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Henze: Der Prinz von Homburg

Robin Adams, Stefan Margita, Helene Schneiderman, Vera-Lotte Böcker, Moritz Kallenberg, Mingjie Lei, Pawel Konik, Michael Nagl, Catriona Smith, Anna Werle, Maria Stine, Staatsorchester Stuttgart, Cornelius Meister, Michael Ebbecke, Friedemann Röhlig, Friedemann Röhling

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Der Prinz von Homburg, Act I Scene 1  
1.1
Da nun die Stunde schlägt
Hans Werner Henze; Robin Adams; Stefan Margita; Helene Schneiderman; Vera-Lotte Böcker; Moritz Kallenberg; Mingjie Lei; Pawel Konik; Michael Nagl; Catriona Smith; Anna Werle; Maria Stine; Staatsorchester Stuttgart; Cornelius Meister
11:57
Der Prinz von Homburg, Act I Scene 2  
1.2
Ihr Herrn, der Marschall kennt
Hans Werner Henze; Robin Adams; Stefan Margita; Helene Schneiderman; Vera-Lotte Böcker; Michael Ebbecke; Moritz Kallenberg; Mingjie Lei; Pawel Konik; Michael Nagl; Catriona Smith; Anna Werle; Maria Stine; Staatsorchester Stuttgart; Cornelius Meister
10:42
Der Prinz von Homburg, Act I Scene 3  
1.3
Ein schöner Tag, so wahr ich Leben atme
Hans Werner Henze; Robin Adams; Moritz Kallenberg; Friedemann Röhlig; Mingjie Lei; Pawel Konik; Michael Nagl; Staatsorchester Stuttgart; Cornelius Meister
5:59
1.4
So ist es wahr, das wir den Sieg
Hans Werner Henze; Helene Schneiderman; Vera-Lotte Böcker; Catriona Smith; Anna Werle; Maria Stine; Michael Nagl; Robin Adams; Staatsorchester Stuttgart; Cornelius Meister
8:42
1.5
Wer immer auch die Reiterei geführt
Hans Werner Henze; Stefan Margita; Helene Schneiderman; Vera-Lotte Böcker; Catriona Smith; Anna Werle; Maria Stine; Michael Ebbecke; Robin Adams; Friedemann Röhlig; Moritz Kallenberg; Mingjie Lei; Pawel Konik; Michael Nagl; Staatsorchester Stuttgart; Cornelius Meister
5:43
Der Prinz von Homburg, Act II Scene 1  
2.1
Freund Heinrich! Sei willkommen
Hans Werner Henze; Robin Adams; Moritz Kallenberg; Staatsorchester Stuttgart; Cornelius Meister
6:33
Der Prinz von Homburg, Act II Scene 2  
2.2
Oh Gott! Ich sehe das Grab
Hans Werner Henze; Robin Adams; Staatsorchester Stuttgart; Cornelius Meister
3:45
Der Prinz von Homburg, Act II Scene 3  
2.3
Prinz Homburg, gnädige Frau
Hans Werner Henze; Helene Schneiderman; Vera-Lotte Böcker; Catriona Smith; Anna Werle; Maria Stine; Robin Adams; Staatsorchester Stuttgart; Cornelius Meister
9:09
Der Prinz von Homburg, Act II Scene 4  
2.4
Mein edler Oheim
Hans Werner Henze; Stefan Margita; Vera-Lotte Böcker; Staatsorchester Stuttgart; Cornelius Meister
9:29
Der Prinz von Homburg, Act II Scene 5  
2.5
Das Leben nennt der Derwisch
Hans Werner Henze; Robin Adams; Vera-Lotte Böcker; Staatsorchester Stuttgart; Cornelius Meister
7:56
Der Prinz von Homburg, Act III Scene 1  
2.6
Rebellion, mein Kurfürst
Hans Werner Henze; Stefan Margita; Michael Ebbecke; Friedemann Röhling; Moritz Kallenberg; Mingjie Lei; Pawel Konik; Michael Nagl; Robin Adams; Helene Schneiderman; Vera-Lotte Böcker; Catriona Smith; Anna Werle; Maria Stine; Staatsorchester Stuttgart; Cornelius Meister
16:42
Der Prinz von Homburg, Act III Scene 2  
2.7
Nun, oh Unsterblichkeit
Hans Werner Henze; Stefan Margita; Helene Schneiderman; Vera-Lotte Böcker; Robin Adams; Michael Ebbecke; Friedemann Röhlig; Moritz Kallenberg; Mingjie Lei; Pawel Konik; Michael Nagl; Catriona Smith; Anna Werle; Maria Stine; Staatsorchester Stuttgart; Cornelius Meister
11:13
Total Playing Time    1:47:50
This production of Der Prinz von Homburg ("The Prince of Homburg") is presented by the Staatsorchester Stuttgart and Cornelius Meister.

“But tell me, who could have written a better libretto than my friend Heinrich von Kleist. When I was searching for a language in combination with which my music could produce something new, a diction targeted by my music, I hit on the Prince. . […] The tension between the life of the individual and raison d’état, issues as to the disregard of law and order, man’s quivering before the might of ruling authorities and the courage to resist it, all of that might happen today or might have occurred one or two thousand years ago. […] Many of my endeavors in works of recent years appear through this drama to have reached a new point, i.e. a new polyphony and its concomitant, freely chosen rigor.”
- Hans-Werner Henze
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