℗ 2015 BR-Klassik
| Released | November 6, 2015 |
| Duration | 2h 15m 45s |
| Record Label | BR-Klassik |
| Catalogue No. | 900510 |
| Genre | Classical (Choral - Sacred) |
Handel: Messiah (Live)
Julia Doyle, Lawrence Zazzo, Steve Davislim, Neal Davies, B'Rock Belgian Baroque Orchestra Ghent, Chor des Bayerischen Rundfunks, Peter Dijkstra
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Messiah, HWV 56: Part I
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1.1
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Symphony. Grave
George Frideric Handel; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
2:59 | |||
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1.2
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Accompagnato. Comfort ye my people (Tenor)
George Frideric Handel; Steve Davislim; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
3:01 | |||
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1.3
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Aria. Ev'ry valley shall be exalted (Tenor)
George Frideric Handel; Steve Davislim; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
3:16 | |||
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1.4
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And the glory of the Lord (Chorus)
George Frideric Handel; Chor des Bayerischen Rundfunks; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
2:30 | |||
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1.5
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Accompagnato. Thus saith the Lord (Bass)
George Frideric Handel; Neal Davies; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
1:22 | |||
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1.6
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Aria. But who may abide the day of his coming (Alto)
George Frideric Handel; Lawrence Zazzo; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
4:18 | |||
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1.7
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And he shall purify the sons of Levi (Chorus)
George Frideric Handel; Chor des Bayerischen Rundfunks; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
2:32 | |||
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1.8
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Behold, a virgin shall conceive (Alto)
George Frideric Handel; Lawrence Zazzo; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
0:25 | |||
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1.9
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Aria. O thou that tellest good tidings to Zion (Alto, Chorus)
George Frideric Handel; Lawrence Zazzo; Chor des Bayerischen Rundfunks; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
5:08 | |||
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1.10
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Accompagnato. For behold, darkness shall cover the earth (Bass)
George Frideric Handel; Neal Davies; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
2:06 | |||
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1.11
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Aria. The people that walked in darkness have seen a great light (Bass)
George Frideric Handel; Neal Davies; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
3:34 | |||
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1.12
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For unto us a child is born (Chorus)
George Frideric Handel; Chor des Bayerischen Rundfunks; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
3:55 | |||
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1.13
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Pifa (Pastoral Symphony). Larghetto
George Frideric Handel; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
0:56 | |||
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1.14
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Recitative. There were shepards abiding in the field (Soprano)
George Frideric Handel; Julia Doyle; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
0:14 | |||
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1.15
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Accompagnato. And lo, the angel of the Lord came upon them (Soprano)
George Frideric Handel; Julia Doyle; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
0:19 | |||
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1.16
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Recitative. And the angel said unto them (Soprano)
George Frideric Handel; Julia Doyle; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
0:31 | |||
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1.17
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Accompagnato. And suddenly there was with the angel (Soprano)
George Frideric Handel; Julia Doyle; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
0:17 | |||
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1.18
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Glory to God in the highest (Chorus)
George Frideric Handel; Chor des Bayerischen Rundfunks; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
1:52 | |||
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1.19
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Aria. Rejoice greatly, O daughter of Zion (Soprano)
George Frideric Handel; Julia Doyle; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
4:14 | |||
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1.20
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Recitative. Then shall the eyes of the blind be open'd (Alto)
George Frideric Handel; Lawrence Zazzo; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
0:30 | |||
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1.21
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Aria. He shall feed his flock (Soprano, Alto)
George Frideric Handel; Julia Doyle; Lawrence Zazzo; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
5:26 | |||
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1.22
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His yoke is easy (Chorus)
George Frideric Handel; Chor des Bayerischen Rundfunks; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
2:18 | |||
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Messiah, HWV 56: Part II
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1.23
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Behold, The Lamb of God (Chorus)
George Frideric Handel; Chor des Bayerischen Rundfunks; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
3:11 | |||
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1.24
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Aria. He was despised and rejected of men (Alto)
George Frideric Handel; Lawrence Zazzo; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
10:18 | |||
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1.25
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Surely, he hath borne our griefs and carried our sorrows (Chorus)
George Frideric Handel; Chor des Bayerischen Rundfunks; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
1:36 | |||
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1.26
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And with his stripes we are healed (Chorus)
George Frideric Handel; Chor des Bayerischen Rundfunks; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
1:40 | |||
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1.27
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All we like sheep (Chorus)
George Frideric Handel; Chor des Bayerischen Rundfunks; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
3:58 | |||
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2.1
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Accompagnato. All they that see him (Tenor)
