℗ 2020 Craft Recordings., Distributed by Concord.
Released | 1972 |
Duration | 33m 07s |
Record Label | Craft Recordings |
Catalogue No. | CR02478 |
Genre | Gospel |
This Too Is Gospel
Marion Gaines Singers
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Are You Ready
Marion Gaines Singers |
3:12 | |||
1.2
|
If You Need A Friend
Marion Gaines Singers |
1:52 | |||
1.3
|
You Can't Stop Me Now
Marion Gaines Singers |
2:34 | |||
1.4
|
Wade In The Water
Marion Gaines Singers |
2:39 | |||
1.5
|
Grandma's Hands
Marion Gaines Singers |
2:01 | |||
1.6
|
Pass Me Not
Marion Gaines Singers |
4:39 | |||
1.7
|
Oh Mary, Don't You Weep
Marion Gaines Singers |
3:12 | |||
1.8
|
The Storm Is Passing Over
Marion Gaines Singers |
3:24 | |||
1.9
|
When Will We Be Paid
Marion Gaines Singers |
2:17 | |||
1.10
|
It Will Be Over Soon
Marion Gaines Singers |
2:43 | |||
1.11
|
I've Been Talked About
Marion Gaines Singers |
4:34 |
This Too Is Gospel by Marion Gaines Singers comes as part of Craft Recordings rollout of the first-ever digital release of 25 albums from the catalogue of Stax Records subsidiary Gospel Truth Records. Titles are being released every week in chronological order, building towards to September’s Gospel Heritage Month.
The Gospel Truth catalogue ranged from the divine gospel of Maceo Woods to the cutting-edge message music of Louise McCord and the label’s marquee act Rance Allen. Its 1970s archives reach beyond the realms of simply the black American gospel tradition and showcased a diverse collection of talent.
Gospel Truth was established in 1972 as the brainchild of Stax executive Al Bell. He enlisted the help of radio promotions pioneer and songwriter Dave Clark and Stax label staffer Mary Peak Patterson to oversee the imprint’s formation. Gospel Truth sought to “carry the message of today’s gospel to the people on the street,” as promotional material for the label’s launch announced.
What stood Gospel Truth apart from other gospel labels was the accessibility of its signings. Clark’s keen eye and ear had the knack of combining traditional gospel musicians with raw and revolutionary artists at home in rock, funk and soul, resulting in a sound that resonated with the hip audience of the 1970s.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Craft Recordings Studio Masters
Tracks 1-11 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-11 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.50 -0.50 to -0.49 | -16.27 -17.96 to -15.29 | -12.74 -14.00 to -11.50 | 11 10 to 12 | |
1 | Are You Ready | -0.50 | -16.69 | -13.3 | 11 |
2 | If You Need A Friend | -0.49 | -15.29 | -11.5 | 10 |
3 | You Can't Stop Me Now | -0.49 | -16.67 | -13.3 | 11 |
4 | Wade In The Water | -0.50 | -16.50 | -12.6 | 11 |
5 | Grandma's Hands | -0.50 | -17.96 | -13.8 | 12 |
6 | Pass Me Not | -0.49 | -15.72 | -12.5 | 10 |
7 | Oh Mary, Don't You Weep | -0.50 | -15.75 | -12.4 | 11 |
8 | The Storm Is Passing Over | -0.50 | -15.38 | -12.1 | 10 |
9 | When Will We Be Paid | -0.50 | -15.92 | -12.0 | 11 |
10 | It Will Be Over Soon | -0.50 | -15.82 | -12.6 | 11 |
11 | I've Been Talked About | -0.50 | -17.24 | -14.0 | 11 |