℗ 2020 haenssler CLASSIC
Released | June 19, 2020 |
Duration | 1h 18m 55s |
Record Label | haenssler CLASSIC |
Catalogue No. | HC19081 |
Genre | Classical (Classical Era) |
Cantatas of the Bach Family
Benjamin Appl, Berliner Barock Solisten, Reinhard Goebel, Christoph Hartmann
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Ich bin vergnügt mit meinem Stande, Wq. deest
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1.1
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No. 1, Ich bin vergnügt mit meinem Stande
Carl Philipp Emanuel Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
2:52 | |||
1.2
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No. 2, Im Schweiße meines Angesichts
Carl Philipp Emanuel Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
1:09 | |||
1.3
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No. 3, Lieber Gott, es ist das Deine
Carl Philipp Emanuel Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
5:17 | |||
Symphony in F Major, Wq. deest
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1.4
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I. Allegro
Carl Philipp Emanuel Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
3:37 | |||
1.5
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II. Adagio
Carl Philipp Emanuel Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
2:00 | |||
1.6
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III. Allegro assai
Carl Philipp Emanuel Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
1:40 | |||
Pygmalion, Wf XVIII:5
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1.7
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No. 1, Abgöttin meiner Seele!
Johann Christoph Friedrich Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
2:10 | |||
1.8
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No. 2, Ihr Götter welche Phantaseyn!
Johann Christoph Friedrich Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
7:56 | |||
1.9
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No. 3, Nicht taub, nicht fühllos, nein
Johann Christoph Friedrich Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
0:39 | |||
1.10
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No. 4, Ach, dass mein irdisch Ohr nicht fähig ist
Johann Christoph Friedrich Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
1:52 | |||
1.11
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No. 5, Ach, es muss ein Teil der Gottheit
Johann Christoph Friedrich Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
1:40 | |||
1.12
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No. 6, O Venus! Saturnia! Bracht ich nur dir
Johann Christoph Friedrich Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
2:44 | |||
1.13
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No. 7, O Himmel! Der Boden wankt
Johann Christoph Friedrich Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
3:38 | |||
1.14
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No. 8, Nun senkt sie Haupt und Hand herab
Johann Christoph Friedrich Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
3:02 | |||
1.15
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No. 9, Bald sollen diese Lippen mich
Johann Christoph Friedrich Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
6:38 | |||
1.16
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No. 10, Ja, diese leichte Mühe, dies selige Geschäft
Johann Christoph Friedrich Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
0:26 | |||
1.17
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No. 11, Allgütige! Wofern dich hier noch
Johann Christoph Friedrich Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
2:55 | |||
Symphony in B-Flat Major, F 71
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1.18
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I. Allegro
Wilhelm Friedemann Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
4:44 | |||
1.19
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II. Andante
Wilhelm Friedemann Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
4:01 | |||
1.20
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III. Presto
Wilhelm Friedemann Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
1:39 | |||
Ich habe genug, BWV 82 (1747 Version)
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1.21
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No. 1, Ich habe genug
Johann Sebastian Bach; Christoph Hartmann; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
6:11 | |||
1.22
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No. 2, Ich habe genug
Johann Sebastian Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
1:17 | |||
1.23
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No. 3, Schlummert ein, ihr matten Augen
Johann Sebastian Bach; Christoph Hartmann; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
6:22 | |||
1.24
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No. 4, Mein Gott! Wann kömmt das schöne
Johann Sebastian Bach; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
0:46 | |||
1.25
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No. 5, Ich freue mich auf meinen Tod
Johann Sebastian Bach; Christoph Hartmann; Benjamin Appl; Berliner Barock Solisten; Reinhard Goebel |
3:40 | |||
Digital Booklet
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As we reflect on Johann Sebastian Bach and his sons, we are all too likely to overlook the fact that there were six sons from two marriages who inclined towards Music. True, Maria Barbaras third son Johann Gottfried Bernhard, born in Weimar in 1715, more or less disappeared from view in 1737, and it is plain that Anna Magdalenas first son Gottfried Heinrich, born in 1724, was mentally handicapped: A great Genius, which however was never developed, wrote his half-brother Carl Philipp Emanuel in the family chronicle.