George Frideric Handel; Steve Davislim; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
0:39 | |||
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2.2
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He trusted in God (Chorus)
George Frideric Handel; Chor des Bayerischen Rundfunks; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
2:16 | |||
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2.3
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Accompagnato. Thy rebuke hath broken his heart (Tenor)
George Frideric Handel; Steve Davislim; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
1:43 | |||
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2.4
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Arioso. Behold, and see if there be any sorrow (Tenor)
George Frideric Handel; Steve Davislim; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
1:17 | |||
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2.5
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Accompagnato. He was cut off (Tenor)
George Frideric Handel; Julia Doyle; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
0:16 | |||
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2.6
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Aria. But thou didst not leave his soul in hell (Tenor)
George Frideric Handel; Julia Doyle; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
2:07 | |||
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2.7
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Lift up your heads (Chorus)
George Frideric Handel; Chor des Bayerischen Rundfunks; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
3:00 | |||
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2.8
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Recitative. Unto which of the angels said he at any time (Tenor)
George Frideric Handel; Steve Davislim; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
0:13 | |||
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2.9
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Let all the angels of God worship him (Chorus)
George Frideric Handel; Chor des Bayerischen Rundfunks; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
1:29 | |||
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2.10
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Aria. Thou art gone up on high (Alto)
George Frideric Handel; Lawrence Zazzo; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
3:07 | |||
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2.11
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The Lord gave the word (Chorus)
George Frideric Handel; Chor des Bayerischen Rundfunks; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
1:11 | |||
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2.12
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Aria. How beautiful are the feet (Soprano)
George Frideric Handel; Julia Doyle; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
2:21 | |||
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2.13
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Their sound is gone out into all lands (Chorus)
George Frideric Handel; Chor des Bayerischen Rundfunks; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
1:23 | |||
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2.14
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Aria. Why do the nations so furiously rage together (Bass)
George Frideric Handel; Neal Davies; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
2:47 | |||
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2.15
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Let us break their bonds asunder (Chorus)
George Frideric Handel; Chor des Bayerischen Rundfunks; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
1:46 | |||
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2.16
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Recitative. He that dwelleth in heaven (Tenor)
George Frideric Handel; Steve Davislim; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
0:12 | |||
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2.17
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Thou shalt break them with a rod of iron (Tenor)
George Frideric Handel; Steve Davislim; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
2:04 | |||
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2.18
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Hallelujah (Chorus)
George Frideric Handel; Chor des Bayerischen Rundfunks; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
3:37 | |||
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Messiah, HWV 56: Part III
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2.19
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Aria. I know that my Redeemer liveth (Soprano)
George Frideric Handel; Julia Doyle; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
5:25 | |||
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2.20
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Since by man came death (Chorus)
George Frideric Handel; Chor des Bayerischen Rundfunks; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
2:16 | |||
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2.21
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Accompagnato. Behold, I tell you a mystery (Bass)
George Frideric Handel; Neal Davies; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
0:34 | |||
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2.22
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Aria. The trumpet shall sound (Bass)
George Frideric Handel; Neal Davies; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
8:49 | |||
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2.23
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Recitative. Then shall be brought to pass (Alto)
George Frideric Handel; Lawrence Zazzo; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
0:16 | |||
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2.24
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Duet. O death, where is thy sting (Alto, Tenor)
George Frideric Handel; Lawrence Zazzo; Steve Davislim; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
0:58 | |||
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2.25
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But thanks be to God (Chorus)
George Frideric Handel; Chor des Bayerischen Rundfunks; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
2:02 | |||
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2.26
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Aria. If God be for us (Soprano)
George Frideric Handel; Julia Doyle; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
4:24 | |||
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2.27
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Worthy is the Lamb that was slain (Chorus)
George Frideric Handel; Chor des Bayerischen Rundfunks; BB'Rock Belgian Baroque Orchestra GhentRock; Peter Dijkstra |
3:17 | |||
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2.28
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Amen (Chorus)
George Frideric Handel; Chor des Bayerischen Rundfunks; B'Rock Belgian Baroque Orchestra Ghent; Peter Dijkstra |
3:50 | |||
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Digital Booklet
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This double album presentation of Handel's Messiah in the original English version was recorded live in Munich in November 2014 and rises above many other releases thanks to interpretations from a stellar cast of vocalists and musicians. Working from the original and historically informed scoring are soprano Julia Doyle, countertenor Lawrence Zazzo, tenor Steve Davislim, bass baritone Neal Davies and the Chor des Bayerischen Rundfunks under Peter Dijkstra, accompanied by B'Rock Orchestra.
