
| 4 | IV. Sanctus | -0.17 | -18.16 | -14.7 | 10 |
| 5 | V. Agnus Dei | -1.54 | -18.87 | -15.5 | 10 |
| 6 | I. Magnificat anima mea dominum | -2.49 | -17.53 | -13.8 | 9 |
| 7 | II. Et exultavit spiritus meus | -2.29 | -18.56 | -15.6 | 10 |
| 8 | III. Quia respexit humilitatem | -9.13 | -27.16 | -24.2 | 10 |
| 9 | IV. Quia fecit mihi magna | -2.92 | -17.62 | -14.3 | 9 |
| 10 | V. Et misericordia ejus | -7.88 | -22.59 | -20.3 | 9 |
| 11 | VI. Fecit potentiam | -3.43 | -18.35 | -15.0 | 9 |
| 12 | VII. Deposuit potentes | -4.39 | -20.22 | -17.0 | 10 |
| 13 | VIII. Esurientes implevit bonis | -6.87 | -23.56 | -19.9 | 9 |
| 14 | IX. Suscepit Israël | -8.67 | -23.45 | -20.4 | 10 |
| 15 | X. Sicut locutus est | -1.35 | -18.80 | -15.7 | 8 |
| 16 | XI. Gloria Patri et Filio | -2.61 | -16.59 | -13.4 | 10 |
| 17 | XII. Sicut erat in Principio | -3.64 | -19.16 | -15.5 | 9 |
| 18 | I. Kyrie | -3.77 | -21.28 | -17.9 | 10 |
| 19 | II. Gloria | -2.27 | -20.86 | -17.6 | 11 |
| 20 | III. Credo | -2.62 | -21.08 | -17.9 | 12 |
| 21 | IV. Sanctus | -2.71 | -21.26 | -17.8 | 11 |
| 22 | V. Agnus Dei | -3.90 | -23.04 | -19.7 | 11 |
| 23 | I. Annue Christe | -2.41 | -16.86 | -13.5 | 10 |
| 24 | II. Salva Redemptor | -6.46 | -23.58 | -20.8 | 10 |
| 25 | III. Dole captivos | -5.10 | -20.16 | -17.7 | 10 |
| 26 | IV. Sit tibi Jesu | -6.11 | -23.54 | -20.7 | 10 |
| 27 | V. Amen | -4.37 | -18.38 | -14.8 | 10 |