For thirty years, making and writing music, he had been the musical front-runner in Saxony and Thuringia: the vanguard was located wherever he was, in his hands and at his writing-desk. Increasingly, twenty-year-olds and a few late starters in their thirties were coming on to the market and showing Bach a new way forward: the galant style, spreading north from Naples ever since 1715, and the flamboyant, ever more richly ornamented music of the late Baroque, constantly threatening to break down under the weight of emblematic connotation and religious symbolism, in contrast to that simpler form, written by mortals for mortals, distinguished by its slow, easily comprehensible harmony and its truly singable melodies in what was at most an expanded two-part structure.
96 kHz / 24-bit PCM – haenssler CLASSIC Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.25 -11.74 to -0.17 | -26.36 -30.61 to -20.93 | -23.05 -26.90 to -17.80 | 14 12 to 17 | |
1 | No. 1, Ich bin vergnügt mit meinem Stande | -3.55 | -25.52 | -22.5 | 14 |
2 | No. 2, Im Schweiße meines Angesichts | -5.92 | -29.94 | -26.2 | 16 |
3 | No. 3, Lieber Gott, es ist das Deine | -0.36 | -24.76 | -21.7 | 16 |
4 | I. Allegro | -6.13 | -26.09 | -23.1 | 14 |
5 | II. Adagio | -6.69 | -28.26 | -24.7 | 13 |
6 | III. Allegro assai | -6.57 | -25.69 | -22.5 | 12 |
7 | No. 1, Abgöttin meiner Seele! | -2.70 | -28.81 | -24.5 | 15 |
8 | No. 2, Ihr Götter welche Phantaseyn! | -0.17 | -23.85 | -20.5 | 17 |
9 | No. 3, Nicht taub, nicht fühllos, nein | -7.94 | -29.58 | -26.0 | 15 |
10 | No. 4, Ach, dass mein irdisch Ohr nicht fähig ist | -4.59 | -27.10 | -23.6 | 14 |
11 | No. 5, Ach, es muss ein Teil der Gottheit | -2.71 | -27.87 | -24.3 | 16 |
12 | No. 6, O Venus! Saturnia! Bracht ich nur dir | -4.32 | -26.66 | -23.2 | 15 |
13 | No. 7, O Himmel! Der Boden wankt | -0.20 | -25.22 | -22.0 | 15 |
14 | No. 8, Nun senkt sie Haupt und Hand herab | -1.60 | -26.53 | -23.0 | 14 |
15 | No. 9, Bald sollen diese Lippen mich | -2.69 | -25.74 | -22.8 | 16 |
16 | No. 10, Ja, diese leichte Mühe, dies selige Geschäft | -11.74 | -30.61 | -26.5 | 12 |
17 | No. 11, Allgütige! Wofern dich hier noch | -3.80 | -25.23 | -21.7 | 14 |
18 | I. Allegro | -5.97 | -25.54 | -22.6 | 13 |
19 | II. Andante | -11.22 | -29.78 | -26.9 | 12 |
20 | III. Presto | -6.69 | -28.64 | -25.3 | 13 |
21 | No. 1, Ich habe genug | -1.43 | -22.90 | -19.6 | 15 |
22 | No. 2, Ich habe genug | -2.84 | -24.32 | -21.3 | 14 |
23 | No. 3, Schlummert ein, ihr matten Augen | -2.18 | -24.37 | -21.6 | 16 |
24 | No. 4, Mein Gott! Wann kömmt das schöne | -4.13 | -25.05 | -22.3 | 14 |
25 | No. 5, Ich freue mich auf meinen Tod | -0.21 | -20.93 | -17.8 | 13 |