48 kHz / 24-bit PCM – BR-Klassik Studio Masters
Live-Aufnahme / Live recording: München, Herkulessaal, 21.-27.11.2014 Tonmeister / Recording Producer: Bernhard Albrecht Toningenieur / Balance Engineer: Peter Urban Schnitt / Editing: Bernhard Albrecht Fotos / Photography: Bild vom Konzert © Klaus Fleckenstein; Julia Doyle © Raphaelle Photography; Lawrence Zazzo © Eric Richmond; Steve Davislim © Rosa Frank; Neal Davies © Sussie Ahlburg; BR-Chor © Johannes Rodach; B‘Rock © Jens Mollenvanger; Peter Dijkstra © Astrid Ackermann Deutsche Übersetzung mit freundlicher Genehmigung von Deutsche Grammophon GmbH / German translation by courtesy of Deutsche Grammophon GmbH Design / Artwork: [ec:ko] communications Editorial: Thomas Becker. Label-Management: Stefan Piendl, Arion Arts GmbH, Dreieich
Live-Aufnahme / Live recording: München, Herkulessaal, 21.-27.11.2014 Tonmeister / Recording Producer: Bernhard Albrecht Toningenieur / Balance Engineer: Peter Urban Schnitt / Editing: Bernhard Albrecht Fotos / Photography: Bild vom Konzert © Klaus Fleckenstein; Julia Doyle © Raphaelle Photography; Lawrence Zazzo © Eric Richmond; Steve Davislim © Rosa Frank; Neal Davies © Sussie Ahlburg; BR-Chor © Johannes Rodach; B‘Rock © Jens Mollenvanger; Peter Dijkstra © Astrid Ackermann Deutsche Übersetzung mit freundlicher Genehmigung von Deutsche Grammophon GmbH / German translation by courtesy of Deutsche Grammophon GmbH Design / Artwork: [ec:ko] communications Editorial: Thomas Becker. Label-Management: Stefan Piendl, Arion Arts GmbH, Dreieich
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.58 -14.37 to -0.37 | -26.27 -33.24 to -18.45 | -22.75 -29.90 to -13.80 | 13 8 to 16 | |
| 1.1 | Symphony. Grave | -8.42 | -27.93 | -25.2 | 12 |
| 1.2 | Accompagnato. Comfort ye my people (Tenor) | -4.80 | -28.89 | -25.0 | 15 |
| 1.3 | Aria. Ev'ry valley shall be exalted (Tenor) | -8.43 | -28.41 | -24.7 | 13 |
| 1.4 | And the glory of the Lord (Chorus) | -1.16 | -21.14 | -17.9 | 13 |
| 1.5 | Accompagnato. Thus saith the Lord (Bass) | -2.19 | -27.10 | -23.4 | 15 |
| 1.6 | Aria. But who may abide the day of his coming (Alto) | -0.69 | -25.72 | -22.6 | 15 |
| 1.7 | And he shall purify the sons of Levi (Chorus) | -0.46 | -22.84 | -19.7 | 14 |
| 1.8 | Behold, a virgin shall conceive (Alto) | -11.50 | -32.02 | -27.9 | 12 |
| 1.9 | Aria. O thou that tellest good tidings to Zion (Alto, Chorus) | -0.38 | -25.59 | -22.6 | 16 |
| 1.10 | Accompagnato. For behold, darkness shall cover the earth (Bass) | -5.85 | -28.41 | -24.7 | 12 |
| 1.11 | Aria. The people that walked in darkness have seen a great light (Bass) | -3.20 | -27.52 | -23.9 | 16 |
| 1.12 | For unto us a child is born (Chorus) | -0.45 | -23.25 | -20.1 | 15 |
| 1.13 | Pifa (Pastoral Symphony). Larghetto | -13.24 | -32.23 | -29.9 | 10 |
| 1.14 | Recitative. There were shepards abiding in the field (Soprano) | -14.37 | -32.57 | -29.1 | 10 |
| 1.15 | Accompagnato. And lo, the angel of the Lord came upon them (Soprano) | -8.12 | -29.27 | -24.4 | 11 |
| 1.16 | Recitative. And the angel said unto them (Soprano) | -9.88 | -29.40 | -25.5 | 12 |
| 1.17 | Accompagnato. And suddenly there was with the angel (Soprano) | -3.92 | -25.00 | -21.4 | 12 |
| 1.18 | Glory to God in the highest (Chorus) | -0.48 | -21.09 | -15.9 | 13 |
| 1.19 | Aria. Rejoice greatly, O daughter of Zion (Soprano) | -3.59 | -26.70 | -23.8 | 16 |
| 1.20 | Recitative. Then shall the eyes of the blind be open'd (Alto) | -11.76 | -31.92 | -27.4 | 12 |
| 1.21 | Aria. He shall feed his flock (Soprano, Alto) | -3.39 | -27.47 | -24.7 | 16 |
| 1.22 | His yoke is easy (Chorus) | -0.47 | -23.18 | -19.9 | 14 |
| 1.23 | Behold, The Lamb of God (Chorus) | -0.60 | -24.10 | -20.3 | 14 |
| 1.24 | Aria. He was despised and rejected of men (Alto) | -6.19 | -30.59 | -27.5 | 16 |
| 1.25 | Surely, he hath borne our griefs and carried our sorrows (Chorus) | -0.57 | -21.42 | -18.4 | 13 |
| 1.26 | And with his stripes we are healed (Chorus) | -0.65 | -23.27 | -20.4 | 13 |
| 1.27 | All we like sheep (Chorus) | -1.55 | -24.73 | -21.5 | 15 |
| 2.1 | Accompagnato. All they that see him (Tenor) | -8.00 | -26.69 | -23.2 | 12 |
| 2.2 | He trusted in God (Chorus) | -0.52 | -21.98 | -18.9 | 14 |
| 2.3 | Accompagnato. Thy rebuke hath broken his heart (Tenor) | -10.54 | -32.88 | -29.6 | 14 |
| 2.4 | Arioso. Behold, and see if there be any sorrow (Tenor) | -7.50 | -30.56 | -27.0 | 14 |
| 2.5 | Accompagnato. He was cut off (Tenor) | -5.98 | -25.25 | -21.8 | 8 |
| 2.6 | Aria. But thou didst not leave his soul in hell (Tenor) | -5.04 | -28.75 | -25.8 | 14 |
| 2.7 | Lift up your heads (Chorus) | -0.44 | -21.59 | -18.2 | 13 |
| 2.8 | Recitative. Unto which of the angels said he at any time (Tenor) | -11.54 | -32.10 | -27.8 | 11 |
| 2.9 | Let all the angels of God worship him (Chorus) | -1.79 | -21.15 | -17.9 | 12 |
| 2.10 | Aria. Thou art gone up on high (Alto) | -2.75 | -28.21 | -25.3 | 16 |
| 2.11 | The Lord gave the word (Chorus) | -1.57 | -21.74 | -18.2 | 13 |
| 2.12 | Aria. How beautiful are the feet (Soprano) | -6.57 | -29.00 | -25.9 | 14 |
| 2.13 | Their sound is gone out into all lands (Chorus) | -0.88 | -20.24 | -16.9 | 12 |
| 2.14 | Aria. Why do the nations so furiously rage together (Bass) | -1.61 | -25.28 | -22.1 | 16 |
| 2.15 | Let us break their bonds asunder (Chorus) | -0.86 | -22.41 | -19.4 | 14 |
| 2.16 | Recitative. He that dwelleth in heaven (Tenor) | -8.72 | -29.41 | -24.3 | 10 |
| 2.17 | Thou shalt break them with a rod of iron (Tenor) | -6.97 | -26.95 | -23.7 | 13 |
| 2.18 | Hallelujah (Chorus) | -0.43 | -18.60 | -15.2 | 12 |
| 2.19 | Aria. I know that my Redeemer liveth (Soprano) | -3.92 | -29.27 | -26.3 | 16 |
| 2.20 | Since by man came death (Chorus) | -2.94 | -24.71 | -18.6 | 13 |
| 2.21 | Accompagnato. Behold, I tell you a mystery (Bass) | -4.32 | -28.97 | -24.1 | 13 |
| 2.22 | Aria. The trumpet shall sound (Bass) | -1.78 | -25.67 | -21.8 | 16 |
| 2.23 | Recitative. Then shall be brought to pass (Alto) | -13.25 | -33.24 | -29.6 | 11 |
| 2.24 | Duet. O death, where is thy sting (Alto, Tenor) | -9.64 | -29.87 | -26.9 | 12 |
| 2.25 | But thanks be to God (Chorus) | -2.25 | -22.79 | -19.8 | 13 |
| 2.26 | Aria. If God be for us (Soprano) | -5.34 | -28.38 | -25.4 | 15 |
| 2.27 | Worthy is the Lamb that was slain (Chorus) | -0.37 | -19.20 | -15.9 | 12 |
| 2.28 | Amen (Chorus) | -0.37 | -18.45 | -13.8 | 11 |